Samuel Churin

Paris in 1942. Annette is 20 years old, Jean is barely older, they love each other and the future is bright for them. But the deportation of the Jews of France will change their destiny. Upset at the idea of their only son marrying a Jewish woman, Jean Jausion's parents decide to keep young Annette Zelman away from them... and denounce her to the Gestapo. The machine was launched, but it was too late. Annette was deported to Auschwitz on June 22, 1942.

Cédric works in a company specialized in precision mechanics. Its management, run by an investment fund, is disastrous. As another fund is about to buy it again, Cédric decides to take the company over, giving it to the employees.

Constance and her fiancé hope to one day take over, modernize and expand her father’s farm, on the verge of bankruptcy, to the large-scale farms that share the land and power. She gains the support of the influential and charismatic Sylvain, their fate quickly lying in his hands... When Sylvain's desire for her steps in the negotiations, Constance must face yet another kind of violence.

Amin has come from Senegal to work in France, leaving behind his wife Aïcha, and their three children. He leads a solitary life in France, where the only space he occupies is his home and the building sites on which he works. Most of his earnings are sent to Senegal. One day, he meets a woman, Gabrielle, and a relationship is born.

Em Mêle sur Sarthe, uma pequena aldeia da Normandia, os agricultores são gravemente afetados pela crise. Georges Balbuzard, o prefeito da cidade, não aceita a difícil situação e decide tentar de tudo para salvar seu povoado. Por obra do destino, Blake Newman, um grande fotógrafo conceitual, que tem por estilo deixar a multidão sem roupas para suas fotos, está passando pela região. Balbuzard vê nesse encontro a oportunidade de salvar sua aldeia, resta saber se a população estará disposta a ficar nua.

Na França dos anos 1990, o grupo ativista Act Up intensifica seus esforços para que a sociedade reconheça a importância da prevenção e do tratamento da aids.

Quando a inocente jovem Lucy (Scarlett Johansson) aceita transportar drogas dentro do seu estômago, ela não conhece muito bem os riscos que corre. Por acaso, ela acaba absorvendo as drogas, e um efeito inesperado acontece: Lucy ganha poderes sobre-humanos, incluindo a telecinesia, a ausência de dor e a capacidade de adquirir conhecimento instantaneamente.

Faced with the increasing commodification of human activity, citizens are getting involved. Artists, teachers, researchers and intellectuals are opposing the social rethinking imagined by the MEDEF and applied by the liberal power. Through a year of debates and actions, they are trying to raise collective and citizen awareness, by recalling the very foundations of our society that once gave birth to Human Rights. The ambition of this film is to give an understanding of this turning point in society, based on the voices raised in the struggle and to question the alternatives made possible by the social movement.

Vincent and Olivier have an intense, rocky relationship: Vincent evades tenderness, just as he does desire, forcing the couple to hunt for a third partner to participate in their sexual games. Olivier has a background in the theater. He believes in, but is preoccupied by their relationship; he wants to free Vincent from the ghosts haunting him. But Vincent is locked into the past. His father, a pilot, was killed in a plane accident. Vincent’s job is a strange, uncommon one that plunges him deep into contemplation from which no one can make him budge: he deciphers plane disaster recordings. Vincent’s unconscious repression is so powerful that he hasn’t even recognized the link between his father’s death and his work. It will take the stormy encounter with Olivier for Vincent to obtain his ‘black box.’ Indeed, the two young men come to life through their connection with each other, a connection which shatters the framework of typical love stories.