Director
A filmic reflection on the way in which cinema taught us to live romantic love during the 20th century, building an impossible ideal within our personal relationships. Cinema taught viewers how they had to see it, worse, it showed directors how they had to film it. Based on quotations from early cinema films, Contar el amor discusses the role of sex and violence as central themes in our increasingly broad but, at the same time, less pluralistic audiovisual universe.
Writer
Just outside her apartment, Ana finds Dina, a naked, mysterious and confused young woman. Ana invites Dina in and calls a couple of persons so that they can meet her. Pamela and Raymundo, human traffickers, show up to negotiate the buying of Dina, who claims that she comes from the future and that she is actually on a mission to investigate how far human evil has grown in Mexico by the year 2015. The young woman provokes an unsolvable dispute between the traffickers, who end up dead.
Director
Just outside her apartment, Ana finds Dina, a naked, mysterious and confused young woman. Ana invites Dina in and calls a couple of persons so that they can meet her. Pamela and Raymundo, human traffickers, show up to negotiate the buying of Dina, who claims that she comes from the future and that she is actually on a mission to investigate how far human evil has grown in Mexico by the year 2015. The young woman provokes an unsolvable dispute between the traffickers, who end up dead.
Writer
"Everybody's Got Somebody... Not Me" - Alejandra is sick of her daily life and her past relationships that have not worked out. Then she meets María, an adolescent, with whom she has an affair. At first everything runs smoothly, however Alejandra´s personality and her emotional needs prove increasingly demanding; being around her becomes unbearable. At this point, they ask themselves whether they should continue the oppressive relationship, or go on with their ordinary lives.
Director
"Everybody's Got Somebody... Not Me" - Alejandra is sick of her daily life and her past relationships that have not worked out. Then she meets María, an adolescent, with whom she has an affair. At first everything runs smoothly, however Alejandra´s personality and her emotional needs prove increasingly demanding; being around her becomes unbearable. At this point, they ask themselves whether they should continue the oppressive relationship, or go on with their ordinary lives.
Editor
