Production Design
The film presents a series of unrelated "pictures": a police commissioner who, faced with four friars stripped by two women, must decide whether they are real or false friars (but he can't); a professor who, suffering from acute dysentery, is dismissed for unworthiness by the Institute Council; a football referee trying to escape the ire of angry fans; an endless marathon in Piazza Navona; a true but crazy producer, a not crazy but fake producer and a group of actors who want to take revenge on one and the other; a "club of toasts" that spends its time toasting to this and that, to elect new members and honorary members; finally, a censorship commission that, aboard an old and very battered car, fails to reach his workplace.
Production Design
O escritor Peter Neal chega à cidade de Roma para promover seu último livro, Tenebre, mas descobre que alguém está usando seus romances como inspiração para cometer assassinatos. Logo ele se vê envolvido nos crimes e passa a tentar descobrir o provável assassino.
Production Design
Three friends out to disprove cannibalism meet two men on the run who tortured and enslaved a cannibal tribe to find emeralds, and now the tribe is out for revenge.
Costume Designer
Three friends out to disprove cannibalism meet two men on the run who tortured and enslaved a cannibal tribe to find emeralds, and now the tribe is out for revenge.
Art Direction
Uma poetisa passa a acreditar que sua casa foi o lar de uma das mães do inferno descritas em um livro. Amedrontada, chama o irmão, que estuda em Roma, para morar com ela, mas descobre que a faculdade também está relacionada ao mistério.
Production Design
Maurizio Merli takes up a familiar role as Commissioner Berni; a cop who puts his life on the line to transport a witness from Corleone to New York City in order to testify against a mob boss on trial for murder. Along the way, Berni and his prisoner face a series of traps set up by the Mafia.
Production Design
In 1939, at a Paris café, six friends of various nationalities vow to meet again at the same spot after the end of WW2.
Production Design
A story of how World War II affected the lives of a German family and an American family, both of whom had sons and fathers fighting in the war.
Production Design
Susan é uma jovem americana que viaja para a Europa para estudar numa prestigiada escola de Balé. Desde o primeiro dia, porém, ela começa a se assustar com estranhas situações que ocorrem no local que a fazem crer que há bruxas por todas a parte.
Production Design
In the slang of the underworld or "mala" there is a special term for cop: "Madama". But if word were to get around that the "Madama" is Vito (Christian De Sica) they might even start to like the guy. Vito is a funny sort of a cop. For a start he doesn't like the uniform (he never wears it). Things might even go smoothly for him, if it weren't for an incredible number of beautiful girls who always manage to get in his way. Especially one girl Angelo (shouldn't that have been Angela? No, the girl's name really is Angelo). Problems arise too, with his direct supervisor, who also happens to be a relative. But Vito puts up with it all and manages to stay his usual calm and polite self, even when he risks getting killed.
Production Design
Um pianista inglês testemunha um brutal assassinato, mas não consegue identificar o criminoso. Algo na cena o inquieta, o levando à uma compulsiva necessidade de desvendar o caso.
Production Design
In 1848, as Italy becomes engulfed in a bubbling revolution to finally get rid of the ruling Austrians, a patriotic prisoner named Cainazzo begins to wonder if he will soon get the chance to see the revolution in action away from his prison cell. Suddenly, a cannonball comes flying through the air and knocks the main wall of the prison down. Excited to have a chance to see the change taking place in person, Cainazzo hits a bumpy road when one of his former fellow prisoners yells out to all the revolutionary gangs that Cainazzo is not a patriot, but is in fact a traitor!
Art Direction
A Harlem drug dealer and his girlfriend retire to Rome, where he joins an African revolution.
Production Design
Historical drama, based upon the novel by Alessandro Manzoni.
Production Design
When women were called Madonna is a film of 1972 directed by Aldo Grimaldi . The film is one of the first Italian erotic comedies in which a licentious bursting Edwige Fenech struggles with the nagging demands of three suitors.
Production Design
A woman left alone in Morocco by her architect husband begins to lose her mind.
Production Design
A University professor is being blackmailed by his own daughter for having an affair with one of her friends.
Production Design
Carlo is a successful singer, married to Livia; the two also have a son, Maurizio. Carlo decides to accept a tour in the USA but, shortly before departure, together with his agent Puglisi has a sentimental adventure with two women. Livia, having discovered what had happened, leaves home with Maurizio.
Art Direction
An old pornographic photo and anonymous letters are sent to two men and a woman, who now enjoy a respectable social status, accusing them and questioning things they have done in their lives. Unique and amazing Morricone score
Set Designer
A retired ex-criminal, the notorious Mister X, must clear his name when an up-and-comer commits a heinous copycat crime.
Set Decoration
Diabolik was the "Genius of Crime", Kriminal was known as the "Genius of Evil". While the character was created after Diabolik, it was the first to make it to the big screen. Kriminal was considered more sadistic than Diabolik (though in later tales he softens up and does heroic deeds), and while we see him do some nasty, cruel things, such as the attempt to blow up his ex-wife, the steam bath death of Lady Gold and putting acid in the shaving cream can of his criminal opposite Alex; he somehow doesn't come off as vicious as he was in the fumetti.
Production Design
Professor Serafino Benvenuti is a master of classical music who has the passion of the orchestra director. However, the young audience of the 60 does not appreciate classical composers like Mozart or Beethoven, and so Serafino is likely to have compromised his image as a director. One day Serafino receives the news that his adopted daughter Rita is about to return to Italy from America, where she is studying. Serafino is very happy, because at least he can teach her the real music. However, Rita is deeply grown and changed: she follows the musical patterns of her time: the rock music and blues. Serafino gets very angry, especially when he discovers that his daughter falls in love with a young man, a member of a band called "The Rockets.
Production Design
After scoring big in a high-profile bank robbery, a gang of Milanese criminals has to hide in a monastery.
