Jean-Claude Gallouin

While the Nazis occupied most of France, Jacques (Vincent Perez) has been active in the liberation underground. Now that the Allies have freed a significant portion of their country from German control, he and his buddy Michel (Matthieu Roze) can join the Free French army and fight with them to help bring about the downfall of the German empire. Both of them are quite young men, and their first love turns out to be the same woman, a lovely nurse named Christiane (Geraldine Pailhas). Michel woos her first, and she becomes pregnant by him. However, she is much more interested in Jacques, even though she is considering marrying an American solely for practical reasons.

Two physicians, one old and one young, fall in love with the same woman, Juliette, a quixotic hairdresser. First, she is with Raoul, the older one; then passion for Clément, the younger doctor, takes over. Raoul fights back, playing on Clément's guilt and Juliette's lack of self-assurance; then, Clément makes his case to Juliette, abandons his fiancée, and takes her to the provinces where he sets up practice and asks her to have a baby. She panics and abruptly leaves Clément, taking up with Raoul again. When she contracts Hodgkin's disease and the treatment does no good, Raoul believes she has the malady of love. Is there a cure?

In Paris , Commissioner Stan Jalard and Inspector Simon Lecache plan to quit the police to go and enjoy a more peaceful life in the West Indies. In a nightclub, during a routine visit, they spot Schneider, a dreaded gangster and public enemy. At the time of his arrest, Simon is killed at close range by the criminal. Stan then decides to stay in the police to avenge Simon. Being the godfather of Christian, Simon's son, who sometimes lives in a boarding school, sometimes at home, he takes charge of his education. Two years later, Stan has been promoted, and he's told that Schneider had resurfaced in the capital. A long hunt begins.

In a building on the Boulevard Haussmann in Paris lives ten-year-old Roger, who is surrounded by women - his great-grandmother, his grandmother, and his mother Nicole. Living in an exclusively feminine environment, the boy wishes more than anything else to have a masculine presence around. His dream comes true when he meets Jacques, who's madly in love with Nicole and who is about to completely turn the boy's life upside down.

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?

The life of workers and their families in a construction site of a highway in 1965.

The movie starts with a mysterious girl riding her horse into a tree. Then she's rescued by millionaire Max Topfer, who is startled to discover in her possession a video showing him being shot by a man he doesn’t know. Both the girl, who has total amnesia, and the tape appear to have come from the future. With the aid of bodyguard Helmut, Max Topfer tries to find out why a total stranger is apparently going to kill him on camera.