On a rainy evening, 19-year-old university student Fumi Saeki happens to meet 9-year-old Sarasa Kanai in the park. Kanai Sarasa is soaking wet. She is separated from her parents and lives with her aunt, but she tells Saeki Fumi that she doesn't want to go back to her aunt. Saeki Fumi takes Kanai Sarasa to his apartment and they live together for the next 2 months. Saeki Fumi is then arrested for kidnapping. He is labeled as a dangerous kidnapper and Kanai Sarasa is labeled as a poor victim. 15 years later, Kanai Sarasa and Saeki Fumi happen to meet each other.
Midori
‘My dad saw a monster here. When he was a kid.’ · ‘A monster?’ · ‘Yeah, a monster. It moves between this world and the next.’ Ao lives with his mother and little sister Kii on Sado Island in Japan. He misses his father, who recently disappeared without a trace – although not much is spoken about it. While their mother tries to deal with the loss in her own way, Ao and Kii run across the island and scream at the ocean. In the mysterious Sayoko, who inconspicuously swipes books from the school library, Ao finds a confidant. Few words are needed between the two reticent, dreamy children: together, they at once feel less alone. Against the striking backdrop of an industrialised coastal town, Tetsuya Tomina's poetic film tells a tale of dreams, loss and monsters.
Eiko (young)
Adapted from the bestselling Japanese autobiography of the same title, this gentle coming-of-age drama concerns an adolescent boy, Boku - Masaya, torn between the inherited recklessness of his father Oton and the inherited responsibility, wisdom and emotional strength of his mother Okan. Following a period of intensely rebellious behavior, Boku learns that his mom has contracted cancer; suddenly, his mother comes to live with him in Tokyo the entire emotional landscape of his life is altered.
This is a biographical film about the late Yoko Araki, who was the wife of Japan's leading photographer, Nobuyoshi Araki.
