Director
Um cadáver requintado que forma uma visão plural das vivências de isolamento durante os primeiros meses da pandemia. Reúne seis peças, dirigidas por algumas das vozes mais relevantes do cinema latino-americano.
Producer
Haunted by a long-broken relationship with her father, anthropologist Carolina Arias Ortiz returns to her childhood home of Costa Rica to repair their relationship while haunted by the otherworldly mystery of ancient stone spheres in this lyrical and poetic debut feature.
Editor
High Tide is a coming-of-age documentary that portrays the friendship of Jessica and Carol, two girls who are best friends and who live in the smallest island of Costa Rica. Their home is under the threat of being flooded by the high tides that reach the island. At the same time that the girls deal with the inevitable change of nature, they must face the uncertainty of growing up.
Director of Photography
High Tide is a coming-of-age documentary that portrays the friendship of Jessica and Carol, two girls who are best friends and who live in the smallest island of Costa Rica. Their home is under the threat of being flooded by the high tides that reach the island. At the same time that the girls deal with the inevitable change of nature, they must face the uncertainty of growing up.
Screenplay
High Tide is a coming-of-age documentary that portrays the friendship of Jessica and Carol, two girls who are best friends and who live in the smallest island of Costa Rica. Their home is under the threat of being flooded by the high tides that reach the island. At the same time that the girls deal with the inevitable change of nature, they must face the uncertainty of growing up.
Producer
María José is 25. Her life moves back and forth between the monotony of class at the university, her eternally distant parents, and a couple of alternative spaces where she can explore her own and others’ limits. One day, she meets Javier, a boy she really likes and tries to have a relationship with, but her behaviour starts changing radically. In fact, she’s a few months into her pregnancy and no one knows.
Writer
María José is 25. Her life moves back and forth between the monotony of class at the university, her eternally distant parents, and a couple of alternative spaces where she can explore her own and others’ limits. One day, she meets Javier, a boy she really likes and tries to have a relationship with, but her behaviour starts changing radically. In fact, she’s a few months into her pregnancy and no one knows.
Director
María José is 25. Her life moves back and forth between the monotony of class at the university, her eternally distant parents, and a couple of alternative spaces where she can explore her own and others’ limits. One day, she meets Javier, a boy she really likes and tries to have a relationship with, but her behaviour starts changing radically. In fact, she’s a few months into her pregnancy and no one knows.
Editor
Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.
Writer
Irene é mãe solteira e vive com o filho de 7 anos e a mãe supercontroladora. Um dia conhece Diego e sai com ele. O encontro frustrado gera em Irene uma crise quanto a sua sexualidade e seu papel de mãe.
Director
Irene é mãe solteira e vive com o filho de 7 anos e a mãe supercontroladora. Um dia conhece Diego e sai com ele. O encontro frustrado gera em Irene uma crise quanto a sua sexualidade e seu papel de mãe.
Director
