Director
An exquisite corpse that aims to configure a plural vision of the experiences of isolation during the first months of the pandemic. The film consists of 6 fragments directed by 6 different Latin American directors.
Producer
Haunted by a long-broken relationship with her father, anthropologist Carolina Arias Ortiz returns to her childhood home of Costa Rica to repair their relationship while haunted by the otherworldly mystery of ancient stone spheres in this lyrical and poetic debut feature.
Editor
High Tide is a coming-of-age documentary that portrays the friendship of Jessica and Carol, two girls who are best friends and who live in the smallest island of Costa Rica. Their home is under the threat of being flooded by the high tides that reach the island. At the same time that the girls deal with the inevitable change of nature, they must face the uncertainty of growing up.
Director of Photography
High Tide is a coming-of-age documentary that portrays the friendship of Jessica and Carol, two girls who are best friends and who live in the smallest island of Costa Rica. Their home is under the threat of being flooded by the high tides that reach the island. At the same time that the girls deal with the inevitable change of nature, they must face the uncertainty of growing up.
Screenplay
High Tide is a coming-of-age documentary that portrays the friendship of Jessica and Carol, two girls who are best friends and who live in the smallest island of Costa Rica. Their home is under the threat of being flooded by the high tides that reach the island. At the same time that the girls deal with the inevitable change of nature, they must face the uncertainty of growing up.
Producer
María José is 25. Her life moves back and forth between the monotony of class at the university, her eternally distant parents, and a couple of alternative spaces where she can explore her own and others’ limits. One day, she meets Javier, a boy she really likes and tries to have a relationship with, but her behaviour starts changing radically. In fact, she’s a few months into her pregnancy and no one knows.
Writer
María José is 25. Her life moves back and forth between the monotony of class at the university, her eternally distant parents, and a couple of alternative spaces where she can explore her own and others’ limits. One day, she meets Javier, a boy she really likes and tries to have a relationship with, but her behaviour starts changing radically. In fact, she’s a few months into her pregnancy and no one knows.
Director
María José is 25. Her life moves back and forth between the monotony of class at the university, her eternally distant parents, and a couple of alternative spaces where she can explore her own and others’ limits. One day, she meets Javier, a boy she really likes and tries to have a relationship with, but her behaviour starts changing radically. In fact, she’s a few months into her pregnancy and no one knows.
Editor
Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.
Writer
Irene is a single mother who works in a photocopying business. She lives with Santiago, her seven year old son, and her controlling mother Dinia. Then she meets Diego. They go out, she gets drunk, and the failed date triggers in Irene a crisis concerning her sexuality, her motherhood, and the relationship with her mother.
Director
Irene is a single mother who works in a photocopying business. She lives with Santiago, her seven year old son, and her controlling mother Dinia. Then she meets Diego. They go out, she gets drunk, and the failed date triggers in Irene a crisis concerning her sexuality, her motherhood, and the relationship with her mother.
Director
