Masatoshi Saito

Ryoko Matsumura is a popular writer in her 50's. She also knows that she has Alzheimer’s. Ryoko Matsumura begins to teach at a university. She meets a young Korean man in his 20's. They become attracted to each other.

Aki is an unsuccessful 29-year-old actress who eventually became a magician's assistant. While pretending to be hypnotised on the stage, Aki finds the boundary between reality and illusion becoming increasingly vague. For Aki, the only beautiful memory she has was the time spent with her lover Kaito.

Natsume Mochizuki works as a teen model in Tokyo, but she learns that she has to move to her father's hometown of Ukigumo. She is in a desperate situation because she can't do the things she wants to do in Ukigumo. One day, she meets Koichiro Hasegawa. He is the successor of the Hasegawa family. His family is wealthy and is respected in the area. Natsume Mochizuki and Koichiro Hasegawa become attracted to each other, but something changes their fate.

A singular deadpan comedy, The Passion tells a story of a young woman raised in a convent named Frances-ko (Mayuko Iwasa), after Saint Francesco. Distressed by not knowing about love and sex, she calls out for a sign from above, but instead hears a voice from below. A human-faced growth speaks to her from between her legs, constantly berating her, calling out "Woman, you are worthless!" Mr. Koga, as she names it, continues the verbal abuse, yet Frances-ko somehow adapts, forming an adversarial yet symbiotic relationship. This bizarre film, based on Kaoruko Himeno's acclaimed 1997 novel of the same name, is skillfully directed by Ryoko Yoshida, lensed by veteran cinematographer Akiko Ashizawa, grounded by Iwasa's show-stopping performance and enlivened by the hilarious Kanji Furutachi, who lends his voice to the chauvinistic Koga. The soundtrack boasts an unmissable eclectic score by legendary experimental musician and composer Otomo Yoshihide.

A humorous wedding story fueled by a rather no-good father and son, disguised as the old and new “good guys.” The father Nobuo, and his son Tamio, are unable to mature, unable to break the parent-child roles, have no sense of responsibility, and keep holding on to the past. The pair is overwhelmed by all the colorful characters around them telling them what to do. They go to strenuous and humorous efforts to make Tamio’s wedding an event to remember.

A tale of delinquent and lazy school girls. In their efforts to cut remedial summer math class, they end up poisoning and replacing the schools brass band.

Two friends who work together at a Tokyo laundry are increasingly alienated from everyday life. They become fascinated with a deadly jellyfish.

As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao's ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view -- from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.

During a quest to find a Taiwanese father's grave, disturbing memories of child abuse are aroused.

Na véspera da rendição japonesa, em 1945, Akagi, o médico local de uma povoação costeira de uma das ilhas japonesas, decide tomar uma posição firme para preservar a sua integridade profissional. Está preocupado com o crescente número de casos de hepatite e junta-se aos seus antigos companheiros, um monge dissoluto e um cirurgião niilista viciado em morfina, todos à margem da sociedade militar japonesa. Sonoko, uma rapariga selvagem, adere ao grupo como enfermeira. Tornou-se responsável pelos irmãos desde a morte dos pais e, por vezes, ganha dinheiro como prostituta. Mas ao trabalhar com Akagi o seu destino muda: apaixona-se pelo estranho médico e quer passar com ele o resto da sua vida.

Biwako is a vain, middle-aged actress who witnesses a brutal murder. Realizing that the very public life of the woman makes their sole witness vulnerable to the killers, the police assign two officers to safeguard her until the trial. In the interim, the lives of Biwako and everyone around her are changed in unexpected ways.

Failing supermarket manager Goro hires the energetic Hanako, his old classmate, to help him compete with a new, rival business in town. Soon, Hanako's ideas and energy completely revitalize the store – but not without ruffling some feathers and sparking some romance along the way.

Melodrama about the life of a mentally handicapped young man and his devoted sister after their famous novelist father and housewife mother go to Australia on a business trip.

The Rinkaiji family, by all appearances, is a well-to-do Japanese family. The father, Nariyuki, works in an elite corporation, which gives his wife Yoshiko status in their suburban neighborhood. But the daughter Sugina, who herself has secretly stopped going to school because she is being bullied. One day, they discover that Nariyuki has quit his job. As Nariyuki decides to find a new job along with Sugina, Yoshiko, a firm believer in a life based on the company, soon finds her world falling apart.

A school bus driver's life is irrevocably altered when his young son is kidnapped and murdered.

A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.

Physically separated from her father and at odds with her distraught mother, a girl must negotiate her own passage to maturity.

An upscale Japanese hotel hires Mahiru Inoue, a lawyer adept at dealing with the Yakuza, to help them rid their hotel of the local gangsters so they can get a contract for a meeting of important foreign officials.

At an all-girls school, a group of girls prepare for a stage performance of Anton Chekhov's "The Cherry Orchard".

The film stars two of Itami's regular actors, Nobuko Miyamoto as a geisha who brings luck to the men with whom she sleeps, and Masahiko Tsugawa as her unfaithful, sometimes partner. As well as showing her relationships with the man she loves and the men who employ her, it satirizes corruption and the influence of money in Japanese politics.

Shigematsu Shizuma lives with his senile mother, his wife Shigeko, and his niece Yasuko in a village near Fukuyama. He, his wife, his niece and his close friends in the village were present at the atomic bombing of Hiroshima. The Shizumas look for prospective husbands for Yasuko, but find that the families withdraw on finding out she was at Hiroshima.

Shigematsu Shizuma lives with his senile mother, his wife Shigeko, and his niece Yasuko in a village near Fukuyama. He, his wife, his niece and his close friends in the village were present at the atomic bombing of Hiroshima. The Shizumas look for prospective husbands for Yasuko, but find that the families withdraw on finding out she was at Hiroshima.

A TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.

O primeiro Western-Spaguetti japonês! Neste hino bem-humorado para as alegrias da comida, a história principal é sobre o motorista do caminhão Goro, um cowboy do asfalto, que "cavalga" para a cidade como um Shane moderno para ajudar a viúva e chefe de cozinha Tampopo a transformar seu restaurante no lugar perfeito para o conhecido Udon, a sopa de macarrão japonesa. Entrelaçadas nesta história principal temos uma série de pequenas histórias sobre a importância dos alimentos. Desde um gangster que mistura sexo quente com alimentos, até uma velha que aterroriza um vendedor de legumes por compulsivamente apertar suas mercadorias.