Bárbara Sarasola-Day

Marcelo, 50 years old, has dedicated his life to teaching philosophy at the Public University and suddenly his mentor and boss, Professor Caselli, dies. Disoriented in this new landscape, Marcelo assumes that he will inherit the position left vacant by his mentor. What he doesn't expect is that Rafael Sujarchuk, a charismatic and pedantic philosopher trained in the best European universities, also covets the position. Between his multiple jobs as a philosophy professor in the local slums, at the university and privately with an 80-year-old millionaire, he must also prepare to run for office against this strong opponent who seems to have everyone on his side. Marcelo's clumsy efforts don't seem to be enough to get the job, but is that really what he wants?

Alejandro, the youngest of his recently deceased father's two sons, is brimming with anger, upset that his father and older brother have for so long committed his mother to a rural Colombian mental asylum. He's convinced that the place for his schizophrenic mother is at home with her loved ones, not in an institution. While on an unannounced visit, he kidnaps his mother to take her home with him once and for all – but Alejandro is soon overwhelmed by his mother's mental incapacities as they embark on a journey of love and commitment, of emotional and physical extremes.

Sara and her nanny Yarisa have a relationship that seems to transcend their class conditions: they are the closest thing to a daughter-mother, but an accident will test their intimate loyalty and the innocent illusion of never separating.

Sara discovers that agrochemicals sprayed by her neighbor for soy cultivation poisoned her daughter. The treatment compels them to travel to Buenos Aires. To get money for it, Sara devotes herself to drug trafficking. This becomes a threat to her freedom and the safety of her children.

Um advogado arrogante vê sua vida perfeita desmoronar quando um detetive particular chega na sua pacata cidade para investigar um desaparecimento. Implacável, o detetive quer provar que nada é o que parece ser, e descobre segredos surpreendentes.

Martina e seu namorado, Manuel, estão enfurnados em um motel decadente em uma pequena cidade fronteiriça. Manuel morre repentinamente e Martina é forçada a recorrer ao seu pai alienado e com experiência em crimes para ajudá-la a escapar do perigo que ela e Manuel trouxeram para si próprios.

Martina e seu namorado, Manuel, estão enfurnados em um motel decadente em uma pequena cidade fronteiriça. Manuel morre repentinamente e Martina é forçada a recorrer ao seu pai alienado e com experiência em crimes para ajudá-la a escapar do perigo que ela e Manuel trouxeram para si próprios.

Havana, 1994. Com a Guerra Fria chegando ao fim e a União Soviética se desintegrando, o embargo à Cuba continua intacto e mais firme do que nunca. No meio disso tudo, a vida do casal Candelaria, 75, e Victor Hugo, 76, está cada vez mais monótona e triste. Mas toda a fase obscura começa a mudar quando encontram uma câmera e, curiosos, passam a filmar seu dia a dia, e reencontram parte de sua vida perdida. O problema é que, tempos depois, o objeto desaparecerá.

After a long period of absence, Rina returns to her island deep in the Tigre river Delta. There she spent a large part of her life and raised her son. Now she wants to recover her home and return there with Facundo, who also left the island. Both, mother and son, will learn that nothing is like it was. Machines on the river are about to destroy everything. A girl is lost in the forest. The water is rising.

Helena and Ernesto's marriage is in problems when Helena's cousin arrives to complete his rehab at his isolated mountain home. His arrival releases repressed emotions and desires and puts them in contact with each other.

Helena and Ernesto's marriage is in problems when Helena's cousin arrives to complete his rehab at his isolated mountain home. His arrival releases repressed emotions and desires and puts them in contact with each other.

Set in the north of Argentina. Yolanda, a young girl of Wichi origin, tells in her native language (Wichi Lhämtes), the story of how, as a family maid in a "criollo" home, she has her hair unjustly cut: this is her most particular trait, her beauty. This event jeopardizes her cultural ties with the "criollo" world and defines her destiny.