Sanctuary (2022)

Ryan e Jennifer são o oposto de tudo aquilo o que chamam de atraente. Pelo menos é nisto que eles sempre acreditaram. Quando se conheceram, aos 12 anos, se acharam repugnantes. Quando novamente se encontraram, na adolescência, eles se detestavam. Mas, quando se encontram uma vez mais na faculdade, Ryan (Freddy Prinze Jr.) e Jennifer (Claire Forlani) deixam suas diferenças de lado e desenvolvem uma forte amizade. Agora, com a ajuda de seus colegas de quarto, eles buscam descobrir o que os homens querem, o que as mulheres desejam e até onde pode ir uma amizade.

First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet.

Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.

Kevin Bacon estrela esta comédia no papel de Nick Chapman, um jovem e promissor ator que acaba de chegar a Hollywood. Para alcançar o sucesso, ele tentará agradar a todos que puderem lhe ajudar a realizar seus sonhos de luxo e da fama. Mas o sabor do fracasso lhe ensinará uma dura lição.

A profunda insanidade de um homem é exposta quando o mesmo persegue algo em seu apartamento.

In a triptych of overlapping stories, three different French women – a filmmaker, an adulterer and a divorcee visit a small Korean resort town and encounter a flirtatious director, a lovestruck lifeguard and far too much soju.

Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.

A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair,

O vínculo entre pai e filha é ameaçado por questões que não são ditas, e dói porque demoram a cicatrizar.

When, in a very strict Catholic school, a teacher enters a bathroom and surprises two students engaged in forbidden sexual practices, some of their classmates do not know whether to remain silent or rat out their own friends when questioned by school authorities.

A park. A woman. A man. Two benches. Two conversations. A cell phone.

When the Harker Arts Academy drama club produces a play based on the silent horror film Nosferatu (1922), reality and fiction collide, and blood begins to spill.

Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance.

2012: Tempo de Mudança é um documentário que apresenta maneiras de transformar nossa sociedade insustentável em uma cultura planetária regenerativa. Isso pode ser alcançado por meio de uma mudança de consciência pessoal e global e da implementação sistêmica do design ecológico.

The camera shows us a door handle and the door's striker plate; from this angle, they form a cross. The door opens and in steps someone in a dark trench coat. He approaches a bed in the room, where a shirtless man sleeps.

In waning winter light, a doll maker works in his shop, a kerosene lamp beside him, a jumble of dolls and doll parts, whole and broken, surrounding him. There are noises, too: a cuckoo clock chirps the workday's end. The artisan completes a repair and leaves, shuttering the shop from outside. Back inside, whispering begins. What else is in store for the shop's seemingly lifeless denizens?

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.