Julij Zornik

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

A relação entre a adolescente Julija e Ante, seu opressivo pai, se tensiona ao limite quando um velho amigo da família chega em sua casa insular na Croácia. Enquanto Ante tenta fechar um negócio que vai mudar suas vidas, Julija, incomodada com a vida pacata e isolada que levam, busca mudanças através do visitante que traz consigo um gosto de liberação em um fim de semana cheio de desejo e violência.

A small town orchestra goes on a tour to Austria - an occasion to escape their everyday lives, indulge in heavy partying and try to connect with their true emotions. However, not everything will go as planned...

A 19-year-old woman is killed by a bullet intended for her father in the tragic culmination of a bitter family feud between her father and his cousin, who is now imprisoned for murder. Or is her death just another twist in a saga of blood revenge? In the Albanian mountains, the ancient tribal law Kanun rules, and even though the killer is behind bars, the last word in the case has not been spoken. Religious and legal authorities - like the families involved - have their own powerful and conflicting interests in the controversial law, which is a taboo both in church and modern society. The question, however, is if the young woman’s father can find the faith to not only forgive his cousin, but also reconcile himself with him and break the vicious circle once and for all? Marija Zidar’s epic drama was filmed over 5 years in an obstinate patriarchal world, on the threshold of modern times. A mountain western from the old world, from the stuff of antique tragedies.

Two best friends spend an afternoon on a football field, dreaming of making it to the local football team. But dreams come with a price.

Boris Robič is, as we say, an ordinary kind of bloke. One evening, however, someone tries to shoot him. The investigations reveal nothing. No enemies, no suspects. You could say that Boris is the last person anyone would want to kill. After the police close the investigation, Boris decides to make his own inquiries. As he searches for the suspect, we see the tragi-comedy unfold of a man who discovers that a lot more people hate him than he ever realized and that the way he sees his own life was an illusion.

Nina is pregnant with Jakub. Today, he introduces her to his family. They’re all gathered in the hospital at the bedside of his grandfather. Just as the young lady tries to put on a brave face, she is faced with the surprising reaction of the dying relative: he wants to see her breasts. This sparks a debate to which she is not invited – should the patriarch’s last vow be satisfied?

Leo is an Italian who lives in Slovenia. Vučko is a Bosnian who arrived to Slovenia as a child refugee. Leo continues to stay in Slovenia because of his ex-wife Tanja and his son Luka, hoping that they can become a family again. When the bank refuses to grant a loan Leo and Vučko would need to renovate their restaurant, they have no choice but to accept an offer from Gianni, a swindler. They are tasked with stealing Gianni’s truck so that he can collect the insurance money. However, instead of stealing Gianni’s truck, Leo and Vučko mistakenly steal a truck full of refugees. Vučko the refugee and Leo the migrant themselves thus inadvertently become responsible for destinies of people similarly unfortunate as they had once been. In order to solve their financial problems, they decide to sell the refugees. At first it seems that they are not indifferent towards these people, but with each passing day there is less and less humanity left in Leo and Vučko.

Based on motifs from The Triple Life of Antigone by Slavoj Žižek, this film reflects on today’s planet and political “chaos” by placing the politicians, the decision-makers and the influencers of today in the roles of Žižek’s version of the ancient Greek drama Antigone. But what are the politicians roles? Does the Antigone of today represent populists, anti-migrants and fundamentalists, or those who would oppose them?

Liliana is a beautiful girl and dedicated hard worker. But she does have a secret that keeps her going... A poetic narrative from another time and place with a touch of nostalgic past.

Na fronteira entre Itália e a antiga Iugoslávia, o encontro entre um velho carpinteiro e uma viúva é o início de uma fantástica história de uma vila que simplesmente desapareceu.

When a man known as Oroslan dies, the news quickly spreads through a little village, causing grief and emotion. Later on, actions become words and words become stories. In order to overcome the sorrow and restore the natural flow of life, the villagers start sharing their memories about Oroslan, re-creating his image through their tales.

Half-sisters from a small coastal town who were never that close are forced by circumstance to share a flat in Ljubljana.

Depois de ser enviado para um centro de detenção juvenil, Andrej, de 18 anos, tem que lutar por seu lugar dentro do grupo de detentos enquanto se aproxima de Zeljko, seu líder informal, e lutando para manter seu segredo reprimido no escuro.

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

Drifting through the densely forested landscape of southern Slovenia, the film encounters stories that emerge from the land itself, measuring the gap between an event of popular resistance and its lingering remains within a foreclosed present.

Childhood memories of fishing with grandpa grow so vivid they visit the protagonist's present experience.

A family finds itself in a dead-end situation. They are only safe behind the walls of their own house and yard. As time vanishes from their home, the shelter slowly turns into a prison. However, nothing can keep the children from dreaming and yearning to be free and the urge to make a decision seems inevitable.

Karpotrotter is a road movie about place, time, and memory, as well as an homage to filmmaker Karpo Godina, whose work flourished during the Black Wave of Yugoslav filmmaking in the late 1960s and early 1970s. Contemporary filmmaker Matjaz Ivanisin retraces the footsteps, 40 years later, of his compatriot’s road trip through small villages in the rural countryside. Constructed from Godina’s 8mm footage from this journey, Ivanisin interlaces this material with landscape footage from his current road trip and contemporary interviews of the citizenry who recall Godina’s visit decades earlier; period folkloric music augments the soundtrack. The filmmaker structures his film in five sections that articulate the local character of different villages. Richly multi-layered in both temporal and spatial terms, the filmmaker constructs a poignant meditation about the local village culture and inhabitants of this rural region of the former Yugoslavia.

Aleksandra, 23 anos, é uma estudante de inglês em Liubliana, Eslovênia. Parece pouco motivada para estudar e mais disposta a ganhar dinheiro para ter uma vida melhor. Ninguém sabe que Aleksandra publica anúncios pessoais sob a alcunha de "A Garota Eslovena" e que a prostituição é a sua fonte secreta de renda. "Slovenka" logo se torna bastante famosa nos tablóides, o que torna ainda mais difícil para Aleksandra continuar mentindo para os amigos e especialmente para o pai afetuoso e sincero.