Éva Vándor

A story about a boy and a girl in a mental hospital.

A frame-for-frame remake of the famous Shower Scene of Hitchcock's Psycho with 60 actresses for its 60th anniversary, a different actress in each shot.

Anna tem 40 anos e está sempre correndo. Ela tem três filhos, um marido, um emprego e questões financeiras. Anna cumpre prazos, faz promessas, cuida das coisas, traz compras para casa e lembra-se de tudo, mas nunca conversa com seu marido. Ela sente que o está perdendo.

Dani was always the good boy at school and is about to get married. He bumps into Tímea Hajnal, who is now a top model but is trying to get over a humiliating break-up. After a few glasses of wine, they fall into each other’s arms, which wouldn’t be so bad on the face of it, but there’s a tiny problem: Bögöcs, the bad boy of the class, has been recording everything on his mobile phone, and he’s thinking of using it to finally be able to fulfil his teenage dream - to sleep with Tímea. He threatens to show the video to Dani’s fiancée if he doesn’t take steps to set things up for him with Tímea. The pressure very quickly starts to have consequences for Dani’s relationship with his bride-to-be, as she starts to nag him chronically. The wedding is fast approaching, and Dani has to do something…

Miklós Fenyö's parents returned to Communist Hungary in the mid sixties - when everyone else was fleeing to the West. Miki's old friends don't know what to make of his outrageous clothes, flawless American accent and collection of original Buddy Holly 45s. His childhood sweetheart is cold and distant while local tough guy Röné is unmoved by the challenger to his rock 'n' roll crown. But that's not all. When the authorities see the effect Miki's gyrating hips and lewd music have on teenage girls, they won't stand for it. His father's job is on the line, and, for the first time, Miki must play by the rules. He has no choice but to enter the local talent show...

Istvan Varju a.k.a. Kanya is a track driver. He drives alone on the roads and listens to the radio. We're In the middle of seventies, the radio broadcasts hungarian beat music. He is convinced that interesting and significant events in the life happen on the roads, so we should go, go and go in order not to miss something.

The film depicts the lives of veterans of the 1848 Hungarian Revolution in the American Civil War, based in part on an Ambrose Bierce story. The whole film was re-edited using his own method called "light editing" in order to make it resemble a damaged silent film from the late 1800s.