공작새 (2022)
장르 : 음악
상영시간 : 1시간 55분
연출 : Byun Sung-bin
시놉시스
트랜스젠더이며 열정적인 왁킹 댄서인 신명은 거액의 상금이 걸린 댄스 배틀에서 우승하여 성전환 수술을 하려 하지만 2등에 그치고 만다. 바로 그날 전통 농악의 명인이었던 아버지가 운명하셨다는 소식을 접한다. 아버지의 49재 추모 굿을 올려 주면 유산을 상속받게 된다는 말에 신명은 고향 마을로 돌아오지만 각종 오해와 사건이 그녀를 기다리고 있다.
태국에서 충격적인 납치사건이 발생하고 마지막 청부살인 미션을 끝낸 암살자 인남은 그것이 자신과 관계된 것임을 알게 된다. 인남은 곧바로 태국으로 향하고, 조력자 유이를 만나 사건을 쫓기 시작한다. 한편, 자신의 형제가 인남에게 암살당한 것을 알게 된 레이. 무자비한 복수를 계획한 레이는 인남을 추격하기 위해 태국으로 향하는데...
부대를 옮긴 배리 맥말란 일병은 룸메이트와 동료들과 함께 게이클럽에 놀러갔다가 칼페니아에게 반하게 되고 연락처를 받게 된다. 그리고 칼페니아의 초대로 바베큐 파티에 갔다가 연인 관계로 발전하게 되는데, 당시 군에서는 동성애자에 대한 반대 여론이 거센 상태라 그들의 관계는 위태로워 지는데...
Political commentator Matt Walsh explores the changing concepts of sex and gender in the digital age, particularly the transgender rights movement, transphobia, and what it means to be a woman.
José Maria is a seventeen year old boy; his father is a successful restaurant owner in a town some distance from Barcelona, in Spain. The boy is intelligent and sensitive, but his mannerisms and habits, and lack of masculine drive, lead him to get bullied at school. The school principal decides that José is the disruptive influence, and asks for him to be removed from the school. The father berates the boy, and his mother, for his failure to be a red-blooded young man, and sends him away for a while to live with a friend in the country. Father visits the boy, and takes him to a strip club in Barcelona, run by a lady friend of his, intending that this will "cure" him of his sexual reserve. However one of the acts is a pre-operative transsexual, and there is a full frontal exposure at the end. Father has arranged that after the show...
트랜스젠더이며 열정적인 왁킹 댄서인 신명은 거액의 상금이 걸린 댄스 배틀에서 우승하여 성전환 수술을 하려 하지만 2등에 그치고 만다. 바로 그날 전통 농악의 명인이었던 아버지가 운명하셨다는 소식을 접한다. 아버지의 49재 추모 굿을 올려 주면 유산을 상속받게 된다는 말에 신명은 고향 마을로 돌아오지만 각종 오해와 사건이 그녀를 기다리고 있다.
메이크업 아티스트로 자신의 일에 열정적인 뭄타즈는 섬세한 남편 하이더르, 가족 내에서 절대자로 군림하는 시아버지 아만, 큰형 내외 및 그들의 네 딸과 함께 산다. 몇 년째 전업주부로 살던 하이더르는 카리스마 있는 트랜스젠더 뮤지션 비바의 백댄서로 취직하게 되고, 그와 동시에 뭄타즈는 전업주부가 될 것을 강요받는다. 하이더르는 첫 만남부터 강렬했던 비바에게 이끌리고, 뭄타즈는 원치 않는 임신으로 답답함을 느낀다.
A moving comedy-drama about the love, identity and courage of the LGBTQ community during the first walk towards Gay Pride in 1950s England. Based on the real-life events of Yorkshire coal miners and secret gay lovers, Tommy and Eddy, who spend their annual week holiday at a quirky B & B in Blackpool, along with a few other alternative members of society – the transgender Mr. Elbridge, the ex-show girl Red Ethel and the eccentric owner Gladys and her flirty daughter Maureen.
A young woman discovers a seed that can make women act like men and men act like women. She decides to take one, then slips one to her maid and another to her fiancé. The fun begins.
Comedy Special where Eliza Sonrisas talks with humor about her early transition, her life as a trans woman and her relationship with her voice.
“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950’s and 60’s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.
Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.
River Butcher offers their thoughts on gender pronouns, people who put rubber testicles on their trucks, outrageously large fires, divorce and much more.
Enter the universe of three mujra dancers in Pakistan as they dodge state censorship and violence to vie for stardom.
It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.
Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
Bambi Lake, a notorious San Francisco transgender performer and entertainer, takes us on a stroll down Polk Street, sharing anecdotes and the history behind her song Golden Age of Hustlers, which was written about her time as a street hustler in the mid-70’s.
Tired of seeming invisible in their high school, and in an effort to make space for gender non-conforming kids in high school traditions, Jax makes a bid for the homecoming court.
소월길에서 몸을 파는 트랜스젠더 창현에게 낯선 듯 낯익은 손님이 찾아온다.
After heavy arguments about their gender, a young adult has to flee to France completely on their own. But an unlucky incident right before the border confronts them with a stranger and their struggle for identity. “Blut is nicht dicker als Wasser” is a drama that combines some own experiences of the filmmakers with typical struggles of the queer community and intends to tell an empowering story through the eyes of a trans director.