Lance Gewer

Filmes

O Cavaleiro do Rei
Director of Photography
Com a morte do rei, um cavaleiro obedece a tradição e se sacrifica para servir seu governante no além. Só que uma súbita tragédia acontece.
Homem de Deus
Cinematography
Samuel abandona uma criação religiosa rígida para levar a vida que deseja, mas continua dividido entre os prazeres mundanos e a fé que deixou para trás.
Kedibone
Cinematography
Uma aspirante a atriz de Soweto consegue pagar os estudos com a ajuda do namorado. Mas a vida em Joanesburgo tem um preço ainda mais alto.
Anjo da Vingança
Director of Photography
Após o assassinato de seu pai, um policial, a adolescente Sawa decide partir sozinha em busca de vingança. Ela conta apenas com a ajuda do antigo parceiro dele.
Spud 2: The Madness Continues
Director of Photography
The year is 1991, and Spud Milton's long walk to manhood is still creeping along at an unnervingly slow pace. Approaching the ripe old age of fifteen and still no signs of the much anticipated ball-drop, Spud is coming to terms with the fact that he may well be a freak of nature. With a mother hell-bent on emigrating, a father making a killing out of selling homemade moonshine, and a demented grandmother called Wombat, the new year seems to offer little except extreme embarrassment and more mortifying Milton madness. But Spud is returning to a boarding school where he is no longer the youngest or the smallest. His dormitory mates, known as the Crazy Eight, have an unusual new member and his house has a new clutch of first years (the Normal Seven). If Spud thinks his second year will be a breeze, however, he is seriously mistaken.
Elelwani
Director of Photography
Elelwani is a young university-educated woman who has been brought up in an environment steeped in tradition. Her parents have promised her hand in marriage to the Vendaking and, as a dutiful daughter, she wants to obey their wishes. But in order to fulfil her promise, Elelwani must abandon her dreams of travel, further education and – most importantly – her commitment to her one true love.
Infância Roubada
Director of Photography
Uma noite, após sair ganhador de uma sangrenta briga de bar, Tsotsi (Presley Chweneyagae) rouba um carro. Enquanto acelera pela noite ele ouve um barulho no banco de trás e acaba sofrendo um acidente. Na traseira do carro descobre um bebê. Sem saber o que fazer, leva-o para o gueto de Johanesburgo em que vive. Lá convencerá a jovem mãe Miriam (Terry Pheto) a cuidar de “seu filho”, numa relação que logo provocará mais confrontos.
Beat the Drum
Cinematography
Young Musa is orphaned after a mysterious illness strikes his village in KwaZulu Natal. To help his grandmother, Musa sets out for Johannesburg with his father's last gift, a tribal drum, in search of work and his uncle. The journey confronts him with the stark realities of urban life, but his indomitable spirit never wavers; he returns with a truth and understanding his elders have failed to grasp.
Come see the bioscope
Director of Photography
Sol Plaatje was a politician, novelist, historian, musician, translator of Shakespeare into vernacular language, and founder member of what was to become the African National Congress. In 1924, a visionary South African, Sol Plaatje, set out to bring the wonders of cinema to the community. Brandishing a few educational 16mm films under his arm, Plaatje arrives in a dusty, Blacks-only township in the Western Transvaal. He is looking for a venue which can be set up as a bioscope. Things do not seem promising, but Plaatje is first befriended by a helpful young boy. And then, despite prevailing apartheid obstacles, a room is found. The township community is excited and set to be overawed by the new celluloid world about to unfold before them.
Come see the bioscope
Director
Sol Plaatje was a politician, novelist, historian, musician, translator of Shakespeare into vernacular language, and founder member of what was to become the African National Congress. In 1924, a visionary South African, Sol Plaatje, set out to bring the wonders of cinema to the community. Brandishing a few educational 16mm films under his arm, Plaatje arrives in a dusty, Blacks-only township in the Western Transvaal. He is looking for a venue which can be set up as a bioscope. Things do not seem promising, but Plaatje is first befriended by a helpful young boy. And then, despite prevailing apartheid obstacles, a room is found. The township community is excited and set to be overawed by the new celluloid world about to unfold before them.