Maenum Chagasik

Este curta explora ideias sobre o eu através de formas líquidas filtradas através de tecnologias informadas pela história da animação tailandesa e cultura contemporânea. Num processo constante de construção de novos eus, reflexões sobre depressão são interligadas com diferentes formas de animação.

In this updated homage to the 1930 German silent film of the same title, Thai artist Tulapop Saenjaroen examines the paradox of people relaxing while being filmed. As a film shoot appears to be in perpetual delay, crew members kill time fiddling on their smartphones, all the while under the persistent gaze of the camera.

Explores the landscape and stories within the community of Krabi, Southern Thailand. A major tourist destination in Thailand, the filmmakers want to capture the town in this specific moment where the pre-historic, the more recent past and the contemporary world collide, sometimes uneasily.

The Scala opened its doors in 1970. It had one thousand seats and every night, they were filled. In those days, going to the movies was something special. The cinema was a place where people got dressed up, went on dates, and fell in love. But today, everything has changed. There is a multiplex in every mall and the young generation watch movies on their phone. But at The Scala, time has stood still. The cinema is still run by many of the same staff who have been there from the beginning. It is now the last remaining standalone cinema left in Bangkok. And soon, its time will come to an end too.

Hyper-realistic minidrama. An afternoon in the life of fish processing plant labourer Wawa Kai, one of the many migrants from Myanmar working in factories in Thailand. The film follows her every move, revealing what looks like a routine day, but in fact it's a scary one for her, as she reports a crime.

Nuhm is a construction foreman working in Bangkok. The political instability in Thailand has making its presence felt in all business sectors. Nuhm suddenly finds himself out of jobs. He decides to leave Bangkok to go back to his hometown in the northeast of Thailand to attend his high school friend’s wedding during the Thai New Year in April which also happens to be the hottest month of the year. Nuhm reunites with his old friends at the wedding in Khon Kaen.

A factory story, in which the process of image-making in negotiated in the slippage between fiction and documentary.