Koji Fukada

Taeko and her husband, Jirō, are living a peaceful existence with her young son Keita, when a tragic accident brings the boy's long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.

Taeko and her husband, Jirō, are living a peaceful existence with her young son Keita, when a tragic accident brings the boy's long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.

Taeko and her husband, Jirō, are living a peaceful existence with her young son Keita, when a tragic accident brings the boy's long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.

Kazumichi Tsuji is a bored office worker in questionable relationships with two women at work. One day he meets the intriguing Ukiyo Hayama at a convenience store. However, having her in his life brings nothing but trouble.

Kazumichi Tsuji is a bored office worker in questionable relationships with two women at work. One day he meets the intriguing Ukiyo Hayama at a convenience store. However, having her in his life brings nothing but trouble.

Just before the end of World War II, the Yalta Conference was held by the “Big Three” Allied leaders: Franklin Delano Roosevelt of the United States, Winston Churchill of Britain, and Joseph Stalin of the USSR. Japanese theater company Seinendan reimagines their conversations about postwar rule and power as a darkly humorous satire.

Just before the end of World War II, the Yalta Conference was held by the “Big Three” Allied leaders: Franklin Delano Roosevelt of the United States, Winston Churchill of Britain, and Joseph Stalin of the USSR. Japanese theater company Seinendan reimagines their conversations about postwar rule and power as a darkly humorous satire.

Just before the end of World War II, the Yalta Conference was held by the “Big Three” Allied leaders: Franklin Delano Roosevelt of the United States, Winston Churchill of Britain, and Joseph Stalin of the USSR. Japanese theater company Seinendan reimagines their conversations about postwar rule and power as a darkly humorous satire.

Just before the end of World War II, the Yalta Conference was held by the “Big Three” Allied leaders: Franklin Delano Roosevelt of the United States, Winston Churchill of Britain, and Joseph Stalin of the USSR. Japanese theater company Seinendan reimagines their conversations about postwar rule and power as a darkly humorous satire.

A enfermeira Ichiko cuida de uma idosa cuja neta desaparece misteriosamente. Ao descobrir que o raptor é ninguém menos que o próprio sobrinho de Ichiko, seu mundo começa a desabar.

A enfermeira Ichiko cuida de uma idosa cuja neta desaparece misteriosamente. Ao descobrir que o raptor é ninguém menos que o próprio sobrinho de Ichiko, seu mundo começa a desabar.

A enfermeira Ichiko cuida de uma idosa cuja neta desaparece misteriosamente. Ao descobrir que o raptor é ninguém menos que o próprio sobrinho de Ichiko, seu mundo começa a desabar.

One rainy night, somewhere in the corner of the city, uncanny memories meet on a motel bed.

One rainy night, somewhere in the corner of the city, uncanny memories meet on a motel bed.

One rainy night, somewhere in the corner of the city, uncanny memories meet on a motel bed.

A man is found washed up on a beach in Banda Aceh, Indonesia, suffering from amnesia and speaking in broken Indonesian and Japanese.

A man is found washed up on a beach in Banda Aceh, Indonesia, suffering from amnesia and speaking in broken Indonesian and Japanese.

She insists she needs to know everything and be told the extent of it when a woman catches her husband kissing another woman at their apartment upon returning from the book store. It turns out the man invited the woman in promising to show her his birds.

She insists she needs to know everything and be told the extent of it when a woman catches her husband kissing another woman at their apartment upon returning from the book store. It turns out the man invited the woman in promising to show her his birds.

Toshio (Kanji Furutachi), um homem cujo casamento com Akié (Mariko Tsutsui) não anda muito bem, complica ainda mais as coisas em sua vida quando resolve dar uma segunda chance a Yasaka (Tadanobu Asano), um antigo amigo seu que acaba de sair da prisão e que será seu novo empregado. No entanto, Yasaka logo começa a se intrometer na vida de Toshio.

Toshio (Kanji Furutachi), um homem cujo casamento com Akié (Mariko Tsutsui) não anda muito bem, complica ainda mais as coisas em sua vida quando resolve dar uma segunda chance a Yasaka (Tadanobu Asano), um antigo amigo seu que acaba de sair da prisão e que será seu novo empregado. No entanto, Yasaka logo começa a se intrometer na vida de Toshio.

Toshio (Kanji Furutachi), um homem cujo casamento com Akié (Mariko Tsutsui) não anda muito bem, complica ainda mais as coisas em sua vida quando resolve dar uma segunda chance a Yasaka (Tadanobu Asano), um antigo amigo seu que acaba de sair da prisão e que será seu novo empregado. No entanto, Yasaka logo começa a se intrometer na vida de Toshio.

The world's first human-android acting duo, called Android Theater Project, is the collaborative brainchild of noted Japanese playwright Oriza Hirata and the leading robotics scientist Hiroshi Ishiguro. "Sayonara" is a remakable android play and has been adapted to feature film by the acclaimed filmmaker Koji Fukada (Hospitalité, Au revoir l’été). In this film project the setting of the story is largely expanded, depicting time and space in a way which can only be achieved in film, examining life and death though the communication between dying human and immortal android.

The world's first human-android acting duo, called Android Theater Project, is the collaborative brainchild of noted Japanese playwright Oriza Hirata and the leading robotics scientist Hiroshi Ishiguro. "Sayonara" is a remakable android play and has been adapted to feature film by the acclaimed filmmaker Koji Fukada (Hospitalité, Au revoir l’été). In this film project the setting of the story is largely expanded, depicting time and space in a way which can only be achieved in film, examining life and death though the communication between dying human and immortal android.

The world's first human-android acting duo, called Android Theater Project, is the collaborative brainchild of noted Japanese playwright Oriza Hirata and the leading robotics scientist Hiroshi Ishiguro. "Sayonara" is a remakable android play and has been adapted to feature film by the acclaimed filmmaker Koji Fukada (Hospitalité, Au revoir l’été). In this film project the setting of the story is largely expanded, depicting time and space in a way which can only be achieved in film, examining life and death though the communication between dying human and immortal android.

After a 17-year absence, a pig farmer’s sister suddenly returns home with her baby. As they remember their childhood, they resolve to dig up “something” they buried long ago.

After a 17-year absence, a pig farmer’s sister suddenly returns home with her baby. As they remember their childhood, they resolve to dig up “something” they buried long ago.

After a 17-year absence, a pig farmer’s sister suddenly returns home with her baby. As they remember their childhood, they resolve to dig up “something” they buried long ago.

After failing her university entrance exam, Sakuko is invited by her aunt Mikie to spend summer vacation in a beautiful seaside town. Sakuko gets to know the people of the town, including Takashi, a shy relative of her childhood friend.

After failing her university entrance exam, Sakuko is invited by her aunt Mikie to spend summer vacation in a beautiful seaside town. Sakuko gets to know the people of the town, including Takashi, a shy relative of her childhood friend.

After failing her university entrance exam, Sakuko is invited by her aunt Mikie to spend summer vacation in a beautiful seaside town. Sakuko gets to know the people of the town, including Takashi, a shy relative of her childhood friend.

Saeko and Yukako live together in a small apartment complex in Tokyo. After the Tohoku earthquake in 2011, both live in a state of unease. Saeko, who is in a divorce, is worried that her daughter is exposed to radiation. Yukako is also afraid of radiation and tries to convince her husband to move. The two become friends after Yukako tries to save Saeko after a suicide attempt.

Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?

In this black comedy the lives of a timid small-time printer and his young wife are turned inside out by the arrival of a stranger who moves in and takes over their world. Set in a village-like outpost in the heart of Tokyo, this is a wry commentary on Japanese xenophobia. Kiki Sugino heads a spritely ensemble cast.

In this black comedy the lives of a timid small-time printer and his young wife are turned inside out by the arrival of a stranger who moves in and takes over their world. Set in a village-like outpost in the heart of Tokyo, this is a wry commentary on Japanese xenophobia. Kiki Sugino heads a spritely ensemble cast.

'Human Comedy in Tokyo', describes ordinary everyday lives without any significant incidents. Various dialogues are elaborately woven to bring tiny splits in human relationships to light, and through the three episodes the characters have their moments of realizing that they are actually in solitude.

'Human Comedy in Tokyo', describes ordinary everyday lives without any significant incidents. Various dialogues are elaborately woven to bring tiny splits in human relationships to light, and through the three episodes the characters have their moments of realizing that they are actually in solitude.

The Japanese painter FUKAZAWA Takeshi expresses in pictures the novel written by Honoré de BALZAC “La grenadière”. Over 70 tempera paintings are beautifully brought to life and put together by FUKADA Koji for this Ga-nime that tells us the story of a mother and child in the 19th century, coated in a music that punctuates the whole experience. FUKAZAWA and FUKADA thus succeed in reproducing the ambiance of this mansion so dear to BALZAC, as the artistic pictures call to the imagination and the emotions of the viewer that only be so aroused by a Ga-nime.

The Japanese painter FUKAZAWA Takeshi expresses in pictures the novel written by Honoré de BALZAC “La grenadière”. Over 70 tempera paintings are beautifully brought to life and put together by FUKADA Koji for this Ga-nime that tells us the story of a mother and child in the 19th century, coated in a music that punctuates the whole experience. FUKAZAWA and FUKADA thus succeed in reproducing the ambiance of this mansion so dear to BALZAC, as the artistic pictures call to the imagination and the emotions of the viewer that only be so aroused by a Ga-nime.

A young man is unable to have relations with the girls he likes. A pimp meets him after having a strange experience and they are althogether on a bizarre ride through a gloomy and disconnected Tokyo.