Maurice Blackburn

The seventh thematic mini documentary about revolutionary filmmaker Norman McLaren; this time with a focus on his collaborator Maurice Blackburn.

Norman McLaren was a cinematic genius who made films without cameras, and music without instruments. He produced sixty films in a stunning range of styles and techniques, collecting over 200 international awards, and world recognition. In Creative Process, director Donald McWilliams demystifies the process of artistic creation. Drawing on McLaren's private film vaults, a gold mine of experimental footage and uncompleted films, McWilliams explores McLaren's methods, including his celebrated "pixillation" technique, and his daring forays into animated surrealism.

In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.

A giant statue of the letter "E" arrives in the park. One man sees it as "B"; they are preparing to cart him off to the looney bin when a doctor arrives and determines the man needs glasses. Then the king arrives...

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.

A director and an editor, both women, cannot work on a movie presenting the rape of a nurse without reacting on the scenes they're working on, the situation of womanhood in general, and the way the 'Justice' handle those cases of rape.

This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.

Hélène is a woman who already has, in her view, quite enough children. For some time she has secretly been taking birth control pills, but now she is too old to use them safely. When her husband Gabriel discovers the pills, he is distressed, since he wants a large family. The two of them discuss their differing attitudes and desires but come to no resolution.

The history of the roles of women in Quebec society, beginning with the women shipped from France to the New World by the King to populate the colony with the men already there, and ending with the modern career woman.

Blocks and balls fight simply because they are different, until their battle reduces everyone to the same shape.

"This documentary depicts a canoe being built in the traditional manner. Cesar Newashish, a 67-year-old Attikamek of the Manawan Reserve North of Montréal, uses only birchbark, cedar splints, spruce roots, and gum. With a sure hand he works methodically to fashion a craft unsurpassed in function or beauty of design. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Native Peoples whose traditional craft it is. The film is free of spoken commentary but text appears on the screen in Cree, French, and English." - Anthology Film Archives

This short experimental film from Peter Foldès hails from the very early days of computer animation. Created entirely on a computer belonging to the National Research Council of Canada, it registered hundreds of movements to produce a fluid, evolving effect with images seamlessly morphing into one another.

This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.

A greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache.

Two ballet dancers perform a dance enhanced with surreal after-image visuals.

Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.

In this short animation film the triangle achieves the distinction of principal dancer in a geometric ballet. The triangle is shown splitting into some three hundred transformations, dividing and sub-dividing with grace and symmetry to the music of a waltz. The film's artist and animator is René Jodoin, whose credits include Dance Squared and several collaborations with Norman McLaren.

An atmospheric mood piece photographed in the winter at the giant dam built by Hydro Quebec in the northern wilds of the province. The story concerns a worker's wife, who is bored with her dreary existence in the wilderness. She walks around in the snow recalling how she met her husband, then goes to the landing field to catch a departing plane. But she remains when her husband tells her how much his work means to him. This moving and very humanistic tale represents the NFB at its best.

A young Jesuit missionary reflects on his life and his faith while awaiting his execution at the hands of the Native Americans he came to convert.

Two teenage girls go to winter carnival in Quebec City for the first time. Their ambiguous, tentative relation with a young boy brings both of them the sweet intensity and disillusionment of first love.

This quirky little short by Gilles Carle was filmed on the pierced rock that stands near Quebec’s Gaspé peninsula. It is perhaps the most photographed natural phenomenon on Canada’s East Coast. Shot in the 1960s, the film has a very psychedelic feel to it, with animation, special effects, and a trio of women to guide us through.

This short documentary introduces us to the colorful and versatile world of plastics. Transmuted from coal, oil or wood, synthetic substances can make thousands of new products, from silk threads to furniture.

A man struggles with his identity, his life choices, his interracial relationship, and his latent homosexuality. A portrait of some young intellectuals in early sixties Montreal.

This film profiles Canadian actor Christopher Plummer of the Shakespearean Theatre, Stratford, Ontario. As the minutes tick by, cameras register the transformation as he dons his make-up for the title role in Cyrano de Bergerac. We also see Toronto actress Kate Reid as well as actors Len Birman and Martha Henry.

Three separate sequences related to Christmas, animated in different styles: cutout animation of children dancing in the snow to "Jingle Bells," stop-motion animation of toys come to life, and cel animation of a man who seeks the ideal star to top his Christmas tree.

They come in high-powered convertibles, with cameras and curiosity, to look at French Canada and French-Canadians. Their usual objective is Québec City, where they can soak up a bit of French culture without a trip to France. With an eye for humour, VISIT TO A FOREIGN COUNTRY shows the people of Québec taking a look at American tourists who have come to Québec to take a look at them.

This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.

A square dances.

Pantomime evoking the history of movement in humans performed by Suzanne Rivest.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

Filmed in the town of Normétal in northern Québec, this short documentary provides a first-hand introduction to life in a frontier mining community where all roads lead to the pithead. Dweller of two worlds, the copper miner's life is one of contrasts. A mile underground are the rock face, the clattering drills, the dust of explosions; above ground, all the familiar activities of a small town. - NFB

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

To the tune of a classic French-Canadian nonsense song, surreal blackbird made of lines loses body parts and gets them back threefold.

An efficiency expert is called in to downsize a trucking company and the employees fight to establish a union to save their jobs.

An ordinary looking chair refuses to be sat upon.

Two generals prepare for battle at the Plains of Abraham.

A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.

An animated film drawn entirely in pastels. Various fantastical plant-like things "grow" from the ground, eventually launching five spheres. The spheres drift in space while changing shapes and come back down to another setting, which eventually becomes more fantastical and symbolic than the opening one. The soundtrack has a jazz slant, with an ensemble of four saxophones and synthetic sound (i.e. sound created by drawing directly on the soundtrack).

Early abstract 3d stereoscopic animation by Norman McLaren collaborator Gretta Ekman.

A short look at the world of artist Arthur Lismer.

A tiny Quebec community is thrown into an uproar when a tall young Texan named Bill arrives to claim a farm he has inherited. Bill's inability to speak French, and his apparent unwillingness to learn the language, foments plenty of ill will in the community. The story is resolved with an abundance of warmth and humor, sometimes hokey, sometimes hilarious.

An experimental short film of images and music made by Norman McLaren.

This short documentary from the Canadian Artists series presents the art of Emily Carr, the Canadian painter who found exciting subject matter on British Columbia's Pacific Coast, with its giant trees and its Indigenous villages, totems and carvings. When Carr visited the Ucluelet Indian Reserve on Vancouver Island in 1898, the Nuu-chah-nulth people gave her the name Klee Wyck, meaning “Laughing One.” Her canvases are shown here amidst the landscapes and places where they were painted.

An illustration of a traditional French Canadian song in the form of progressing cutouts and still pictures.

This animated short from Norman McLaren features a human skull cautioning Canadians to “keep their mouths shut” in an effort to end gossiping during World War II.

A short documentary about a small province on the east coast of Canada.

This short film serves as a cautionary tale to farmers who recklessly cut down trees on their land. When prairie farmers engaged in this practice to facilitate plowing, they discovered that the trees had served as windbreaks protecting top soil from erosion. The Dominion Department of Agriculture's experimental station at Indian Head, Saskatchewan, cultivated acres of young trees for distribution to farmers.