Aurelio Grimaldi

January 6, 1980. The President of the Sicilian Region Piersanti Mattarella is going to Mass with his family. A young man approaches the car window and shoots Piersanti in cold blood and kills him. Despite the confusion of the moment with a series of misdirections towards left-wing terrorism, the crime appeared anomalous in its modalities. The young Deputy Prosecutor on duty, that day of the Epiphany, will be Pietro Grasso, future Anti-Mafia Prosecutor and President of the Senate. The investigations will be continued by the Instructor Judge Giovanni Falcone, who will uncover dangerous relationships between the Mafia, Politics, Nar and neo-fascists, the Magliana gang, Gladio and Secret Services.

January 6, 1980. The President of the Sicilian Region Piersanti Mattarella is going to Mass with his family. A young man approaches the car window and shoots Piersanti in cold blood and kills him. Despite the confusion of the moment with a series of misdirections towards left-wing terrorism, the crime appeared anomalous in its modalities. The young Deputy Prosecutor on duty, that day of the Epiphany, will be Pietro Grasso, future Anti-Mafia Prosecutor and President of the Senate. The investigations will be continued by the Instructor Judge Giovanni Falcone, who will uncover dangerous relationships between the Mafia, Politics, Nar and neo-fascists, the Magliana gang, Gladio and Secret Services.

Francesco, a young man born without arms who has learned to live despite his disability, has access to good education thanks to material wealth and the love of his parents. But his sexual drive remains unfulfilled. Only his childhood friend Stefano will understand the frustration of his friend and help him.

Francesco, a young man born without arms who has learned to live despite his disability, has access to good education thanks to material wealth and the love of his parents. But his sexual drive remains unfulfilled. Only his childhood friend Stefano will understand the frustration of his friend and help him.

The authentic and youthful energy jumps out at you from the screen in this simple love story based on true facts and set in the favelas of Bahia, the most hot-blooded city in Brazil.

The clever and passionate Madame De Saint-Ange has taken into consideration the education of the young and illiterate Eugenie and at the same time wants to seduce Marquis Dolmance, a famous homosexual philosopher. In two days, with the help of her brother, the Cavalier de Mirvel and the young servant Augustin, Madame will bring the company to completion with more or less mischievous geniuses, put in place through a combination of sensuality, eroticism and feeling.

The clever and passionate Madame De Saint-Ange has taken into consideration the education of the young and illiterate Eugenie and at the same time wants to seduce Marquis Dolmance, a famous homosexual philosopher. In two days, with the help of her brother, the Cavalier de Mirvel and the young servant Augustin, Madame will bring the company to completion with more or less mischievous geniuses, put in place through a combination of sensuality, eroticism and feeling.

O jovem professor de literatura Pier Paolo Pasolini (Paglia) abandona o pequeno povoado com a mãe, Susana (Jelo), após o escândalo relacionado ao fato de ter feito sexo com um dos alunos da escola diante de dois outros. Partindo para Roma, observa e fantasia sobre as histórias que ouve no trem e, na cidade, passa a procurar emprego, inclusive como figurante na Cinecittá, sendo mantido pelo rico tio, enquanto a mãe trabalha como doméstica para uma família igualmente burguesa.

Feature film.

This is the story of a Sicilian woman that tries to have avidly as many sexual adventures as possible. She uses different identities and personalities, but she can't stop collecting adventures. One day she meets Valerio, a young student who falls in love with her.

This is the story of a Sicilian woman that tries to have avidly as many sexual adventures as possible. She uses different identities and personalities, but she can't stop collecting adventures. One day she meets Valerio, a young student who falls in love with her.

Alina is married to Daniele, a famous conductor. While Daniele is away, she finds herself attracted to Bruno, a butcher. One day, Bruno left a message… “Tomorrow morning I’ll knock on your door. If you don’t want me, don’t be there.” Next morning Bruno keeps his word. The apartment door is ajar. He finds Alina on a sofa, pale, bathed in sweat, fearful and expectant. While Daniele conducts his final concert in Samarkand, Bruno and Alina make love in every way imaginable… and Alina will never be the same.

Alina is married to Daniele, a famous conductor. While Daniele is away, she finds herself attracted to Bruno, a butcher. One day, Bruno left a message… “Tomorrow morning I’ll knock on your door. If you don’t want me, don’t be there.” Next morning Bruno keeps his word. The apartment door is ajar. He finds Alina on a sofa, pale, bathed in sweat, fearful and expectant. While Daniele conducts his final concert in Samarkand, Bruno and Alina make love in every way imaginable… and Alina will never be the same.

This film depicts three episodes in the life of the highly eccentric, unabashedly homosexual Italian filmmaker Per Paolo Pasolini. Pasolini was best known to Americans for his film The Gospel According to St. Matthew. However, in his native Italy, he was at least as well known for his writing and poetry as for his filmmaking. In the first episode, Pasolini (Marco Cavicchioli) waxes poetic about the beauty of young men during a visit to Sicily. The second and more interesting segment concerns a meeting with a young man who visits Pasolini thinking that though he is an old has-been, Pasolini may be able to do him a favor. Pasolini twigs to the boy's intentions, and a sparring session ensues. The final episode shows him picking up a young man at Rome's train station and the events that led to his beating death in 1975.

Neste filme, uma série de cartas que as mulheres publicam frequentemente em determinados jornais italianos são visualizadas por Tinto. Dando um toque de erotismo, sensualidade no único filme que ele é o ator principal e também diretor. Mulheres lindas, cenas provocantes e muito excitantes fazem deste um dos melhores de Tinto.

Scenes from the lives of 7 hookers. Five are women. One is a man, and one is a transvestite.

Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?

Against the wishes of her Aunt Valeria, attractive Milena travels to Milan in order to secretly marry Marco Giraldi. Three years later, Milena returns to her hometown Fermo, where her husband's shoe business is in financial difficulties. Shortly afterwards, she is abducted, a valuable painting is stolen and Aunt Valeriais murdered. Two young villains, who carried out the dirty work, are then killed...