Sei Ando

Shinichi Tsuda, a Naoki Prize winning author, is working to publish his newest story. It revolves around Tsuyama, a driver for a call girl business in Toyama Prefecture, who comes across a mysterious counterfeit bill and has his life targeted by underworld kingpin Kurata. Is his story fact or fiction? His editor, Nahomi Torikai, decides to verify whether his latest work is mere fiction based on real-life experiences. She looks into a family that vanished, a post office worker who went missing, a shady load of cash, the whereabouts of the doves, and the fateful encounter from that night... A series of shocking facts are revealed from Tsuda’s stories. Why did the counterfeit money end up in Tsuda’s hands? What is the “ending” that Tsuda wished to portray?

He is rejected by his sister when the brother floats the idea that their father move from his house to her apartment. The father has other ideas however and shows up unannounced at her doorstep with his belongings. She has little space, a boyfriend she lives with it and does not need a cranky father.

Ogura Akane is twenty six years old and wants to become a designer. However, things go awry when in a double whammy she loses her job and finds her boyfriend cheating on her.

Even though Kumiko realizes that she won’t be able to patch things up with her former lover, she ends up preparing a meal for him. Though she lives only for going to the concerts of her favorite band, Mie curses her nonexistent luck when she’s forced to do overtime on the day of a concert. Although Tsuda somehow lives off of doing day labor, he does not have any friends and is unable to establish interaction with society. In his indolent lifestyle, Rikuo only knows how to express himself through violence. The clumsy lives of these characters intersect.

Although the situation is universal, Japanese mourning rituals are given solid coverage. The 49th day after death is considered crucial, as the date at which the soul passes from this world to the next and, therefore, the date from when the living are expected to get on with life. But Yoko doesn't move on. The ache of the loss that simply won't heal takes an awful toll on her husband and friends, who try doggedly and unsuccessfully to help her move on, and to guide her away from the misguided and damaging belief that daughter Kanako's spirit has entered another living child (by sharptongue, IMDB.com)

Hiroshi Tanaka sports an intense perm which looks like the afro hairstyle favored by some African-Americans back in the 1970's. He doesn't get his hair done at a hair shop, he was actually born with his hair like that. For freedom, Hiroshi moves to Tokyo. He works hard there and, even though he turns 24, he still doesn't have a girlfriend. Meanwhile, a school friend informs Hiroshi that he is going to get married. Hiroshi remembers a promise that they made. Hiroshi is even more impatient to find a girlfriend. A beautiful woman named Aya Kato then moves into the neighborhood.

Katsutoshi is forced to flee his hometown and ends up at a rundown nightclub called "Tokyo Playboy Club." His hot-headedness gets him into further trouble, and the club's waiter Takahiro and his girlfriend Eriko also get caught up in it as their underworld predicament worsens to the point of no return.

Live action film "Shibyo Osen Dead Rising" based on the zombie action game "Dead Rising." Set in Japan and directed by Keiji Inafune. Produced by Capcom, the game studio that also produced the popular Resident Evil series, the Xbox 360/Wii game Dead Rising was a George Romero-inspired third-person shooting game that followed a reporter's effort to fend off a zombie attack in a mall. The game was immensely popular, expanding to downloadable content and multiple spin-off versions on other platforms. Four years later, the sequel of the game has arrived, and Capcom is hyping up the release with a live-action feature film. Directed by game producer Inafune Keiji (Onimusha, Mega Man) in his directorial debut, Shibyo Osen - Dead Rising promises to create a never-before-seen type of third-person-style action film that also features the over-the-top zombie violence that made the games so popular.

Set in the early 1990's, after The Persian Gulf War began, a 30 year old man passes himself off as Captain Kuhio a pilot for an American Special Unit. He also boasts that he is the offspring of Kamehameha I and a distant relative of Queen Elizabeth of England. In actuality, the man is a marriage swindler looking for his next big score.

Nozomi é a boneca inflável de um cara muito solitário, que a trata como se fosse uma mulher de verdade. Dá banho, leva para passear e ensina os nomes das constelações; até que um dia Nozomi realmente toma consciência, e começa a sair de casa enquanto seu dono está trabalhando. Ao conhecer um balconista de uma locadora a boneca vai descobrir que tem também um coração, e começará a ser difícil cumprir seu papel de "substituta para o desejo sexual".

The opening bust-shot, with its frequent use of cut-away shots and blurred dialogue, is like a campus version of Ozu's films. As the story progresses, however, the film itself breaks away from a style that was as borrowed (but still very fitting) as the protagonist. The way the film acquires its own rhythm and flavour is more than just a pleasurable experience, it is a cinematic pleasure.