Peafowl (2022)

In-nam, um assassino contratado que mais recentemente completou seu contrato final, descobre que a vítima de sequestro pode ser seu parente mais próximo. Ele parte imediatamente para a Tailândia para investigar e recruta Yui para obter ajuda e juntos correm contra o tempo para encontrar a criança sequestrada. Enquanto isso, Ray descobre que seu irmão foi morto pelo In-nam e vai atrás dele, deixando um grande número de corpos em sua busca para buscar sua vingança...

O filme conta a história real do soldado Barry Winchell da 101st Airborne Division que viveu um amor proibido com uma mulher transexual. Numa das idas com os colegas durante as folgas a uma boate em Nashville ele é cativado pela belíssima cantora Calpernia Addams.

É a pergunta que você não tem permissão para fazer. O documentário que eles não querem que você veja.

José Maria is a seventeen year old boy; his father is a successful restaurant owner in a town some distance from Barcelona, in Spain. The boy is intelligent and sensitive, but his mannerisms and habits, and lack of masculine drive, lead him to get bullied at school. The school principal decides that José is the disruptive influence, and asks for him to be removed from the school. The father berates the boy, and his mother, for his failure to be a red-blooded young man, and sends him away for a while to live with a friend in the country. Father visits the boy, and takes him to a strip club in Barcelona, run by a lady friend of his, intending that this will "cure" him of his sexual reserve. However one of the acts is a pre-operative transsexual, and there is a full frontal exposure at the end. Father has arranged that after the show...

A transgender woman has cut ties with her family and hometown. She is compelled to go back, however, to perform a traditional memorial drum dance for her father to fulfill the conditions of his will and get her inheritance.

As a patriarchal family yearn for the birth of a baby boy to continue their family line, their youngest son secretly joins an erotic dance theatre and falls for a transgender starlet.

A moving comedy-drama about the love, identity and courage of the LGBTQ community during the first walk towards Gay Pride in 1950s England. Based on the real-life events of Yorkshire coal miners and secret gay lovers, Tommy and Eddy, who spend their annual week holiday at a quirky B & B in Blackpool, along with a few other alternative members of society – the transgender Mr. Elbridge, the ex-show girl Red Ethel and the eccentric owner Gladys and her flirty daughter Maureen.

A young woman discovers a seed that can make women act like men and men act like women. She decides to take one, then slips one to her maid and another to her fiancé. The fun begins.

Comedy Special where Eliza Sonrisas talks with humor about her early transition, her life as a trans woman and her relationship with her voice.

“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950’s and 60’s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.

Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.

River Butcher offers their thoughts on gender pronouns, people who put rubber testicles on their trucks, outrageously large fires, divorce and much more.

Enter the universe of three mujra dancers in Pakistan as they dodge state censorship and violence to vie for stardom.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.

Bambi Lake, a notorious San Francisco transgender performer and entertainer, takes us on a stroll down Polk Street, sharing anecdotes and the history behind her song Golden Age of Hustlers, which was written about her time as a street hustler in the mid-70’s.

Tired of seeming invisible in their high school, and in an effort to make space for gender non-conforming kids in high school traditions, Jax makes a bid for the homecoming court.

Chang-hyeon, a transgender prostitute encounters a visitor who seems both familiar and alienated to him.

After heavy arguments about their gender, a young adult has to flee to France completely on their own. But an unlucky incident right before the border confronts them with a stranger and their struggle for identity. “Blut is nicht dicker als Wasser” is a drama that combines some own experiences of the filmmakers with typical struggles of the queer community and intends to tell an empowering story through the eyes of a trans director.