Edgardo Castro

Jorge Villafañez is a rotund, veteran private detective living alone in a high-rise apartment in Buenos Aires. Discreet and meticulous, he has a knack of making people open up in conversations. But when a new assignment puts him on the trail of Elvira, an experimental choreographer, the distance between the observer and the observed begins to collapse as Jorge descends into the rising waters of the Delta del Río de la Plata.

Lina é uma peruana que trabalha como empregada doméstica para uma família chilena rica. Ela ganha o suficiente para enviar dinheiro ao seu filho em Lima. Mas ao se preparar para sua viagem anual de Natal, ela descobre que ninguém está realmente esperando seu retorno.

In some vacant area in the Buenos Aires province, Diego is taking part in a radio contest that consists of answering a series of questions about his beloved team Racing Club. Meanwhile, in the blink of an eye, a man falls from the sky on the hood of his car, another man ends up gagged in the trunk, a secret agent shows up weapon in hand and a plane crashes just meters away.

The new film by César González follows a maintenance employee at a printing house whose routine, almost as automatic as the movements of the company machines, is altered when she makes a decision that threatens both her job and her everyday life in the neighborhood.

Hilda must be responsible of a decision that she took long time ago. Her life is altered by the news that her son is coming to visit her after several years away. She tries to replenish her weathered image by the passage of time. This will stir her reality and her link with the past.

Duas mulheres que passaram a vida juntas são confrontadas com a doença fatal de uma delas. A doente decide não se submeter a qualquer tratamento, e o casal se muda para uma pequena cabana na floresta para esperar a chegada da morte. Pouco a pouco, a relação das duas se intensifica.

Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.

A woman visits her boyfriend, locked up in a prison a few hours’ drive away from Buenos Aires. Each week, she manages as best as she can to accomplish her mission: provide her boyfriend food, drugs and love. In an exercise of visceral realism, Edgardo Castro constructs a harrowing love story with Las Ranas.

A woman visits her boyfriend, locked up in a prison a few hours’ drive away from Buenos Aires. Each week, she manages as best as she can to accomplish her mission: provide her boyfriend food, drugs and love. In an exercise of visceral realism, Edgardo Castro constructs a harrowing love story with Las Ranas.

A woman visits her boyfriend, locked up in a prison a few hours’ drive away from Buenos Aires. Each week, she manages as best as she can to accomplish her mission: provide her boyfriend food, drugs and love. In an exercise of visceral realism, Edgardo Castro constructs a harrowing love story with Las Ranas.

A woman visits her boyfriend, locked up in a prison a few hours’ drive away from Buenos Aires. Each week, she manages as best as she can to accomplish her mission: provide her boyfriend food, drugs and love. In an exercise of visceral realism, Edgardo Castro constructs a harrowing love story with Las Ranas.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

The grass men - That's my duck! - Silence, Dvorak! -Kill that fly - Eat grass - Walkie Talkies - Fly fishing - The fan episode - Tourists under the bridge - The boat has a life of its own! - An American Anthem - The Canoe Ride Some blond idiots - Photo! - Hit the partner - Buckets falling from the sky! - Hunting in the mountains - The car has spasms - A flying umbrella! - Kicks in the butt - The top of the mountain - Tire throwing - The car goes alone! To catch a wheel - The river - A Cordovan quartet - Conservative throw - The water wells - Combat with umbrella - Trap with towel - Hip break - Gomerazos - Some children in the river - Drowning Kill the partner - A heron in the waterfall - Cross the river - He's a man of grass! - A shotgun for a deck chair - Shoot your neighbor - Aaaahhhh !!! - The last laugh - Dying, reviving and dying forever on the mountain

Mónica did not make a client's payments of the office where she works. The missing 15K pesos not only commit her but also a colleague, who is the one who discovers the fault. It seems that is not the first time that this happens, but the colleague, despite his anger, kept silence and chose to believe her again: Mónica commits to replenish the sum of money the next morning.

This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely from discarded material from the film Loro y el Cisne. I'm not entirely sure of the result. The only thing I can say about it is that it's extremely sincere.

Body-obsessed teenager Lucas and his mystically-inclined older sister, Gilda, unexpectedly become stranded when they travel to a nearly deserted coastal town to try to fulfill their dead mother's last wishes in whatever way they can.

Every year for the holidays, a lonely man visits his night owl family, who only occasionally leaves home. After his debut with La noche, Edgardo Castro returns with a film that finds genuine moments of cinema in the confinement, the silence and the apparent daily insignificance.

Every year for the holidays, a lonely man visits his night owl family, who only occasionally leaves home. After his debut with La noche, Edgardo Castro returns with a film that finds genuine moments of cinema in the confinement, the silence and the apparent daily insignificance.

Every year for the holidays, a lonely man visits his night owl family, who only occasionally leaves home. After his debut with La noche, Edgardo Castro returns with a film that finds genuine moments of cinema in the confinement, the silence and the apparent daily insignificance.

Every year for the holidays, a lonely man visits his night owl family, who only occasionally leaves home. After his debut with La noche, Edgardo Castro returns with a film that finds genuine moments of cinema in the confinement, the silence and the apparent daily insignificance.

Just like someone who takes out his dog for a walk everyday, Petriz is condemned to watch and hear every move from a woman inside a house. We don’t know why or for what reason. We’re just there, alongside Petriz, watching and hearing.

Late night. Ana is sleeping alone in a double bed. Her cellphone rings. Dazed, she turns on the bedside lamp to shake off her sleep. Reluctanly, she gets out of bed and, at 2 AM on one of those nights when you can see the vapor of your breath, she showers, gets dressed, puts on her makeup, walks to the avenue and takes a cab to the other side of town, so she can go deep into something more than the darkness of the night.

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

A história conta a partir de uma visão estética hiper-realista a vida de Martin, um homem de quarenta e poucos anos desesperadamente só que busca, através do sexo, alguma companhia, para passar a noite que cada vez parece ser mais previsível. Sob esta desolação constante, cocaína, álcool e uma e outra orgia em um estado de prazer momentâneo todas as noites.

A história conta a partir de uma visão estética hiper-realista a vida de Martin, um homem de quarenta e poucos anos desesperadamente só que busca, através do sexo, alguma companhia, para passar a noite que cada vez parece ser mais previsível. Sob esta desolação constante, cocaína, álcool e uma e outra orgia em um estado de prazer momentâneo todas as noites.

A história conta a partir de uma visão estética hiper-realista a vida de Martin, um homem de quarenta e poucos anos desesperadamente só que busca, através do sexo, alguma companhia, para passar a noite que cada vez parece ser mais previsível. Sob esta desolação constante, cocaína, álcool e uma e outra orgia em um estado de prazer momentâneo todas as noites.

In a world on the brink of collapse, Chockler receives the mysterious Lucrecia's mission to find a man named Victor, dead or alive. Little by little, he discovers a network of implications between the horse races, genetic experiments, and a series of strange and superhuman nature facts, in the deep night of the city.

Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.

Um verão quente. Um bairro privado com um enorme parque. Um terreno abandonado nos subúrbios e uma incontrolável onda de fumaça provocam incerteza e caos.

Loro, a sound recordist, meets Luciana, a dancer, and falls in love whit her. When she quits their ballet production and leaves, Loro looks for her in San Francisco, Argentina.

She Wolf is a serial killer who traps her men in the subway in Buenos Aires. She seduces, has sex with them and kills them. But one of those men is a police officer who is investigating her crimes. Running away from him she meets a dealer with whom she stars a relationship. This romance unravels a war between her three personalities: the monster woman, the sensual woman and the human woman who can still love.

A junior screenwriter called Juan Garofalo is hired by film director Samuel Goldszer to write his new film: a gangster movie set in Buenos Aires. In each meeting, the filmmakers create a story that takes place in an imaginary Pompeya neighborhood. So the characters are born: Dylan, the brutal hero of the underworld, Timmy, his disturbed, deaf-mute brother, and Lana, the femme fatale who begins the love triangle. But Pompeya hides a secret and is disputed by the Russian and Korean mafia, and Dylan is caught in a sequence of bloody crimes. Dylan fights for survival while Juan, his creator, lives with greed and misery the experience of an imaginary system of evil powers. And when pure fiction and reality are completely corrupted, the unexpected happens.

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.

Buenos Aires está debaixo de chuva há três dias. Após ter abandonado o homem com quem viveu por nove anos, Alma está morando temporariamente em seu carro. Presa na tempestade se sente solitária e insegura. Roberto, de volta ao país após 30 anos, também se sente solitário. Tudo o que tem na Argentina é um pai em coma, com quem nunca se relacionou e um apartamento que precisa ser esvaziado. No meio do trânsito, a porta do carro de Alma abre inesperadamente, e Roberto entra. Ela, mesmo sem conhecê-lo, deixa que entre, e o encontro muda o curso de suas vidas nos dias seguintes.