Bill Ross IV

An intimate portrait of a community fighting to save lives and keep hope alive in a neighborhood ravaged by the overdose crisis.

A behind the scenes movie of Benh Zeitlin's Wendy that technically can't be released.

O último pedido é feito no The Roaring 20s, um bar em Las Vegas. Os tempos estão mudando e o estabelecimento terá que fechar. Durante um longo dia e uma noite, os clientes passam para pegar algo para beber e cumprimentar o dono do lugar. À medida que a noite avança, o clima fica cada vez mais selvagem e melancólico. Nas sombras das luzes brilhantes de Las Vegas, a realidade é tão irreal quanto o mundo do qual os frequentadores estão fugindo. O filme é um mosaico de vidas díspares, oscilando entre a dignidade e a devassidão, olhando para o passado enquanto enfrentam um futuro incerto, criando uma memória nebulosa de uma experiência que se perde entre copos vazios e baforadas de fumaça.

O último pedido é feito no The Roaring 20s, um bar em Las Vegas. Os tempos estão mudando e o estabelecimento terá que fechar. Durante um longo dia e uma noite, os clientes passam para pegar algo para beber e cumprimentar o dono do lugar. À medida que a noite avança, o clima fica cada vez mais selvagem e melancólico. Nas sombras das luzes brilhantes de Las Vegas, a realidade é tão irreal quanto o mundo do qual os frequentadores estão fugindo. O filme é um mosaico de vidas díspares, oscilando entre a dignidade e a devassidão, olhando para o passado enquanto enfrentam um futuro incerto, criando uma memória nebulosa de uma experiência que se perde entre copos vazios e baforadas de fumaça.

O último pedido é feito no The Roaring 20s, um bar em Las Vegas. Os tempos estão mudando e o estabelecimento terá que fechar. Durante um longo dia e uma noite, os clientes passam para pegar algo para beber e cumprimentar o dono do lugar. À medida que a noite avança, o clima fica cada vez mais selvagem e melancólico. Nas sombras das luzes brilhantes de Las Vegas, a realidade é tão irreal quanto o mundo do qual os frequentadores estão fugindo. O filme é um mosaico de vidas díspares, oscilando entre a dignidade e a devassidão, olhando para o passado enquanto enfrentam um futuro incerto, criando uma memória nebulosa de uma experiência que se perde entre copos vazios e baforadas de fumaça.

O último pedido é feito no The Roaring 20s, um bar em Las Vegas. Os tempos estão mudando e o estabelecimento terá que fechar. Durante um longo dia e uma noite, os clientes passam para pegar algo para beber e cumprimentar o dono do lugar. À medida que a noite avança, o clima fica cada vez mais selvagem e melancólico. Nas sombras das luzes brilhantes de Las Vegas, a realidade é tão irreal quanto o mundo do qual os frequentadores estão fugindo. O filme é um mosaico de vidas díspares, oscilando entre a dignidade e a devassidão, olhando para o passado enquanto enfrentam um futuro incerto, criando uma memória nebulosa de uma experiência que se perde entre copos vazios e baforadas de fumaça.

Em 2019, Hong Kong foi abalada pelos maiores protestos desde que a Grã-Bretanha devolveu a área à China em 1997. Esta é a história dos protestos, contada por meio de uma série de manifestações de manifestantes locais que se transformam em conflito quando policiais altamente armados aparecem no local .

Nearly 30 years later, the Ross Brothers rephotographed locations from Byrne's 1986 film, finding the same spots used in True Stories to see what may have changed. Rather than a sociological study, No Time to Look Back is a charming homage. The film includes a snippet from an interview with Byrne at the time True Stories was released.

Nearly 30 years later, the Ross Brothers rephotographed locations from Byrne's 1986 film, finding the same spots used in True Stories to see what may have changed. Rather than a sociological study, No Time to Look Back is a charming homage. The film includes a snippet from an interview with Byrne at the time True Stories was released.

Nearly 30 years later, the Ross Brothers rephotographed locations from Byrne's 1986 film, finding the same spots used in True Stories to see what may have changed. Rather than a sociological study, No Time to Look Back is a charming homage. The film includes a snippet from an interview with Byrne at the time True Stories was released.

Baseado no livro de James Baldwin, o filme compara as propostas dos líderes ativistas Medgar Evers, Malcolm X e Martin Luther King com questões raciais contemporâneas.

In the summer of 2015, legendary musician David Byrne staged an event at Brooklyn's Barclays Center to celebrate the art of Color Guard: synchronized dance routines involving flags, rifles, and sabers. Recruiting performers that include the likes of Saint Vincent, Nelly Furtado, Ad-Rock, and Ira Glass to collaborate on original pieces with 10 color guard teams from across the US and Canada, Contemporary Color is a beautifully filmed snapshot of a one-of-a-kind live event.

In the summer of 2015, legendary musician David Byrne staged an event at Brooklyn's Barclays Center to celebrate the art of Color Guard: synchronized dance routines involving flags, rifles, and sabers. Recruiting performers that include the likes of Saint Vincent, Nelly Furtado, Ad-Rock, and Ira Glass to collaborate on original pieces with 10 color guard teams from across the US and Canada, Contemporary Color is a beautifully filmed snapshot of a one-of-a-kind live event.

In the summer of 2015, legendary musician David Byrne staged an event at Brooklyn's Barclays Center to celebrate the art of Color Guard: synchronized dance routines involving flags, rifles, and sabers. Recruiting performers that include the likes of Saint Vincent, Nelly Furtado, Ad-Rock, and Ira Glass to collaborate on original pieces with 10 color guard teams from across the US and Canada, Contemporary Color is a beautifully filmed snapshot of a one-of-a-kind live event.

A true crime concert doc about David Byrne and two escaped convicts.

For generations, all that distinguished Eagle Pass, TX, from Piedras Negras, MX, was the Rio Grande. But when darkness descends upon these harmonious border towns, a cowboy and lawman face a new reality that threatens their way of life.

For generations, all that distinguished Eagle Pass, TX, from Piedras Negras, MX, was the Rio Grande. But when darkness descends upon these harmonious border towns, a cowboy and lawman face a new reality that threatens their way of life.

For generations, all that distinguished Eagle Pass, TX, from Piedras Negras, MX, was the Rio Grande. But when darkness descends upon these harmonious border towns, a cowboy and lawman face a new reality that threatens their way of life.

For generations, all that distinguished Eagle Pass, TX, from Piedras Negras, MX, was the Rio Grande. But when darkness descends upon these harmonious border towns, a cowboy and lawman face a new reality that threatens their way of life.

Setting out on what is technically a houseboat but more realistically a shed on two pontoons, award-winning filmmakers Bill and Turner Ross (45365, Tchoupitoulas), their brother Alex and friend Kyle “The Muscle” Rouse embark on a journey to sail from their home state of Ohio to New Orleans. As they brave the mighty Mississippi for three weeks on the not-so-trusty Rosemarie, the boys’ journey becomes a cavalcade of hijinks, near death experiences, nautical close calls and impromptu sing-alongs. Featuring an illustrious cast of characters met along the way and wonderful escapades with every dock they make, the film becomes a beautiful and hilarious adventure. Originally released online in weekly episodes, the film quickly became a much-lauded addition to the Ross brothers’ already beloved body of work. This is the first time River has ever been shown on the big screen in its feature version.

A lyrical documentary that follows three adolescent brothers as they journey through one night in New Orleans, encountering a vibrant kaleidoscope of dancers, musicians, hustlers, and revelers parading through the lamplit streets. The filmmakers fully immerse us into the New Orleans night, passing through many lively and luminous locations and introducing us to the people who make the city their home.

A lyrical documentary that follows three adolescent brothers as they journey through one night in New Orleans, encountering a vibrant kaleidoscope of dancers, musicians, hustlers, and revelers parading through the lamplit streets. The filmmakers fully immerse us into the New Orleans night, passing through many lively and luminous locations and introducing us to the people who make the city their home.

A lyrical documentary that follows three adolescent brothers as they journey through one night in New Orleans, encountering a vibrant kaleidoscope of dancers, musicians, hustlers, and revelers parading through the lamplit streets. The filmmakers fully immerse us into the New Orleans night, passing through many lively and luminous locations and introducing us to the people who make the city their home.

A lyrical documentary that follows three adolescent brothers as they journey through one night in New Orleans, encountering a vibrant kaleidoscope of dancers, musicians, hustlers, and revelers parading through the lamplit streets. The filmmakers fully immerse us into the New Orleans night, passing through many lively and luminous locations and introducing us to the people who make the city their home.

A young family awaits the broadcast of their turn on Who Wants To Be A Millionaire.

A young family awaits the broadcast of their turn on Who Wants To Be A Millionaire.

45365 explores the congruities of daily life in an American town. From the patrol car to the courtroom, the playground to the nursing home, the parade to the prayer service, it explores relationships and interactions - with people and their environment. The stories of a father and son, a young relationship, cops and criminals, officials and their electorate coalesce into a mosaic of faces, places, and events. 45365 is a portrait of a city and its people.