Payday (1973)

Fundraising concert starring Rascal Flatts, John Foggerty, Little Big Town, Ronnie Dunn, Blake Shelton and Vince Gill. The night's honorees included Reba, The Judds, Miranda Lambert, Loretta Lynn, Martina McBride, Jennifer Nettles of Sugarland, and Carrie Underwood.

CMT Crossroads (The country version of MTV Unplugged)

O filme é inspirado na vida de Blaze Foley, lendário compositor do movimento musical do Texas. As versões do passado, presente e futuro de Blaze exploram seu caso de amor com Sybil Rosen e o impacto de suas canções e da sua morte nos fãs, amigos e inimigos.

Kacey Musgraves performing her Country & Western Rhinestone Revue Tour at the Royal Albert Hall.

Sara Evans is back on top musically with a Greatest Hits album. Sit down with Katie Cook as she interviews Sara about her upcoming album and takes a look at Sara's career through her history of music videos. Get the inside scoop on the videos for her hits such as "Born to Fly", "You'll Always Be My Baby", and her very first #1, "No Place That Far", a duet with Vince Gill

Relive the highly successful Storyteller Tour - Stories in the Round, filmed at Underwood's sold-out Madison Square Garden show. The live concert features 17 of her 26 #1 singles, including "Church Bells," "Dirty Laundry," and "Something In The Water." 2016's top touring country female of the year took her critically-acclaimed world tour across nine countries, playing more than 100 shows for over one million fans.

As Rudyard Kipling says, "He who rides the tiger finds it difficult to dismount," screams Jason Ringenberg as the band rips into "Self Sabotage," the first cut on a two-disc that captures this seminal band live in concert. Over the next 23 tracks, the Scorcher prove they're still on the beast's back, digging their spurs in its sides.

Emmylou Harris and The Hot Band Perform for West German TV in 1977.

An oral history of the Mount Rushmore of Country Music: Willie Nelson, Waylon Jennings, Johnny Cash and Kris Kristofferson. Interviews with the men who make the music and the story of their friendships.

Sure, Elvis was the King, but who was the Queen? The Women Of Rockabilly – Welcome To The Club is a documentary search for the "Female Elvis", as we meet the women of rockabilly music and explore the "what-if’s?" and "what-now’s" of their careers. Brenda Lee, Wanda Jackson, Janis Martin and a sassy cast of lesser but no less colorful pretenders to the throne describe their trailblazing days when they were the embodiment of exuberance, sexuality and defiance in a world that wasn’t quite ready for them. A rockin’ feature documentary by Beth Harrington.

Rose-Lynn Harlan é uma cantora de Glasgow, na Escócia, que sonha em se tornar uma estrela da música country em Nashville, no Tennessee. Acabando de sair da prisão e mãe solteira de dois filhos, ela é forçada a encarar responsabilidades mais urgentes e arruma um emprego de diarista, mas acaba encontrando em seu caminho quem dê apoio para o seu sonho aparentemente louco.

Bloodied But Unbowed chronicles Bloodshot Records' 12 years (and counting) in the trenches of independent music. It's a world where it's easier to take down an M-1 Abrams tank with pub dart than get noticed and appreciated by the mainstream. Here you'll find the highs, the lows, the humiliations and the triumphs. It's an inspirational tale of the ages for anyone foolish enough to want to start a record label.

The life and times of The Carter Family, one of the earliest and most-influential group in American country and roots music.

This collection features Merle Haggard performances in his prime, featuring special guests: Bonnie Owens, Willie Nelson and Johnny Paycheck.

Amber Lawrence is a country music singer who spent her childhood not on the stage but at the running track. And one thing running taught her, is practice makes perfect.

Desde sua ascensão ao estrelato, o ícone do rock Elvis Presley mantém um relacionamento complicado com seu enigmático empresário, Tom Parker, por mais de 20 anos.

Freddy wants to be a star. He writes and performs his own songs, but has no record contract yet. He has an idea to form a group of back-up vocalists and recruits four beautiful girls who also happen to be his former lovers. They name themselves "THE FOUR PIN-UPS." But even this doesn't work because Freddy wants the spotlight for himself. However, by chance, the girls find themselves onstage without Freddy; they start singing and capture the audience and sign a contract with a big producer. They seem to be on the road to success with their own sound and a new wave image. Except the dream begins to lose its glow; scandal, conflicts, and disenchantment start affecting the group. They go from number one to...