Takeshi Wakamatsu

A Professional sniper, Ryo has executed so many missions with his partner, Narushima. But Ryo is caught in between a multitude of emotions, when he realizes that his newest target will be an old acquaintance of his.

O filme é baseado em best-seller de Barry Eisler. Perseguido pela CIA, John Rain é um assassino profissional altamente especializado, contratado para resgatar um pen drive que contém informações confidenciais, antes que elas vazem. Rain intercepta o portador, que acaba morto, mas não encontra o que procurava. No rastro do pen drive, ele se depara com a filha do tal homem, ambos passam a ficar na mira da CIA... e a correr todos os perigos!

Nagisa, a high school girl who has been given three months to live. Without telling her widowed father where she is going, she sets out from the city to the small town where she was born. She recalls her childhood memories, and her love for Satoshi begins to grow stronger. However, she is shocked to discover that Satoshi is having an affair with Eriko, a married woman.

Kawamoto works and lives in a dilapidated pool hall which also serves as a rehearsal space for him and his friend Chikako. They seem contented to while away their hours doing nothing much at all. Meanwhile, an old pool shark meets some people from his past that he is none too happy to see again. How will this affect their private haven?

Depois de muita procura, a repórter Akiko Miyaji finalmente consegue encontrar a menina Sadako, trinta anos após os acontecimentos do primeiro filme. Esperando encontrar uma menina de sangue frio e má, ela encontra uma frágil e que faz aulas de teatro em Tóquio.

A police psychologist suspects her former lover of serial murders on the Tokyo subway.

A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.

This is Shuji Terayama memorial performance of The Hunchback of Aomori from 1983 (featuring Akihiro Miwa). Terayama gathered dwarfs, circus freaks, itinerant magicians, acrobats and untrained youth for his burgeoning troupe, Tenjo Sajiki. The troupe's premiere offering, written and directed by Terayama, was Aomori-ken no Semushi Otoko (The Hunchback of Aomori, 1967).

This is Shuji Terayama memorial performance from 1983.

A girl named O loves a rich, and much older man. She is subjected to a variety of humiliating experiences to prove her unconditional obedience to him in a chinese brothel. A poor boy sees her and falls in love with her. To get the money needed to sleep with her, he takes part in rebellious acts.

1º segmento: "L'île aux sirènes" – (A Ilha das Sereias) - Direção de Just Jaeckin – Um sonho de náufrago adolescente e burro. Por falar nisso a burrice é chata e ridícula. Ela engana, é contagiosa e enche o saco, pois lhe falta a autocrítica! 2º segmento: "Kusa-Meikyu" – (O Capim Labirinto) - Direção de Shûji Terayama – Poesia, fantasia, melodia, e tudo mais que você queria. Beleza pura. PARENTE lhe assegura. 3º segmento: "L'armoire" – (O Armário) - Direção de Walerian Borowczik – UMA DAS MAIS INTERESSANTES E EMOCIANANTES HISTÓRIAS DO GÊNERO. Adivinhem quem resolveu sair do armário?

Akira is haunted by a "bouncing ball" song that he remembers his mother singing when he was a small child, and now on the verge of a sexually active adulthood, he wants to find the origins of the song. The young man ostensibly wanders into a time-warp in which aspects from his childhood and adulthood mix together. In this never-never land he comes across a beautiful woman/witch who is lost inside the labyrinth of her mansion, just as the young man is lost in the labyrinth of time — and on some levels, perhaps the labyrinth of his subconscious.

Third and Shinbunbu embark on a plan to make money by Third becoming a pimp and Shinbunbu a prostitute.

Shuji Terayama and J.A.Seazer's phantasmagoric folk-psych-symph-prog-rock opera. Historical Tenjo Sajiki performance from 1978.

In this Borgesian satire on knowledge and technology, bibliophilic desire leads to the construction of a pedal-powered reading machine. Resembling a combination of gymnastic contraption, printing press and early cinematic apparatus, the machine’s purpose remains ambiguous. And like this machine, Terayama’s film connects his work in poetry, motion picture and graphic design by weaving together printed and projected, still and moving images.

An experimental short featuring people and nails.

The smallpox virus has created its own unique atmosphere in Terayama’s film where the skin of a bandaged adolescent and the surface of the filmic image are subjected to a bizarre ‘disturbance’ as snails cross the screen and nails are hammered into the skull of the ailing patient. Illness in this film is as much a psychic entity as a physical one and manifests itself in an array of theatrical tableaux from grotesque women rigorously brushing their teeth to a snooker game where the players in white face makeup behave like automata. A Tale of Smallpox uses a medical theme to chart the traumatic dream life of Terayama’s times, evincing deep-rooted concerns in the Japanese national psyche that hark back to the upheaval of Meiji modernisation and the devastation of World War Two.