Luciano Ricceri

Vigàta, Sicily, Italy, 1880. Shortly after the return to the village of Fofò La Matina, pharmacist and son of the late Santo La Matina, jealous guardian of the secrets of certain miraculous plants, the noble Peluso family is ravaged by a series of mysterious deaths…

Montelusa, Sicily, Italy, 1877. Giovanni Bovara, the new chief inspector of the mills, is charged with collecting a severe tax. Sicilian by birth, but Ligurian by adoption, he reasons and speaks as a man of northern Italy and does not understand the dynamics of the law of silence that regulate the Sicilian land, so his intransigence immediately gives him several enemies…

After finish his work Marchino finds the body of a teenager girl and goes to BarLume to call the police who don't believe him after his infamous past. Massimo goes to check and here starts a new story of BarLume.

The King of Games - when a car accident results in death, the uncles suspect fowl play and want to investigate. Massimo is asked by the detective covering the case to keep a watch on the uncles and prevent them from interfering in the investigation.Tiziana, Massimo's server, is having second thoughts about her upcoming marriage. Massimo figues it out and shares his theory with the Detective.

On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.

Here, the steel worker works on a continuous cycle, twenty-four hours a day and never stops. There, by the sea, on the island of Elba there is a paradise and the unreachable dream of happy families. In the middle, on the shores their secret beach, neither here nor there, Anna and Francesca, small but big, "thirteen years old almost fourteen", who are living their last summer of innocence before high school. The film is based on the book by Silvia Avallone.

The rise and fall of sicilian most important mafia bosses after WWII: Luciano Liggio, Totò Riina and Bernardo Provenzano, all from Corleone. Their friendship and struggle against italian state.

TV-Movie on the life and accomplishments of Giovanni Falcone, the legendary Sicilian judge who boldly opposed the Mafia

Two linen fabric dealers with their shops close to one another, battle against each other for more and more costumers. Umberto constantly loses clients because of the tough competition brought by Leone, who offers the best prices in the neighborhood. But they leave differences aside when the rise of Fascism places Anti-Semitic politics which rigidly control business like the one conducted by the Jewish Leone, and those new regulations are viewed by Umberto as completely unfair. The long rivalry soon becomes a great friendship.

An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married and single -- to dine, converse, argue, celebrate, make confessions; to overhear other people's discussions, to interrupt them, to sing, listen to music, and enjoy life. The camera, just like the people, moves constantly from table to table, into the kitchen and the back room to observe the staff's petty jealousies and frustrations -- until two hours later it's time for everybody to go home.

New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.

Film about the romantic involvements and every day life of four women working in the financially troubled Guya Valentina Beauty Salon.

Two neighbors, young Vincenzo and old Mr. Bartoloni, are utterly unhappy. On the one hand Vincenzo must lead a miserable and frustrating life as he cannot find any regular job, despite his Arts degree. On the other hand, Mr. Bartoloni is fed up with his despotic wife: the woman who used to be a beautiful artist is now a fat and shabby drunkard. The two men meet on a particularly sad night and, during an outburst Mr. Bartoloni asks Vincenzo to help him to get rid of his wife by simulating an accident with the promise of a considerable amount of money. At night Vincenzo can't sleep: Mr. Bartoloni wasn't joking and he is in a desperate need for money...

Two neighbors, young Vincenzo and old Mr. Bartoloni, are utterly unhappy. On the one hand Vincenzo must lead a miserable and frustrating life as he cannot find any regular job, despite his Arts degree. On the other hand, Mr. Bartoloni is fed up with his despotic wife: the woman who used to be a beautiful artist is now a fat and shabby drunkard. The two men meet on a particularly sad night and, during an outburst Mr. Bartoloni asks Vincenzo to help him to get rid of his wife by simulating an accident with the promise of a considerable amount of money. At night Vincenzo can't sleep: Mr. Bartoloni wasn't joking and he is in a desperate need for money...

Mario and Maria Boschi, a 30-year-old couple with small children, are hit by a crisis: husband and wife cannot agree on a party name. A colleague, also named Mario, makes an impressive speech, and Maria find herself increasingly attracted to him. She feels able to relate to him like she could to her husband in the old days. They spend the night together, and she falls ill. When she is asked by her husband to leave the house, she realizes that there may be a difference between real love and a vague need for understanding.

Mario and Maria Boschi, a 30-year-old couple with small children, are hit by a crisis: husband and wife cannot agree on a party name. A colleague, also named Mario, makes an impressive speech, and Maria find herself increasingly attracted to him. She feels able to relate to him like she could to her husband in the old days. They spend the night together, and she falls ill. When she is asked by her husband to leave the house, she realizes that there may be a difference between real love and a vague need for understanding.

A deaf man rebels against his controlling mother by dating a high-school drop-out who shares his disability.

Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.

A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.

A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

Jewish lovers (Rupert Everett, Stefania Sandrelli) and a homosexual doctor (Philippe Noiret) fall to prejudice and scandal in 1938 Italy.

An experiment of psychological effects under stressful conditions in a shelter. When fifteen strangers are put into a nuclear shelter to see how long they can survive without interaction with the outside, things work out fine.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

A businessman from the United States returns to Italy for the first time in four decades only to discover that an old girlfriend of his, along with her brother, have involved him in a massive hoax.

In 1938 Berlin, Gudrun Landgrebe, wife of Nazi functionary Kevin McNally, begins taking art lessons. She makes the acquaintance of another student, Japanese ambassador's daughter Mio Takaki. Soon afterwards, the two women begin a passionate lesbian affair. This leads to a chain reaction of disaster and tragedy, culminating with the inevitable intervention of the Gestapo. Despite the film's galloping sexual passions, The Berlin Affair is an exercise in aloofness, keeping the characters at arm's length-surprising, considering that the director was Liliana Cavani, auteur of the erotic classic The Night Porter (1974). The film was based on The Buddhist Cross, a novel by Junichiro Tanizaki.

The 50 year story of a ballroom in France, from the 1920s. The people who go there is always the same, even the musicians. You can see all kind of people dancing all the fashion dances (depending on the age).

Drama about the difficulties of a group of people trying to change their lives. A group of people gathers in a terrace in Rome . Some are friends, some know each other and others just meet for the first time. All are intellectual and belong to the middle class.

In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).

Two minstrels singing for their supper in Rome discover they've both been lovers to the same woman, and one of them is the father of her infant son; a privilege neither is willing to concede.

Ugo is an old actor who feels too young to be in an "old actor's house". He just can't stand the rules of the other old people so he escapes with a young girl.

Ugo is an old actor who feels too young to be in an "old actor's house". He just can't stand the rules of the other old people so he escapes with a young girl.

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

限定された状況をきわめて映画的なドラマに作り替える名人、E・スコラの、鮮やかな手並みが鑑賞できる作品である。ムッソリーニ支配下のローマで、アパートの住人全てがファシスト集会に出向いた後に残された主婦と、官憲に追われそこに忍んでいた反ファシストの男の、一日だけの恋を描く。ほとんど密室劇に近い内容だが、アパートの外観の取り入れ方が、ヒッチコックの「裏窓」を思わせて見事である。

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.

Giacinto lives with his wife, their ten children and various other family members in a shack on the hills of Rome. Some time ago he has lost his left eye while at work, and got a consistent sum of money from the insurance company, which he keeps hidden from the rest of the family. His whole life is now based on defending the money he sees as his own, while the rest of the family tries to kill him.

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

Two racy women decide to chuck their mundane lives and go on a wild adventure.

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

Teresa gets her first taste of crime -- and its consequences -- when, during World War II, she is nabbed for robbing an apartment. But being poor and perpetually starving, the pretty petty thief doesn't give up her quest for ill-gotten gains and soon turns to pick-pocketing. Despite her questionable thieving skills, the bumbling crook tries scheme after scheme, pilfering from strangers and dodging the law as she searches for a way to fund an adequate meal.

A successful businessman whose destiny leads him to a secluded Swiss chalet where his life is put on trial by a group of retired law professionals. The men assemble to analyze Sordi's rise to power and his increasingly immoral behavior as he attained success, and the warped perceptions of right and wrong he has adopted to remain successful.

A successful businessman whose destiny leads him to a secluded Swiss chalet where his life is put on trial by a group of retired law professionals. The men assemble to analyze Sordi's rise to power and his increasingly immoral behavior as he attained success, and the warped perceptions of right and wrong he has adopted to remain successful.

Giorgia, an unhappy housewife tired of marriage with her husband Amedeo, starts to hear a voice that orders her to perform actions out of the ordinary.

Released from the orphanage at the age of thirty, a man dreams of finding his mother.

Released from the orphanage at the age of thirty, a man dreams of finding his mother.

Rocco Papaleo, an optimistic and kind man from a mining town in Alaska, gets away from his company during a trip to Chicago and is increasingly disillusioned in the face of the city's hostility.

Construction worker Oreste and young fiancee Adelaide meet Nello, cook in a pizzeria. This love triangle often go to communist rallies, and enjoy the filthy beach of Ostia. Will the hostile environment leave a way to jealousy?

Giordano is a young man from Milan who accepts a ride from a married American couple sightseeing in Italy. The husband is an older and worldly professor of archaeology while his wife is interested in exploring living things. The young hitchhiker is seduced by the beautiful wife, while her husband continues to gaze at ancient ruins.

Seven sketches including the title sketch "I See Naked" in which a fashion editor begins to see naked women everywhere he goes.

A blind professor masterminds the theft of treasure from St. Peter's Basilica in Rome.

A middle-aged businessman finds himself in thirst for romance adventure, and it seems that a proper partner is not far away.

Two devils from Hell are sent to Earth to cause trouble. Belfagor and his faithful sidekick Adramalek must start a war between Rome and Florence in 1478.

Young Prince Vincenzo Gonzaga, rejects his first wife Margherita Farnese, obtaining the annulment of the union and, at the same time, raising strong doubts about her virginity

Middle-aged Giulietta grows suspicious of her husband, Giorgio, when his behavior grows increasingly questionable. One night when Giorgio initiates a seance amongst his friends, Giulietta gets in touch with spirits and learns more about herself and her painful past. Slightly skeptical, but intrigued, she visits a mystic who gives her more information -- and nudges her toward the realization that her husband is indeed a philanderer.

Curious noises in the Arabian desert signal an attack by bizarre phantom-like raiders of gold who are in search of their Queen. A relocated Hercules (KIRK MORRIS of The Witch's Curse) arrives on the scene and sets off to find a kidnapped Nomad princess. He follows her abductors past the Mountain of the Dead, through the City of the Phantoms, to a mysterious castle which turn out to be Atlantis. As if all this wasn't strange enough, Hercules will encounter gold-painted, blue body stocking-wearing, reanimated dead guys; female guards (who are killed if they taste the love of a man); a dying evil queen and her Ming the Merciless wanna-be sorcerer-scientist; and a torturous climax.

Curious noises in the Arabian desert signal an attack by bizarre phantom-like raiders of gold who are in search of their Queen. A relocated Hercules (KIRK MORRIS of The Witch's Curse) arrives on the scene and sets off to find a kidnapped Nomad princess. He follows her abductors past the Mountain of the Dead, through the City of the Phantoms, to a mysterious castle which turn out to be Atlantis. As if all this wasn't strange enough, Hercules will encounter gold-painted, blue body stocking-wearing, reanimated dead guys; female guards (who are killed if they taste the love of a man); a dying evil queen and her Ming the Merciless wanna-be sorcerer-scientist; and a torturous climax.

Stefano is a shy and sensitive teenager who has just completed his studies in Switzerland and is considering becoming a monk. But his father, a rich Milanese publisher, who had the ambition to see his son succeed him, refuses and takes him on a cruise with a young woman to take this idea out of his mind...

言わずと知れたＦ・フェリーニ監督の代表的作品。映画監督のグイドはある日、自分の体が空中を落下する夢を見る。現実生活の日常に纏わる様々な精神的・肉体的な疲れを癒す為、彼は療養と称して温泉に出掛けるが、そこでも仕事や生活から逃れることが出来ない。そして彼はついに、自分が温泉で余生を過ごしている老人達の中にいるという幻覚を見はじめるが……。本作は、フェリーニ監督自身の自伝的な作品であり、その描き方も、現実と幻想を並行して描くなど秀逸！　絶対に見るべし！！

A clerk has had a picture taken during W.W.I with the future Italian dictator Mussolini and tries to exploit the situation pretending he is a dear friend of his. When he finds out who Mussolini really is he changes his mind and goes back to his bleak life.