Madlen Dzhabrailova

Deprived of their familiar context, the heroes of ancient Greek myths find themselves in a Moscow park.

In a nostalgic Moscow of 1976, an unlucky actor meets a charismatic writer, a living classic of Soviet literature, who turns his life into a tragicomic farce with the artistic bohemia, foreign-currency prostitutes, the KGB staff and agents of the CIA.

Slava is a girl who is used to living with emotions, her actions are impulsive and unpredictable. On New Year's Eve, she makes a wish that her husband Valya will become a cool startup in Silicon Valley, and she is "just" a superwoman who will save the world. But time passes, and the miracle does not happen, and Slava, having collected things, leaves her husband. However, the wish made becomes fatal: everything starts to work out for Valya, and Slava continues to live with the expectation that the world will revolve around her.

For the whole day Olga tries to constrain the inner drama the is tearing her apart. When she can no longer manage to keep it inside, she opens up to the first person she meets.

A year after the loss of her mother's son comes the news: her son is in Ingushetia.

He's an unemployed guy who earns some money by giving lifts to strangers. She's a graphic designer who just got her first job. The film tracks their relationship - and the way it gradually melts away - throughout a year. A subtle, moving portrait of an immature love that breaks down easily.

An inquiry into the nature of identity, the inevitability of death, and the human condition in the twenty-first century.

A little herringbone girl decided to "learn life" before the New Year.

Brestskaya Krepost é um drama de guerra único, uma vez que foca nos primeiros dias da guerra para os soviéticos, assim como Pearl Harbor focou no primeiro dia da guerra para os americanos, com a diferença de que seu desfecho tem um sentido muito mais profundo, assim como o filme como um todo, a julgar pelo realismo de suas cenas, de sua história e a brilhante atuação dos atores, com pouquíssima fantasia. Sem dúvidas um filme que marcará o cinema e tem seu lugar dentre os melhores filmes de guerra já feito nos últimos 20 anos.

This is the story of two lonely and somewhat similar humans, although one young and one old. First is a thief loser who breaks into the dark and, as he thinks, abandoned apartment on New Year's Eve. And the second one exactly at this time tries to hung himself because of his feelings of loneliness and uselessness.

After a failed marriage, Masha retreats to the sanctuary of her humble profession as a translator of serious literature. Financial difficulties force her to accept an offer to interpret during a seminar held by an English puppeteer.

They saw each other only once. At a wedding with lots of alcohol. Their eyes met and that was it. They didn't understand rationally what happened to them but they felt that they cannot keep living and breathing without each other. Cosmic magnetism with irresistible intensity pulled them together. They no longer belonged to themselves, their families and friends and that's how a tragedy evolves.

A rich and fatally ill man with an apartment, a car and a summer house offers her a girl's hand, heart and all real estate ". The next day after the announcement in the newspaper, a line of contenders lined up for Andrei. They all want to prove that they are in love with him .

A new version of Marshak's fairy tale about a mouse who didn't want to go to bed.

Today’s twenty-something Russians are the first generation in the country’s post-communist history to have grown up free. Their twenties are the age of freedom, of fast-changing events and intense emotions. Perhaps only at this age they can live a whole life in one day. A young girl and her two accident companions walk halfway around St.-Petersburg; they flirt and tease each other, and for ninety minutes they act out a real-time romantic drama. This stroll is full of laughter and tears against a backdrop of the hustle and bustle of the streets.