Rodrigo Bellott

Amir and Amat are invited to a trip into the South American rain forest, but the pleasant visit to Bolivia quickly takes a bizarre turn as Amat starts having strange visions and loses his mind over the ghostly presence of a giant blood red ox. Amir must save his boyfriend from paranoia but he will quickly realize he can't trust nothing and nobody - as he might be losing his mind too.

Amir and Amat are invited to a trip into the South American rain forest, but the pleasant visit to Bolivia quickly takes a bizarre turn as Amat starts having strange visions and loses his mind over the ghostly presence of a giant blood red ox. Amir must save his boyfriend from paranoia but he will quickly realize he can't trust nothing and nobody - as he might be losing his mind too.

Amir and Amat are invited to a trip into the South American rain forest, but the pleasant visit to Bolivia quickly takes a bizarre turn as Amat starts having strange visions and loses his mind over the ghostly presence of a giant blood red ox. Amir must save his boyfriend from paranoia but he will quickly realize he can't trust nothing and nobody - as he might be losing his mind too.

From Mennonite musings on the Amazonian pampas to wild Havana nights and bittersweet Rio love songs, if a roller-coaster of same sex desire is what you seek, The Latin Boys will take you there. The 6 short films are: Unicorn [Unicornio] (2014); The Good Friend [El amigo] (2017); Mila Caos (2011); Pray for Us [Ruega por nosotros] (2019); Carlito Leaves Forever [Carlito se va para siempre] (2018); I Am Yet to Make You a Love Song [Ainda Não Lhe Fiz Uma Canção de Amor] (2015).

O luto é o impulso deste filme sobre um pai e o namorado de seu filho morto, que transforma sua dor e desgosto em uma peça teatral.

O luto é o impulso deste filme sobre um pai e o namorado de seu filho morto, que transforma sua dor e desgosto em uma peça teatral.

O luto é o impulso deste filme sobre um pai e o namorado de seu filho morto, que transforma sua dor e desgosto em uma peça teatral.

A consultora política Jane Bodine (Sandra Bullock) é especialista em conseguir contornar situações complicadas. Apesar de estar aposentada, ela decide trabalhar para o candido a presidência Pedro Castillo (Joaquim De Almeida) pelo simples motivo de querer ganhar do seu antigo rival Pat Candy (Billy Bob Thornton). Para conseguir o que deseja, Jane precisa manipular os pontos de vista e tornar Castillo o homem certo para a população, mesmo sabendo que ele irá trair todos no momento em que assumir o cargo.

A consultora política Jane Bodine (Sandra Bullock) é especialista em conseguir contornar situações complicadas. Apesar de estar aposentada, ela decide trabalhar para o candido a presidência Pedro Castillo (Joaquim De Almeida) pelo simples motivo de querer ganhar do seu antigo rival Pat Candy (Billy Bob Thornton). Para conseguir o que deseja, Jane precisa manipular os pontos de vista e tornar Castillo o homem certo para a população, mesmo sabendo que ele irá trair todos no momento em que assumir o cargo.

A young German/Bolivian Mennonite risks his life to escape his strict religious community to find love and freedom in the city.

A young German/Bolivian Mennonite risks his life to escape his strict religious community to find love and freedom in the city.

Na vila onde Frank Parker (Bill Sage) mora, todos o conhecem por sua discrição. Após a súbita morte da mãe, as adolescentes Iris (Ambyr Childers) e Rose (Julia Garner) ficam encarregadas de cuidar do irmão mais novo, Rory (Jack Gore). Com novas responsabilidades, elas são obrigadas a aceitar o forte temperamento do pai, que deseja manter os costumes familiares. Quando uma tempestade atinge a região, seus segredos são ameaçados pelas investigações das autoridades locais.

Boys On Film 5: Candy Boy features nine award-winning short films. Boys will be boys in Pascal-Alex Vincent's FAR WEST and CANDY BOY, where a farmyard and an orphanage get a gay makeover. GO-GO REJECT sees Flashdance obsessive Daniel aim for the stars, as SWEAT has Holby City's David Paisley infiltrating a bath house with unexpected results. Meanwhile, love proves to be timeless when LAST CALL unites past and present, but TWOYOUNGMEN, UT. hints at an uncertain future. Looking back on the dictatorship of Augusto Pinochet, BLOCKS focuses on the sexual awakening of a peeping Tom. Two more young boys, a confused JAMES and mute DAVID, both reach out for an experienced hand, but will they find what they are looking for?

Thirteen-year old Luchito lives in a working class complex of blocks in Santiago, Chile. He is obsessed with Manuel, a sixteen-year old who lives in the building across from him.

O jovem e misterioso Gus chega a uma cidade onde neva muito, no norte de Nova York, e se hospeda em um hotel. No quarto, ele espera por horas até que recebe uma ligação às quatro horas da madrugada que muda a sua vida. Daí em diante, as coisas não serão mais como antes.

Em 1967, com poucas tropas e recursos, além de uma saúde fraca, Che e diversos voluntários cubanos levantaram uma pequena guerrilha para derrotar o movimento militar boliviano e assim espalhar a revolução no país.

Fidel Castro viaja do México para Cuba com oito rebeldes, entre eles Ernesto Che Guevara e seu irmão Raul. Guevara era um médico argentino que tinha por objetivo ajudar Castro a derrubar o governo de Fulgêncio Batista. Ao chegar, logo se integra à guerrilha, participando da luta armada mas também cuidando dos doentes. Aos poucos ele ganha o respeito de seus companheiros e torna-se um dos líderes da revolução que está por vir.

Jacinto and Domitila are two indigenous Bolivians, happily married... and the most notorious criminals in the country. When they are paid to transport 50kg of cocaine to the Brazilian border, they embark on a journey that will take them through the jungles, mountains, deserts and cities of Bolivia on a riotous adventure that will test their relationship and make them question their future as criminals. (IMDB)

A poor girl, a rich stud, a university student and a model -- nothing in common, except the desire to experience true intimacy. Their stories unfold and overlap as each becomes victim to their own sexual dependencies, self-perceptions and illusions. Thematically structured around issues of femininity, masculinity, virginity, rape and sexuality, each teen struggles to make sense of their own identity, reaching for ideals that represent everything they feel they are supposed to be, but are not.

A poor girl, a rich stud, a university student and a model -- nothing in common, except the desire to experience true intimacy. Their stories unfold and overlap as each becomes victim to their own sexual dependencies, self-perceptions and illusions. Thematically structured around issues of femininity, masculinity, virginity, rape and sexuality, each teen struggles to make sense of their own identity, reaching for ideals that represent everything they feel they are supposed to be, but are not.

A poor girl, a rich stud, a university student and a model -- nothing in common, except the desire to experience true intimacy. Their stories unfold and overlap as each becomes victim to their own sexual dependencies, self-perceptions and illusions. Thematically structured around issues of femininity, masculinity, virginity, rape and sexuality, each teen struggles to make sense of their own identity, reaching for ideals that represent everything they feel they are supposed to be, but are not.

This film skewers the audience's prejudices when the subtitles abandon their usual chore of translating what is said and start talking directly to the audience.

This film skewers the audience's prejudices when the subtitles abandon their usual chore of translating what is said and start talking directly to the audience.

This film skewers the audience's prejudices when the subtitles abandon their usual chore of translating what is said and start talking directly to the audience.

This film skewers the audience's prejudices when the subtitles abandon their usual chore of translating what is said and start talking directly to the audience.