Tamás Andor

Story about two restaurant critics, whom write articles under fake names.

Iván is living in exile from Hungary when he receives word that an old flame is ill. His return to Budapest rekindles old memories and reopens old wounds.

Six physical workers, once working for Videoton, decide to come together and create a company on their own.

Em 27 de julho de 1986, a banda britânica de rock de estádio Queen inovou ao tocar pela primeira vez na Hungria, um país que ainda estava sob uma ditadura comunista atrás da Cortina de Ferro.

István, a király ("Stephen, the King") is a Hungarian rock opera written by Levente Szörényi (music) and János Bródy (lyrics), based on the life of Saint Stephen of Hungary. The storyline was based on the play Ezredforduló (Turn of the Millennium) by Miklós Boldizsár, who co-wrote the libretto. The opera was first staged in 1983 on an open-air stage in Budapest. This first performance was also made into a 1984 film, directed by Gábor Koltay, and its music released on an album. The musical became a smash hit and is still very popular in Hungary and among Hungarian minorities in neighboring countries.

János Kitka Jr, first seen in Schiffer's documentary 'Black Train' a decade earlier, is now 17 and is just released from a youth detention centre. He returns to his village and is put in the care of a probation officer. However, his family doesn't seem to help his situation, but rather makes him run away from home.

Political and sexual repression in Hungary, just after the revolution of 1956. In 1958, the body of Eva Szalanczky, a political journalist, is discovered near the border. Her friend Livia is in hospital with a broken neck; Livia's husband, Donci, is under arrest. In a flashback to the year before, we see what leads up to the tragedy. Eva gets a job as a writer. She meets Livia and is attracted to her. Livia feels much the same, but as a married woman, has doubts and hesitations. In their work, they (and Eva in particular) bang up against the limits of telling political truths; in private, they confront the limits of living out sexual and emotional truth.

The journalist Alf Mattson gets thoroughly drunk at his birthday party, where his wife announces that she intends to divorce him. He is knocked down on the street and is later carried home by a friend. The next day he is to fly to Budapest in order to make a report for the Stockholm television. Mattson disappears in Budapest.

Barbara is a forty-year-old woman of Polish origin living in Budapest. She is a biologist, a wife and a mother. The death of her woman friend opens her eyes to the fact that she is lonely, unable to find her place.

The documentary-feature film taking place in the seventies is the "development novel" of Cséplő György, the intelligent and ambitious Gypsy boy. Having finished only two terms at school, the eighteen-year-old boy leaves Németfalu with two of his companions to find employment in Budapest and to break out of his miserable existence in the village cottage with the help of his small savings.

The corpulent and ageing Ivicz, once an excellent baker, works as a deliverer now. He lives alone. At the weekends following the toilsome weekdays he is the boss. He regularly travels to the country, to work as the incorruptible referee of third class national soccer games.

The week-days of a youth-camp, playing democracy, are depicted in this documentarist satire. Due to faulty organisation, the Budapest high-school students get only working tools, but no work to do. The camp leadership tries to cover up facts and urges them to be initiated into "community life".

After his divorce, Bóna Péter, a beginner film director needs a bigger amount of money to settle his financial problems with his ex-wife. He travels to Pécs to see Sárika, an old veteran. He has not seen his aunt for a long time, and she receives him very friendly, but she flatly refuses to lend him any money.

This shocking black and white documentary shows the lives of Szabolcs county (Northeast Hungary) commuters who traveled 200-300 kilometers from their villages to Budapest (the capital of Hungary) every week by train in the communist era.

The young Valkó wants to plan a block of apartments that will still be modern fifty years from now. His ambitious plans are continuously rejected by his manipulative and careless superiors. So instead of the modern block of flats he only plans a bachelor apartment.