Ashihara Kensuke

Filmes

Moonless Dawn
Kou created songs and uploads them to the Internet, and Yuka and Saki enjoy his music as fans, always listening with deep interest and admiration. Their final summer vacation has begun as junior high school students.
Astral Abnormal Suzuki
Suzuki Rara is left behind in the countryside due to mischief. She becomes a YouTuber, goes both crazy and offbeat. Wearing an eye-patch, loose track pants and often holding a sledgehammer she begins interacting with the locals, families and visitors.
Meatball Machine Kodoku
Nobody knows where they came from. They parasitize in human beings, take control of them and change their bodies into hideous monsters (Necro-borg). The Necro-borg fight each other until the other dies. Where did they come from? To what end? Yuji and Kaoru, whom both have dark secrets within themselves, get caught up in the horrific battles of Necro-borg. What will their fate be?
Depois da Tempestade
O Japão está prestes a receber o 23º tufão do ano. A matriarca Yoshiko, uma mulher idosa que mora sozinha, recebe a visita de dois filhos que não costumam ir à sua casa: Ryota, um escritor fracassado que ainda sofre com o divórcio e se arrisca fazendo bicos de detetive, e a filha mais velha, que tenta passar por exemplo da família, mas também tem seus problemas. Juntos, eles aguardam a chegada do tufão e relembram a morte recente do pai e marido.
The Charm of Others
Hyper-realistic, comic drama about a group of workers in a small Japanese vending-machine factory. The young men gossip in their grubby canteen about women and each other. In order to drive out the boredom, they play soccer on the colourless industrial site. The relationships do not entirely run smoothly: ‘senior’ employee Takahashi enjoys making his colleague Yoda feel every day that he is at the bottom of the ladder. Yoda barely reacts. In the meantime, Sakata, a cheerful kid, tries in vain to make friends with the taciturn Yoda. This ensemble film shows in a dryly comic way the everyday lives of these so very normal Japanese kids, who still have one foot in childhood, but need to make choices as adults. The director himself plays the lead of the charming Sakata, who closely observes his colleagues. As he does in the role of filmmaker: his clear gaze soon reveals how it all fits together.
Death Tube- Broadcast Murder Show
Tragedy begins with curiosity. The on-line killer website broadcasts scenes of death in real time. Viewers are drawn to the website through curiosity, and then are shocked by what they see. Against their will, random viewers are selected to enter the killing game. It is literally a life and death situation to survive in this cruelest of spectator sports.