Adam Curtis

Block by block, Adam Curtis’ astonishing history uses archival footage to build a narrative of societal collapse, political opportunism, corruption and identity crisis in the USSR’s final hour. Curtis mines the mundane footage that most TV producers would fast-forward through, sharing English lessons at a beauty pageant, a young waif begging for rubles in the streets, the unrelenting churn of a toothbrush factory and scientists, wrapped in plastic and tape, trying to fix the Chernobyl reactor after meltdown. In lesser hands, the collage might seem random or diffuse.

The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.

The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.

Vivemos em um mundo onde os poderosos nos enganam. Nós sabemos que eles mentem. Eles sabem que nós sabemos que mentem. Eles não se importam. Dizemos que nos importamos, mas não fazemos nada e nada muda. É normal. Bem-vindo ao mundo pós-verdade. Como chegamos onde estamos agora?

Vivemos em um mundo onde os poderosos nos enganam. Nós sabemos que eles mentem. Eles sabem que nós sabemos que mentem. Eles não se importam. Dizemos que nos importamos, mas não fazemos nada e nada muda. É normal. Bem-vindo ao mundo pós-verdade. Como chegamos onde estamos agora?

Vivemos em um mundo onde os poderosos nos enganam. Nós sabemos que eles mentem. Eles sabem que nós sabemos que mentem. Eles não se importam. Dizemos que nos importamos, mas não fazemos nada e nada muda. É normal. Bem-vindo ao mundo pós-verdade. Como chegamos onde estamos agora?

Short film for Vice Media about the illusion of stability, freedom, and prosperity in the West, comparing it to life in the Soviet Union during the 1970s. Ends with a trailer for HyperNormalisation.

Short film for Vice Media about the illusion of stability, freedom, and prosperity in the West, comparing it to life in the Soviet Union during the 1970s. Ends with a trailer for HyperNormalisation.

An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.

An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.

An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.

An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.

Short film examining the global events of 2014 to reveal a chaotic morass, the reporting of which is increasingly difficult to comprehend in the context of the 24-hour news cycle and the internet. Screened during Charlie Brooker's 2014 Wipe special.

Short film examining the global events of 2014 to reveal a chaotic morass, the reporting of which is increasingly difficult to comprehend in the context of the 24-hour news cycle and the internet. Screened during Charlie Brooker's 2014 Wipe special.

Collaboration with Massive Attack. Based on technocrats and global corporations establishing an ultraconservative norm, with the internet providing a "fake, enchanting world, which has become a kind of prison".

Collaboration with Massive Attack. Based on technocrats and global corporations establishing an ultraconservative norm, with the internet providing a "fake, enchanting world, which has become a kind of prison".

As we wait to see whether Rupert Murdoch will fall from power and lose control of News International, Every Day is Like Sunday tells the forgotten story of the dramatic downfall of Cecil King—the newspaper mogul who used to dominate British media in the 1960s, before Rupert Murdoch arrived.

As we wait to see whether Rupert Murdoch will fall from power and lose control of News International, Every Day is Like Sunday tells the forgotten story of the dramatic downfall of Cecil King—the newspaper mogul who used to dominate British media in the 1960s, before Rupert Murdoch arrived.

As we wait to see whether Rupert Murdoch will fall from power and lose control of News International, Every Day is Like Sunday tells the forgotten story of the dramatic downfall of Cecil King—the newspaper mogul who used to dominate British media in the 1960s, before Rupert Murdoch arrived.

Short film using the paranoia of Richard Nixon to explore how a similar outlook on life has been propagated on a larger social scale in the new media age and the resulting moral panics and immobilisation of politics. Screen during the fourth episode of the second series of Charlie Brooker's Newswipe.

Short film using the paranoia of Richard Nixon to explore how a similar outlook on life has been propagated on a larger social scale in the new media age and the resulting moral panics and immobilisation of politics. Screen during the fourth episode of the second series of Charlie Brooker's Newswipe.

Short film using the paranoia of Richard Nixon to explore how a similar outlook on life has been propagated on a larger social scale in the new media age and the resulting moral panics and immobilisation of politics. Screen during the fourth episode of the second series of Charlie Brooker's Newswipe.

This short film uses the history and figure of the Murdoch media empire as a vast invasive machine, to draw parallels to new media machines such as Google that are not only more invasive, but more pervasive than anything the Murdoch media empire has managed. Why are we not more concerned about this?

Short film about how mainstream media simplify complex events and present them as "scattered terrible things happening everywhere, Oh Dear", leaving the public feeling powerless to do anything about them. Screened in the third episode of the first series of Charlie Brooker's Newswipe.

Short film about how mainstream media simplify complex events and present them as "scattered terrible things happening everywhere, Oh Dear", leaving the public feeling powerless to do anything about them. Screened in the third episode of the first series of Charlie Brooker's Newswipe.

The story of America's rise to power starting with 1959, using archival footage and US pop music to highlight the consequences to the rest of the world and in the peoples' minds.

The story of America's rise to power starting with 1959, using archival footage and US pop music to highlight the consequences to the rest of the world and in the peoples' minds.

The story of America's rise to power starting with 1959, using archival footage and US pop music to highlight the consequences to the rest of the world and in the peoples' minds.

The story of America's rise to power starting with 1959, using archival footage and US pop music to highlight the consequences to the rest of the world and in the peoples' minds.

Short film chronicling the transformation of mainstream media and the balance of political power in the last few decades by looking at how the role of the broadcast journalist has changed since the 1950s. Screened during the third episode of the fourth series of Charlie Brooker's Screenwipe.

Short film chronicling the transformation of mainstream media and the balance of political power in the last few decades by looking at how the role of the broadcast journalist has changed since the 1950s. Screened during the third episode of the fourth series of Charlie Brooker's Screenwipe.

An alcoholic, emaciated father; a grossly obese, tattooed mother; a goofy, hormone-addled brother—all together in a claustrophobic council flat. Welcome to the Billinghams'. Richard Billingham wowed the art scene with his book Ray's A Laugh. Fishtank, his first film, charts the emotional territory of the flat and the family who play out their lives within its confines.

In 1951, a woman died in Baltimore, U.S.A. She was called Henrietta Lacks. These are cells from her body. They were taken from her just before she died. They have been growing and multiplying ever since. There are now billions of these cells in laboratories around the world. If massed together, they would weigh 400 times her original weight. These cells have transformed modern medicine, but they also became caught up in the politics of our age.

In 1951, a woman died in Baltimore, U.S.A. She was called Henrietta Lacks. These are cells from her body. They were taken from her just before she died. They have been growing and multiplying ever since. There are now billions of these cells in laboratories around the world. If massed together, they would weigh 400 times her original weight. These cells have transformed modern medicine, but they also became caught up in the politics of our age.

In 1951, a woman died in Baltimore, U.S.A. She was called Henrietta Lacks. These are cells from her body. They were taken from her just before she died. They have been growing and multiplying ever since. There are now billions of these cells in laboratories around the world. If massed together, they would weigh 400 times her original weight. These cells have transformed modern medicine, but they also became caught up in the politics of our age.

25 Million Pounds details the collapse of Barings Bank in the mid 1990s primarily by a broker called Nick Leeson, who lost £827 million ($1.3 billion) by speculating on futures contracts. The film contextualises the downfall as the history of Barings Bank was one of the oldest and most prestigious merchant banks in Britain, run by the same family for decades with extensive ties to Britain's elites. But in the late 19th century Barings almost went bankrupt after investing heavily in South American bonds, including backing the construction of a sewer system in Buenos Aires. The bank was saved by The Bank of England, but Edward Baring, the head of the bank, was financially ruined and never recovered.

In The Road to Terror, revolutionaries tell how their dream descended into a nightmare of terror and execution. They speak as exiles in Paris, a city that is preparing to celebrate the glories of the first mass revolution of 1978. Behind its strange images, the struggle for power in the Iranian revolution has followed a pattern uncannily similar to many of the great revolutions of the past: just as 200 years ago in France, the Iranian revolution has gone down the old road from liberation to repression, the road to terror.

The largest leisure and shopping complex in Europe, the Metro Centre in Tynemouth, and its creator John Hall.

The largest leisure and shopping complex in Europe, the Metro Centre in Tynemouth, and its creator John Hall.

The luxurious Taj Mahal Palace Hotel in Mumbai, contrasted with the poverty of the city's slums.

In 1949, at the height of the Cold War, the British and American Governments decided to fight back at the growing Soviet Empire with a secret plan, the Albanian Subversion, in which the CIA and MI6 attempted to overthrow the Albanian government and to weaken the Soviet Union and the role of double agent Kim Philby.

In 1949, at the height of the Cold War, the British and American Governments decided to fight back at the growing Soviet Empire with a secret plan, the Albanian Subversion, in which the CIA and MI6 attempted to overthrow the Albanian government and to weaken the Soviet Union and the role of double agent Kim Philby.

In 1949, at the height of the Cold War, the British and American Governments decided to fight back at the growing Soviet Empire with a secret plan, the Albanian Subversion, in which the CIA and MI6 attempted to overthrow the Albanian government and to weaken the Soviet Union and the role of double agent Kim Philby.

Dino Labriola runs the small town of Montemilone in the deep south. He was elected the first Communist mayor. Now he faces the problems of a town dying on its feet. There are no jobs, the young emigrate, the old have given up hope and government aid often goes astray. While Dino is determined to fight for his town, his wife Angela sometimes feels that the struggle is not worth it. A massive dam is being built just outside Montemilone. It's a new threat to the town and to Dino's position as mayor.

Dino Labriola runs the small town of Montemilone in the deep south. He was elected the first Communist mayor. Now he faces the problems of a town dying on its feet. There are no jobs, the young emigrate, the old have given up hope and government aid often goes astray. While Dino is determined to fight for his town, his wife Angela sometimes feels that the struggle is not worth it. A massive dam is being built just outside Montemilone. It's a new threat to the town and to Dino's position as mayor.

The documentary set out to investigate, not the well-chronicled social problems of 1960s council housing, but the origins of how they came to be built so poorly that thousands later needed to be demolished.

The documentary set out to investigate, not the well-chronicled social problems of 1960s council housing, but the origins of how they came to be built so poorly that thousands later needed to be demolished.

The documentary set out to investigate, not the well-chronicled social problems of 1960s council housing, but the origins of how they came to be built so poorly that thousands later needed to be demolished.

Documentary about the town of Walton-on-the-Naze, directed by Adam Curtis

Behind the scenes at Selfridges, a department store on Oxford Street, London.

Behind the scenes at Selfridges, a department store on Oxford Street, London.