Aurelio Grimaldi

January 6, 1980. The President of the Sicilian Region Piersanti Mattarella is going to Mass with his family. A young man approaches the car window and shoots Piersanti in cold blood and kills him. Despite the confusion of the moment with a series of misdirections towards left-wing terrorism, the crime appeared anomalous in its modalities. The young Deputy Prosecutor on duty, that day of the Epiphany, will be Pietro Grasso, future Anti-Mafia Prosecutor and President of the Senate. The investigations will be continued by the Instructor Judge Giovanni Falcone, who will uncover dangerous relationships between the Mafia, Politics, Nar and neo-fascists, the Magliana gang, Gladio and Secret Services.

January 6, 1980. The President of the Sicilian Region Piersanti Mattarella is going to Mass with his family. A young man approaches the car window and shoots Piersanti in cold blood and kills him. Despite the confusion of the moment with a series of misdirections towards left-wing terrorism, the crime appeared anomalous in its modalities. The young Deputy Prosecutor on duty, that day of the Epiphany, will be Pietro Grasso, future Anti-Mafia Prosecutor and President of the Senate. The investigations will be continued by the Instructor Judge Giovanni Falcone, who will uncover dangerous relationships between the Mafia, Politics, Nar and neo-fascists, the Magliana gang, Gladio and Secret Services.

Francesco, a young man born without arms who has learned to live despite his disability, has access to good education thanks to material wealth and the love of his parents. But his sexual drive remains unfulfilled. Only his childhood friend Stefano will understand the frustration of his friend and help him.

Francesco, a young man born without arms who has learned to live despite his disability, has access to good education thanks to material wealth and the love of his parents. But his sexual drive remains unfulfilled. Only his childhood friend Stefano will understand the frustration of his friend and help him.

The authentic and youthful energy jumps out at you from the screen in this simple love story based on true facts and set in the favelas of Bahia, the most hot-blooded city in Brazil.

생 당쥬 부인은 유지니의 아버지로부터 유지니의 정서 교육을 부탁받고 자신의 집에서 이틀간 같이 지내게 된다. 타락하고 퇴폐적인 미르블과 누나인 생 당쥬 부인은 순진한 유지니를 유혹하기로 공모한다. 그들은 미르블의 친구인 돌만세 후작까지 불러들인다. 돌만세 후작과 유지니와 동시에 즐길 생각에 들떠 있던 당쥬 부인은 돌만세 후작과 함께 유지니에게 성의 세계에 대해 교육을 시킨다. 서서히 성에 눈을 뜨게 된 유지니는 미르블과의 관계를 맺으면서 쾌락을 맛보게 된다.

생 당쥬 부인은 유지니의 아버지로부터 유지니의 정서 교육을 부탁받고 자신의 집에서 이틀간 같이 지내게 된다. 타락하고 퇴폐적인 미르블과 누나인 생 당쥬 부인은 순진한 유지니를 유혹하기로 공모한다. 그들은 미르블의 친구인 돌만세 후작까지 불러들인다. 돌만세 후작과 유지니와 동시에 즐길 생각에 들떠 있던 당쥬 부인은 돌만세 후작과 함께 유지니에게 성의 세계에 대해 교육을 시킨다. 서서히 성에 눈을 뜨게 된 유지니는 미르블과의 관계를 맺으면서 쾌락을 맛보게 된다.

The film deals with the true events which happened in 1949 in Italy, when then schoolteacher Pier Paolo Pasolini was accused of having seduced three paesan boys.

Feature film.

이탈리아 에로틱 드라마 영화

이탈리아 에로틱 드라마 영화

Alina is married to Daniele, a famous conductor. While Daniele is away, she finds herself attracted to Bruno, a butcher. One day, Bruno left a message… “Tomorrow morning I’ll knock on your door. If you don’t want me, don’t be there.” Next morning Bruno keeps his word. The apartment door is ajar. He finds Alina on a sofa, pale, bathed in sweat, fearful and expectant. While Daniele conducts his final concert in Samarkand, Bruno and Alina make love in every way imaginable… and Alina will never be the same.

Alina is married to Daniele, a famous conductor. While Daniele is away, she finds herself attracted to Bruno, a butcher. One day, Bruno left a message… “Tomorrow morning I’ll knock on your door. If you don’t want me, don’t be there.” Next morning Bruno keeps his word. The apartment door is ajar. He finds Alina on a sofa, pale, bathed in sweat, fearful and expectant. While Daniele conducts his final concert in Samarkand, Bruno and Alina make love in every way imaginable… and Alina will never be the same.

This film depicts three episodes in the life of the highly eccentric, unabashedly homosexual Italian filmmaker Per Paolo Pasolini. Pasolini was best known to Americans for his film The Gospel According to St. Matthew. However, in his native Italy, he was at least as well known for his writing and poetry as for his filmmaking. In the first episode, Pasolini (Marco Cavicchioli) waxes poetic about the beauty of young men during a visit to Sicily. The second and more interesting segment concerns a meeting with a young man who visits Pasolini thinking that though he is an old has-been, Pasolini may be able to do him a favor. Pasolini twigs to the boy's intentions, and a sparring session ensues. The final episode shows him picking up a young man at Rome's train station and the events that led to his beating death in 1975.

두 커플이 모래 사장에서 섹스를 하면서 상대방의 섹스 장면을 호기심 어린 눈빛으로 훔쳐보고, 창녀촌에 들어가서 자기의 와이프를 발견하고 색다른 섹스를 즐기며, 낯선 남자에게 자신의 비밀스러운 곳을 보여주는 등 성에 대한 호기심의 실체를 노골적으로 보여준다.

Scenes from the lives of 7 hookers. Five are women. One is a man, and one is a transvestite.

Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?

Against the wishes of her Aunt Valeria, attractive Milena travels to Milan in order to secretly marry Marco Giraldi. Three years later, Milena returns to her hometown Fermo, where her husband's shoe business is in financial difficulties. Shortly afterwards, she is abducted, a valuable painting is stolen and Aunt Valeriais murdered. Two young villains, who carried out the dirty work, are then killed...