Producer
Matilde, uma mulher na casa dos sessenta e viveu com seu marido, Porfirio, desde os 15 anos, numa relação de violência e desprezo. Miguel, seu vizinho, um jovem com tino para negócios sente pena de Matilde e pouco a pouco criarão fortes laços de amizade, o que lhes ajudará a liberar-se de de suas antigas crenças e viver a vida que sempre quiseram.
Post Production Supervisor
Ismael, a 12 year old boy, dreams to become a professional baseball player but he is asthmatic. One night, while approaching the girl he loves, he witnesses a crime.
Producer
Ismael, a 12 year old boy, dreams to become a professional baseball player but he is asthmatic. One night, while approaching the girl he loves, he witnesses a crime.
Executive Producer
O mundo de ANDY muda completamente quando sua mãe sofre um acidente. Sem ninguém para cuidar dele, o menino é levado para Cuernavaca até a casa de sua avó paterna. Enquanto a sua mãe se debate entre vida e morte, a criança enfrentará a rejeição da avó, o mundo sedutor e perigoso do filho do jardineiro, e começará a procura do seu pai.
Post-Production Manager
Three friends have a special mission: find some keys lost in a pile of dead leaves. It may seem a simple task, but it will turn into an odyssey when it confronts them to their fear to grow up. This afternoon, as trivial as it may sound, could change the course of their lives.
Post Production Supervisor
Two wrestlers decide to go to a hotel in order to meet two prostitutes.
Post Production Supervisor
The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
Post-Production Manager
Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.
Post Production Supervisor
María é uma mãe solteira, de meia idade e com três filhos. Ela nunca está sozinha, toma conta de todos, dorme pouco e trabalha demais. Augustín é seu pai, que está senil e sabe disso. Uma visita de María ao escritório de previdência social revela que ela é muito pobre para colocar seu pai em um asilo, porém muito rica para receber benefícios. Ela pensa numa solução cruel: abandonar seu pai em uma praça. Augustín espera então pelo demorado retorno da filha.
Screenstory
After Emiliano dies from poisoning, a vault in Zürich opens to reveal a video tape of edited fragments from surveillance cameras that captured the most important day in Emiliano's life. That day he learned that what matters most in life are not beginnings or endings, what matters most is one defining moment: his peculiar encounter with Juan when he recruited him to assassinate a former presidencial candidate.
Director
After Emiliano dies from poisoning, a vault in Zürich opens to reveal a video tape of edited fragments from surveillance cameras that captured the most important day in Emiliano's life. That day he learned that what matters most in life are not beginnings or endings, what matters most is one defining moment: his peculiar encounter with Juan when he recruited him to assassinate a former presidencial candidate.
Director
A voluble hypochondriac and an HIV patient clash. On the phone, Tomás agrees to see his new girlfriend that evening, so he begs off study when Pablo arrives to work on their joint architecture thesis. Before Pablo leaves, Tomás discovers a vial of pills: AZT. Tomas presses Pablo, who admits he is HIV-positive. Tomás throws a fit: how could Pablo be so selfish as to expose him to AIDS! Pablo tells Tomás to relax, but anger follows. Pablo is leaving when Tomás's mom arrives and insists he stay for supper. Table talk turns to homosexuality. With rancor in the air, Pablo tells his story. The doorbell rings.
Director
A man on a supermarket encounters a woman who tells him he reminds her of her late son.
