Producer
The year is 2043. A military occupation controls disenfranchised cities in post-war North America. Children are property of the State. A desperate Cree woman joins an underground band of vigilantes to infiltrate a State children’s academy and get her daughter back. Night Raiders is a female-driven dystopian drama about resilience, courage and love.
Thanks
The lives of a Native woman and a troubled young boy intersect over the course of a school day on a reservation in Oklahoma.
Director
A forbidden love story in a forbidden place.
Writer
A forbidden love story in a forbidden place.
Producer
Jojo é um garoto alemão solitário que descobre que sua mãe está escondendo uma garota judia no sótão. Ajudado apenas por seu amigo imaginário, Adolf Hitler, Jojo deve enfrentar seu nacionalismo cego enquanto a Segunda Guerra Mundial prossegue.
Producer
Na década de 1970, Merata Mita (1942-2010) rompeu barreiras de raça, classe e gênero para se tornar a primeira mulher maori a escrever e dirigir um longa-metragem. Ela se tornou uma das cineastas mais conhecidas da Nova Zelândia e uma voz poderosa para os povos indígenas de todo o mundo. Neste filme, o filho mais novo de Merata, Hepi, cria um retrato íntimo de sua falecida mãe. Com base em imagens do trabalho da diretora, bem como em entrevistas com ela antes de pegar uma câmera, Hepi captura Merata como cineasta, mãe, esposa e mentora.
Producer
Viago (Taika Waititi), Deacon (Jonathan Brugh) e Vladislav (Jemaine Clement) são três vampiros que dividem uma casa. Algumas das dificuldades que eles têm na vida é serem imortais, encontrar sangue humano em festa noturnas, lidar com a luz solar e não conseguirem adequar a maneira de se vestirem aos padrões sociais, além de terem que pagar a renda e ainda conviver entre si dentro da casa.
Producer
Follows a cleaning lady going through an overnight shift at an airport. Her actions throughout may seem selfish and heartless but they all become incredibly understandable at the end.
Producer
Saving Grace - Te Whakarauora Tangata is the final work of director Merata Mita, who passed away suddenly before the film could be completed. The film addresses some of the deepest and most distressing issues Māori communities face, and shows how extraordinary creative solutions are being provided by Māori communities themselves. Mita asks Maori men to front up to some grim realities by talking openly and honestly about the violence and abuse that has plagued their communities for many years. The film is a personal response to this violence, with Mita making a case for a return to an older model of Maori manhood, when men were the ones who sweetly sang the children to sleep. “Merata intended the documentary to count in ways that mattered deeply to her and to change perceptions of abuse and violence by using themes of responsibility, redemption, revitalisation, forgiveness and, most of all, love.” - Carol Hirschfeld, Māori Television.
Producer
Young Vinnie and Jonah are bored on the mean streets — tagging, BMX-ing — when Jonah peer pressures Vinnie to join him in breaking and entering a house. When they find more than Christmas pressies inside, it tests mateship, moral codes and festive spirit.
