Luciano Ricceri

Perfil

Luciano Ricceri

Filmes

La stagione della caccia
Production Design
Vigàta, Sicily, Italy, 1880. Shortly after the return to the village of Fofò La Matina, pharmacist and son of the late Santo La Matina, jealous guardian of the secrets of certain miraculous plants, the noble Peluso family is ravaged by a series of mysterious deaths…
La mossa del cavallo
Production Design
Montelusa, Sicily, Italy, 1877. Giovanni Bovara, the new chief inspector of the mills, is charged with collecting a severe tax. Sicilian by birth, but Ligurian by adoption, he reasons and speaks as a man of northern Italy and does not understand the dynamics of the law of silence that regulate the Sicilian land, so his intransigence immediately gives him several enemies…
I delitti del BarLume - La briscola in cinque
Production Design
After finish his work Marchino finds the body of a teenager girl and goes to BarLume to call the police who don't believe him after his infamous past. Massimo goes to check and here starts a new story of BarLume.
I delitti del BarLume - Il re dei giochi
Production Design
The King of Games - when a car accident results in death, the uncles suspect fowl play and want to investigate. Massimo is asked by the detective covering the case to keep a watch on the uncles and prevent them from interfering in the investigation.Tiziana, Massimo's server, is having second thoughts about her upcoming marriage. Massimo figues it out and shares his theory with the Detective.
Que Estranho Chamar-se Federico
Production Design
On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.
Steel
Production Design
Here, the steel worker works on a continuous cycle, twenty-four hours a day and never stops. There, by the sea, on the island of Elba there is a paradise and the unreachable dream of happy families. In the middle, on the shores their secret beach, neither here nor there, Anna and Francesca, small but big, "thirteen years old almost fourteen", who are living their last summer of innocence before high school. The film is based on the book by Silvia Avallone.
L'ultimo Dei Corleonesi
Production Design
The rise and fall of sicilian most important mafia bosses after WWII: Luciano Liggio, Totò Riina and Bernardo Provenzano, all from Corleone. Their friendship and struggle against italian state.
Pope John Paul I: The Smile of God
Production Design
Giovanni Falcone - L'uomo che sfidò Cosa Nostra
Production Design
TV-Movie on the life and accomplishments of Giovanni Falcone, the legendary Sicilian judge who boldly opposed the Mafia
Concorrência Desleal
Production Design
Two linen fabric dealers with their shops close to one another, battle against each other for more and more costumers. Umberto constantly loses clients because of the tough competition brought by Leone, who offers the best prices in the neighborhood. But they leave differences aside when the rise of Fascism places Anti-Semitic politics which rigidly control business like the one conducted by the Jewish Leone, and those new regulations are viewed by Umberto as completely unfair. The long rivalry soon becomes a great friendship.
Operazione Odissea
Production Design
O Jantar
Production Design
Uma noite em um restaurante italiano. Recepcionados pela tolerante e tranquila Flora, vários tipos de pessoas de classe média - grandes e pequenos, jovens e velhos, fregueses e turistas, casados e solteiros - chegam para jantar, conversar, discutir, comemorar, fazer confissões, ouvir as discussões de outras pessoas, interrompê-las, cantar, ouvir música e aproveitar a vida. A câmera, assim como as pessoas, se move constantemente de mesa em mesa, na cozinha e na sala de trás para observar os pequenos ciúmes e frustrações da equipe - até que duas horas depois é hora de todos irem embora para casa.
The Last New Year's Eve
Production Design
New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.
Un inverno freddo freddo
Production Design
Film about the romantic involvements and every day life of four women working in the financially troubled Guya Valentina Beauty Salon.
Romanzo di un giovane povero
Producer
Two neighbors, young Vincenzo and old Mr. Bartoloni, are utterly unhappy. On the one hand Vincenzo must lead a miserable and frustrating life as he cannot find any regular job, despite his Arts degree. On the other hand, Mr. Bartoloni is fed up with his despotic wife: the woman who used to be a beautiful artist is now a fat and shabby drunkard. The two men meet on a particularly sad night and, during an outburst Mr. Bartoloni asks Vincenzo to help him to get rid of his wife by simulating an accident with the promise of a considerable amount of money. At night Vincenzo can't sleep: Mr. Bartoloni wasn't joking and he is in a desperate need for money...
Romanzo di un giovane povero
Production Design
Two neighbors, young Vincenzo and old Mr. Bartoloni, are utterly unhappy. On the one hand Vincenzo must lead a miserable and frustrating life as he cannot find any regular job, despite his Arts degree. On the other hand, Mr. Bartoloni is fed up with his despotic wife: the woman who used to be a beautiful artist is now a fat and shabby drunkard. The two men meet on a particularly sad night and, during an outburst Mr. Bartoloni asks Vincenzo to help him to get rid of his wife by simulating an accident with the promise of a considerable amount of money. At night Vincenzo can't sleep: Mr. Bartoloni wasn't joking and he is in a desperate need for money...
Mario, Maria and Mario
Production Design
Mario and Maria Boschi, a 30-year-old couple with small children, are hit by a crisis: husband and wife cannot agree on a party name. A colleague, also named Mario, makes an impressive speech, and Maria find herself increasingly attracted to him. She feels able to relate to him like she could to her husband in the old days. They spend the night together, and she falls ill. When she is asked by her husband to leave the house, she realizes that there may be a difference between real love and a vague need for understanding.
Mario, Maria and Mario
Producer
Mario and Maria Boschi, a 30-year-old couple with small children, are hit by a crisis: husband and wife cannot agree on a party name. A colleague, also named Mario, makes an impressive speech, and Maria find herself increasingly attracted to him. She feels able to relate to him like she could to her husband in the old days. They spend the night together, and she falls ill. When she is asked by her husband to leave the house, she realizes that there may be a difference between real love and a vague need for understanding.
Where Are You? I’m Here
Art Direction
A deaf man rebels against his controlling mother by dating a high-school drop-out who shares his disability.
Cinecittà Cinecittà
Producer
A Viagem do Capitão Tornado
Production Design
O último e faminto herdeiro da família Sigognac deixa o castelo de seus ancestrais para acompanhar um grupo de atores itinerantes em direção ao castelo do rei. Sua vontade é tornar-se Barão de Sigognac, um verdadeiro senhor. Adaptação do romance de Théophile Gautier.
What Time Is It?
Art Direction
A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.
What Time Is It?
Production Design
A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.
Splendor
Production Design
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
The Gold Rimmed Glasses
Production Design
Jewish lovers (Rupert Everett, Stefania Sandrelli) and a homosexual doctor (Philippe Noiret) fall to prejudice and scandal in 1938 Italy.
O Pesadelo do Século
Production Design
An experiment of psychological effects under stressful conditions in a shelter. When fifteen strangers are put into a nuclear shelter to see how long they can survive without interaction with the outside, things work out fine.
A Família
Production Design
Carlo, um intelectual, narra a história de sua família de 1906 a 1986. A história vai do batismo de Carlo até seus 80 anos, quando ele, professor universitário, se aposenta.
Macaroni
Production Design
Um homem de negócios dos Estados Unidos volta a Itália pela primeira vez em quatro décadas apenas para descobrir que uma antiga namorada dele, junto com seu irmão, o envolveram em uma imensa fraude.
The Berlin Affair
Production Design
In 1938 Berlin, Gudrun Landgrebe, wife of Nazi functionary Kevin McNally, begins taking art lessons. She makes the acquaintance of another student, Japanese ambassador's daughter Mio Takaki. Soon afterwards, the two women begin a passionate lesbian affair. This leads to a chain reaction of disaster and tragedy, culminating with the inevitable intervention of the Gestapo. Despite the film's galloping sexual passions, The Berlin Affair is an exercise in aloofness, keeping the characters at arm's length-surprising, considering that the director was Liliana Cavani, auteur of the erotic classic The Night Porter (1974). The film was based on The Buddhist Cross, a novel by Junichiro Tanizaki.
O Baile
Production Design
50 anos de história de um salão de baile na França, a partir da década de 1920. As pessoas que vão lá são sempre as mesmas, até mesmo os músicos. Você pode ver todo o tipo de pessoas dançando todas as danças da moda (dependendo da idade). 1983: as mulheres chegam a um salão de dança uma de cada vez. Os homens entram e então casais dançam, suas personalidades em exposição. Com os dançarinos mudando de personagem, o filme viaja no tempo. Em 1936, a Frente Popular dá energia à classe operária. Em 1940, nas vésperas da ocupação alemã, um casal rico e miserável ganha o seu merecidamente. Em 1944, quando Paris é libertada, um oficial alemão e um colaborador são rejeitados enquanto um combatente da Resistência recebe boas-vindas de herói. 1946: soldados americanos trazem meias de seda e jazz. Em 1956, o rock and roll empurra de lado o samba; policiais buscam um estrangeiro. 1968: os radicais estudantis assumem o salão de dança abandonado. Em 1983, é uma discoteca. E a noite termina.
O Terraço
Production Design
Um jantar num terraço romano é uma oportunidade para conhecer um grupo de intelectuais da classe média que falam, discutem, e brigam também. A partir deste quadro se desenvolve a história com um roteirista curto de ideias, um jornalista incapaz de se renovar, um assessor da RAI propensos à depressão, um produtor de cinema vulgar e um deputado comunista um pouco duvidoso e adúltero. Um ano mais tarde, quando o tempo terá mudado o equilíbrio das coisas, eles se reencontram no mesmo lugar, talvez mais conscientes. (e 16 - Estimado 16 Anos) 2 versões de montagem: 150 min - Lançamento 154 min - na Finlândia
Dear Father
Production Design
In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).
Two Pieces of Bread
Production Design
Two minstrels singing for their supper in Rome discover they've both been lovers to the same woman, and one of them is the father of her infant son; a privilege neither is willing to concede.
Primeiro Amor
Production Design
Ugo é um velho ator que se sente muito jovem para estar em uma "casa dos artistas". Ele simplesmente não pode suportar as regras dos outros velhos, então ele foge com uma menina.
Primeiro Amor
Set Decoration
Ugo é um velho ator que se sente muito jovem para estar em uma "casa dos artistas". Ele simplesmente não pode suportar as regras dos outros velhos, então ele foge com uma menina.
Os Novos Monstros
Set Decoration
15 anos após o monumental "Os Monstros", que foi um excelente exemplo de comédia de episódios italiano, 3 dos maiores eternos diretores italianos (Risi, Monicelli, Scola), os melhores escritores italianos de todos os tempos (Age, Scarpelli), os melhores atores italianos de sempre (Tognazzi Gassmann, Sordi), uma das mulheres mais bonitas do mundo (Ornella Muti) participam desse grande tributo. (e 18 - Estimado 18 Anos) O filme é dividido em 14 episódios: O Passarinho de Val Padana, Saudações dos Amigos, Tantum Ergo, Autostop, O Suspeito, Primeiros Socorros, Mamim e Mammon, Cidadão Exemplar, Pornodive, Sequestro de Amigo, Como Uma Rainha, Anfitriã!, Sem Palavras e Elogios Fúnebres. 4 Versões: 115 min - Itália 90 min - USA 100 min - Argentina 102 min - França
Os Novos Monstros
Production Design
15 anos após o monumental "Os Monstros", que foi um excelente exemplo de comédia de episódios italiano, 3 dos maiores eternos diretores italianos (Risi, Monicelli, Scola), os melhores escritores italianos de todos os tempos (Age, Scarpelli), os melhores atores italianos de sempre (Tognazzi Gassmann, Sordi), uma das mulheres mais bonitas do mundo (Ornella Muti) participam desse grande tributo. (e 18 - Estimado 18 Anos) O filme é dividido em 14 episódios: O Passarinho de Val Padana, Saudações dos Amigos, Tantum Ergo, Autostop, O Suspeito, Primeiros Socorros, Mamim e Mammon, Cidadão Exemplar, Pornodive, Sequestro de Amigo, Como Uma Rainha, Anfitriã!, Sem Palavras e Elogios Fúnebres. 4 Versões: 115 min - Itália 90 min - USA 100 min - Argentina 102 min - França
Um Dia Inesquecível
Production Design
O filme é ambientado durante a década de 1930: a ocasião é o primeiro encontro entre Mussolini e Hitler. Deixado sozinho em sua casa quando o marido cortiço fascista foge para participar do evento histórico, Sophia Loren inicia uma amizade com seu vizinho misterioso Mastroianni. Como o dia segues em noite, Loren e Mastroianni desenvolver uma relação muito especial que vai alterar radicalmente tanto de suas perspectivas sobre a vida.
Lost Soul
Costume Design
Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.
Lost Soul
Set Decoration
Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.
Lost Soul
Production Design
Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.
Feios, Sujos e Malvados
Production Design
Giacinto mora com sua mulher, seus dez filhos e vários outros membros da família em um barraco de papelão, numa miserável favela nas colinas de Roma. Algum tempo atrás, ele perdeu seu olho esquerdo enquanto trabalhava e ganhou uma boa soma de dinheiro da companhia de seguros. Ele mantém esse dinheiro escondido do resto da família. Toda a sua vida agora é baseada em defender o dinheiro, enquanto o resto da família se concentrado em roubá-lo. As coisas ficam muito ruins quando ele arruma uma amante e decide que ela vai viver com ele, partilhando a mesma cama que sua esposa. Em um mix de cenas hilariantes e retratos realistas de degradação social, assistimos as aventuras desta peculiar família em sua luta para sobreviver a cada dia.
Telefones Brancos
Costume Design
This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.
Telefones Brancos
Production Design
This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.
Blonde in Black Leather
Production Design
Two racy women decide to chuck their mundane lives and go on a wild adventure.
Nós Que Nos Amávamos Tanto
Costume Design
Três italianos, Gianni (Vittorio Gassman), Nicola (Stefano Satta Flores) e Antonio (Nino Manfredi) se tornam muito amigos durante o ano de 1944 enquanto combatem os nazistas. Cheio de ilusões, eles se estabelecem depois da guerra. Os três amigos idealistas precisam lidar com a inevitável desilusões da vida no pós-guerra da Itália.
Nós Que Nos Amávamos Tanto
Production Design
Três italianos, Gianni (Vittorio Gassman), Nicola (Stefano Satta Flores) e Antonio (Nino Manfredi) se tornam muito amigos durante o ano de 1944 enquanto combatem os nazistas. Cheio de ilusões, eles se estabelecem depois da guerra. Os três amigos idealistas precisam lidar com a inevitável desilusões da vida no pós-guerra da Itália.
Teresa the Thief
Production Design
Teresa gets her first taste of crime -- and its consequences -- when, during World War II, she is nabbed for robbing an apartment. But being poor and perpetually starving, the pretty petty thief doesn't give up her quest for ill-gotten gains and soon turns to pick-pocketing. Despite her questionable thieving skills, the bumbling crook tries scheme after scheme, pilfering from strangers and dodging the law as she searches for a way to fund an adequate meal.
A Mais Bela Noite da Minha Vida
Set Decoration
A successful businessman whose destiny leads him to a secluded Swiss chalet where his life is put on trial by a group of retired law professionals. The men assemble to analyze Sordi's rise to power and his increasingly immoral behavior as he attained success, and the warped perceptions of right and wrong he has adopted to remain successful.
A Mais Bela Noite da Minha Vida
Production Design
A successful businessman whose destiny leads him to a secluded Swiss chalet where his life is put on trial by a group of retired law professionals. The men assemble to analyze Sordi's rise to power and his increasingly immoral behavior as he attained success, and the warped perceptions of right and wrong he has adopted to remain successful.
Orders are Orders
Production Design
Giorgia, an unhappy housewife tired of marriage with her husband Amedeo, starts to hear a voice that orders her to perform actions out of the ordinary.
Sem Família
Costume Design
Released from the orphanage at the age of thirty, a man dreams of finding his mother.
Sem Família
Production Design
Released from the orphanage at the age of thirty, a man dreams of finding his mother.
My Name Is Rocco Papaleo
Production Design
Rocco Papaleo, an optimistic and kind man from a mining town in Alaska, gets away from his company during a trip to Chicago and is increasingly disillusioned in the face of the city's hostility.
Ciúme à Italiana
Production Design
Construction worker Oreste and young fiancee Adelaide meet Nello, cook in a pizzeria. This love triangle often go to communist rallies, and enjoy the filthy beach of Ostia. Will the hostile environment leave a way to jealousy?
Il giovane normale
Production Design
Giordano is a young man from Milan who accepts a ride from a married American couple sightseeing in Italy. The husband is an older and worldly professor of archaeology while his wife is interested in exploring living things. The young hitchhiker is seduced by the beautiful wife, while her husband continues to gaze at ancient ruins.
Eu vejo nu
Production Design
Mais uma comédia italiana com episódios, típica dos anos 60. Mas dessa vez o tema é SEXO. Enquanto alguns dos segmentos não tem mais que 5 minutos de duração, outros parecem nunca terminar. Em todos eles a estrela é Nino Manfredi e apresentam pessoas obcecadas com sexo de uma forma ou de outra. Manfredi permanece relativamente calmo até o episódio final, a partir do qual o filme recebeu seu título.
The Vatican Affair
Production Design
A blind professor masterminds the theft of treasure from St. Peter's Basilica in Rome.
O Tigre e a Gatinha
Production Design
A middle-aged businessman finds himself in thirst for romance adventure, and it seems that a proper partner is not far away.
Os Amores de um Demônio
Production Design
Two devils from Hell are sent to Earth to cause trouble. Belfagor and his faithful sidekick Adramalek must start a war between Rome and Florence in 1478.
Uma Virgem Para o Príncipe
Assistant Production Design
Young Prince Vincenzo Gonzaga, rejects his first wife Margherita Farnese, obtaining the annulment of the union and, at the same time, raising strong doubts about her virginity
Julieta dos Espíritos
Production Design
Suspeitando da infidelidade do marido, Giulietta entra numa jornada surreal de autodescoberta, repleta de sonhos selvagens e fantasias encantatórias que envolvem Suzy, a sua vizinha sexualmente emancipada, e seu estilo de vida glamouroso dos anos 1960.
The Conqueror of Atlantis
Assistant Production Design
Curious noises in the Arabian desert signal an attack by bizarre phantom-like raiders of gold who are in search of their Queen. A relocated Hercules (KIRK MORRIS of The Witch's Curse) arrives on the scene and sets off to find a kidnapped Nomad princess. He follows her abductors past the Mountain of the Dead, through the City of the Phantoms, to a mysterious castle which turn out to be Atlantis. As if all this wasn't strange enough, Hercules will encounter gold-painted, blue body stocking-wearing, reanimated dead guys; female guards (who are killed if they taste the love of a man); a dying evil queen and her Ming the Merciless wanna-be sorcerer-scientist; and a torturous climax.
The Conqueror of Atlantis
Set Decoration
Curious noises in the Arabian desert signal an attack by bizarre phantom-like raiders of gold who are in search of their Queen. A relocated Hercules (KIRK MORRIS of The Witch's Curse) arrives on the scene and sets off to find a kidnapped Nomad princess. He follows her abductors past the Mountain of the Dead, through the City of the Phantoms, to a mysterious castle which turn out to be Atlantis. As if all this wasn't strange enough, Hercules will encounter gold-painted, blue body stocking-wearing, reanimated dead guys; female guards (who are killed if they taste the love of a man); a dying evil queen and her Ming the Merciless wanna-be sorcerer-scientist; and a torturous climax.
Corruption
Assistant Production Design
Stefano is a shy and sensitive teenager who has just completed his studies in Switzerland and is considering becoming a monk. But his father, a rich Milanese publisher, who had the ambition to see his son succeed him, refuses and takes him on a cruise with a young woman to take this idea out of his mind...
8½
Assistant Production Design
Prestes a rodar sua próxima obra, o cineasta Guido Anselmi (Marcello Mastroianni) ainda não tem idéia de como será o filme. Mergulhado em uma crise existencial e pressionado pelo produtor, pela mulher, pela amante e pelos amigos, ele se interna em uma estação de águas e passa a misturar o passado com o presente, ficção com realidade.
Il mio amico Benito
Production Design
A clerk has had a picture taken during W.W.I with the future Italian dictator Mussolini and tries to exploit the situation pretending he is a dear friend of his. When he finds out who Mussolini really is he changes his mind and goes back to his bleak life.