Shabnam Toloui

“37 years after her daughter Mitra was executed in Iran and she fled her home country, Haleh leads a successful life as a renowned academic in the Netherlands. Her peaceful existence is shaken by the arrival of a woman she believes may be the traitor responsible for Mitra’s death.”

A politically complacent middle-aged man and a young pro-democracy activist debate about the future of their country while hiding from the police, in this fascinating drama that blends scripted scenes with on-the-ground footage from Iran’s 2009 Green Revolution.

Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.

Director Bahman Farmanara's second film following a 20-year exile from his native Iran depicts the spiritual crisis of a middle-aged man. In the film's dreamlike opening scene, Dr. Reza Sepidbakht (Reza Kianian), a well-off Tehran gynecologist, thinks he runs over an angel while driving home at night with a call girl. The next morning at the hospital where he works, he is shown a comatose boy who is famous for having memorized the entire Koran. These two events cause him to rethink his cynical outlook on life and his relationships with his elderly father, wayward son, and the women he has mistreated since becoming estranged from his wife. When the boy awakens from his coma, Dr. Sepidbakht begins to look to him for answers.

Três gerações de mulheres. Todas em confronto com o pecado. A primeira delas é Hava, uma menina de nove anos. No dia do seu aniversário, a mãe a proíbe de sair de casa, pois está se tornando mulher. Se sair, estará pecando. A garota insiste, chorando. A avó, ao se lembrar que Hava nasceu ao meio-dia, permite que ela dê uma última escapada, apenas para despedir-se dos amigos. Uma garota vive para sua bicicleta. E está participando de uma corrida feminina, mas, durante todo o tempo, é perseguida por seus familiares que não aceita que ela seja uma esportista. Se ela persistir em praticar o esporte, considerado por eles um gesto pecaminoso, será expulsa de casa. Num aeroporto, uma senhora de cadeira de rodas se aventura comprando tudo aquilo que nunca pôde ter na vida: geladeira, televisão etc. Pede que tudo seja entregue numa praia, que será seu lar ideal e sua última casa.

A girl has heart disease and looks for a heart transplant.

Tahirih Qurrat al-Ayn was first Iranian women right activist, Bab-i fighter ,theologian,poet. Tahirih was a woman of letters who lived in the nineteenth-century. Her name is synonymous with the emancipation of women and social justice and her life has inspired generations of women ever since, particularly Iranian women’s right movements.Since 1979, the Islamic Republic of Iran forbids any literature or discourse that portrays Tahirih in a positive light. Her name has been removed from the latest editions of history books published in Iran.

Tahirih Qurrat al-Ayn was first Iranian women right activist, Bab-i fighter ,theologian,poet. Tahirih was a woman of letters who lived in the nineteenth-century. Her name is synonymous with the emancipation of women and social justice and her life has inspired generations of women ever since, particularly Iranian women’s right movements.Since 1979, the Islamic Republic of Iran forbids any literature or discourse that portrays Tahirih in a positive light. Her name has been removed from the latest editions of history books published in Iran.

Tahirih Qurrat al-Ayn was first Iranian women right activist, Bab-i fighter ,theologian,poet. Tahirih was a woman of letters who lived in the nineteenth-century. Her name is synonymous with the emancipation of women and social justice and her life has inspired generations of women ever since, particularly Iranian women’s right movements.Since 1979, the Islamic Republic of Iran forbids any literature or discourse that portrays Tahirih in a positive light. Her name has been removed from the latest editions of history books published in Iran.