Margarita Calahorra

A group of Africans clandestinely reaches the coast of southern Spain. Among them is Alou, a 28 years old Senegalese. As all his belongings are stolen while in Almsería, he has no choice but to engage in street vending. His only pleasure are the letters he writes to his family to tell the vicissitudes of his Spanish adventure.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

This is the story of a man fighting with all his might for his life and his freedom. Eleuterio (”El Lute”) embarks upon an action-packed future, fuelled by the notions of freedom and dreams of living just as his countrymen, ever-growing in his mind. Nothing and no-one can stop him. After escaping the Puerto de Santa María prison, the reunion with his family is just the beginning of what will become an endless escape.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

An alcoholic partier becomes a paranoid maniac when a manuscript that predicts real-life horrors takes possession of his mind.

German, a young theater director, tries to organize a theater play about Lulu, a prostitute that was killed in London by Jack the ripper. While looking for the protagonist, Rufo appears, an introvert jazz musician. He could play Jack the ripper.

Emilio is an executive in his thirties who is driven to set up an abandoned factory with the participation of a variety of quirky characters. For it, agrees to carry a suitcase with 40 million pesetas inside.

This fantasy about a young man who becomes a bear, who becomes a young man again is equally ambivalent in its identity -- it is a drama that becomes a comedy that becomes a satire, and is not quite a straightforward fable. After the young man runs away from being shackled to a cabin, he spends the winter in a cave and emerges as a bear (obviously a man wearing a bear suit). He is taken in by a writer who teaches him how to use a computer, which somehow poses no problem. The bear speaks like the young man and for awhile tries working as a computer operator, undoubtedly raising questions about the standards in that field. While invited to tea one afternoon, the bear kills a dog in self-defense and is forced to head back to his cave for the winter -- where he emerges after a long hibernation as the young man. In retrospect, contact with the computing world had quite a transforming effect.

When a Spanish judge has the courage to look into a political murder...

The film is an image of the Spanish society in form of various anecdotes which happen to the inhabitants and their neighbours of a finca in Madrid.

Two life stories. That of Malou, a French woman, married to a German Jew, a refugee stranded in South America: a picture of the pre-war generation reflected in the unusual destiny of an individual woman. And that of Hannah, an alert, independent, modern woman, seeking after freedom and her own identity, and trying in present-day Berlin to save her shaky marriage.

Stig-Helmer and Ole Bramserud on a trip to the Canary Islands for Christmas.

Miguel is a massage therapist and is married to Marta. Between them they have mounted a beauty institute, named "Beautiful" and Martha, as director of the institute, operated at Miguel ends up exhausting. Everyone thinks that Michael can not take it anymore, but who dies of a heart attack she is. Miguel decides then live your life doing what you want, in the company of his dog Rustin, and locks in your home, not wanting to go to work and not see anyone. The Beautiful Girls prepare several tricks to get him back, to no avail. Until one of them, Pili, managed to get into the life of Michael ...

Paco, a frustrated office worker, goes to the office of a psychologist, to whom he tells his most delirious sexual fantasies in the hope that he will apply a curative therapy. Unfortunately, the doctor will end up confessing that he can not help, because he lives with a doll that has become his companion sentimental.

The movement of a bullfighter's body died in America originates a massive concentration of people in an Andalusian people. Owed to the influence of so many persons, all the houses are enabled, even the brothel.

In the aftermath of the Trojan Wars, Queen Hecuba takes stock of the defeated kingdom. Her son has been killed, and his widow, Andromache, is left to raise their son, Astyanax, alone. Hecuba's daughter, Cassandra, fears being enslaved by her Greek masters, while Helen of Troy risks being executed. Astyanax also becomes the focus of the Greeks' attention as the last male heir of the Trojan royal family.

The press announces the arrival of an alien invasion. At the same time, a professor investigates a series of phenomena related to radioactivity and a woman.