Enrico Lucherini

Necessarily far from the spotlights, Monica Vitti shines in a light intact to the eyes of spectators at every latitude. On scene the artistic path and life full of unpredictable events of an actress both introverted and sunny are recalled, through excerpts from her films and television programs, testimonies of friends and colleagues, leading exponents of Italian cinema of yesterday and today, critics, writers and costume experts.

"The Italian Jobs: Paramount Pictures e l'Italia" tells the story of two men, two Italian-American executives, Pilade Levi and Luigi Luraschi, who came to Italy at the end of the Second World War to recreate the Italian film industry; their work went on to have a significant influence on cinema worldwide. The idea of producing European films financed by American funds, in fact, originated in Italy with Paramount Pictures. Masterpieces such as Nights of Cabiria, Romeo and Juliet and The Conformist, to name just a few, were created precisely thanks to the work of these two men. The exclusive testimonies of Gioia Levi and Tony Luraschi, the children of the two executives, describe how their fathers were not only businessmen but how their lives were dedicated entirely to cinema.

A história do cinema italiano sob o fascismo, uma indústria cinematográfica sofisticada construída em torno da fundação dos estúdios Cinecittà e do nascimento bem-sucedido de um star system doméstico, povoado por artistas muito peculiares entre os quais se destacaram várias atrizes belas, magnéticas e especiais; uma história negra de guerra, drogas, sexo, censura e tragédia.

A história do cinema italiano sob o fascismo, uma indústria cinematográfica sofisticada construída em torno da fundação dos estúdios Cinecittà e do nascimento bem-sucedido de um star system doméstico, povoado por artistas muito peculiares entre os quais se destacaram várias atrizes belas, magnéticas e especiais; uma história negra de guerra, drogas, sexo, censura e tragédia.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

A passionate cavalcade through decades of "coming attractions"

A young opera singer is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.

A relação de amor incestuosa entre uma rica mulher e seu irmão mais novo. Incapazes de lidar com o desejo, os dois passam a criar uma série de jogos voyeurísticos.

O escritor Peter Neal chega à cidade de Roma para promover seu último livro, Tenebre, mas descobre que alguém está usando seus romances como inspiração para cometer assassinatos. Logo ele se vê envolvido nos crimes e passa a tentar descobrir o provável assassino.

Special TG3 by Giorgio Chiecchi of 8 May 1980.

Mario, a rich and eccentric war hero befriends Marco, a loner with a sailboat, and takes him home to meet his estranged wife Cleofe and sexually repressed sister in law Matilde. Mario confesses his love for Matilde and so ensues a love triangle.

A documentary on the history of Italy's peplum genre.

Alice, a young translator, finds the real world slowly merging with her recurring nightmares as she tries to solve the puzzle of her recent memory loss. A postcard leads her to the island of Garma where the locals seems to know her. Is she who she thinks she is? And what significance does her dream of an astronaut abandoned on the moon have?

An unidentified fifteen year-old girl is found hanged after an anonymous tip-off. The girl, Silvia Polvesi, is soon discovered to have been murdered. A peeping tom is caught with photos of her having sex with a teenage drop-out but he is later released due to lack of evidence. The investigation, conducted by Inspector Silvestri and the assistant public prosecutor Vittoria Stori, focuses on the girl's parents. It transpires that a private detective, Ruggero Pollente, was hired by Silvia's mother because the latter was concerned about her activities. As a conspiracy begins to emerge, Pollente's body is found dismembered and his girlfriend is subsequently attacked by a machete-wielding killer clad in motorcycle gear...

Sylvia, an industrial scientist, is troubled by strange hallucinations related to the tragic suicide of her mother.

Duke Philippe married Cristina, daughter of a fisherman. But his brothers, seeing that these after marriage they would miss out inheritance, decide to get rid of the woman by imprisoning her in a tower and making the duke believe she died.

Stefano Argenti, an ambitious advertising executive, meets a curious hippie named Count Mateo Tiepolo and they form a strange bond. Having gained Stefano's confidence, Tiepolo reveals that he wants to kill his domineering brother. He suggests that Stefano carry out the killing and in exchange he offers to murder Luisa, Stefano's wife who is a barrier to his career and his affair with Fabienne, a model. Argenti is more curious than shocked but decides to reject the bizarre offer. However, a short-time later, his wife is strangled to death by an intruder and he becomes the prime suspect. By withholding evidence that could prove his innocence. Mateo blackmails Stefano into keeping his part of the bargain. But there is a twist ...

Em seu único papel no cinema, a diva María Callas vive a feiticeira Medéia, que mata o próprio irmão para fugir com o amado, Jasão, que roubara o velo de ouro. Anos mais tarde, Jasão a abandona, para se casar com a jovem e bela filha do Rei Creonte. Indignada, Medéia planeja uma terrível vingança contra Jasão.

Os eventos decisivos da guerra pela independência da Argélia, marco do processo de libertação das colônias européias na África. Entre 1954 e 1957 é mostrado o modo de agir dos dois lados do conflito, a Frente de Libertação Nacional e o exército francês. Enquanto que o exército usava técnicas de tortura e eliminava o maior número possível de rebeldes, a FLN desenvolvia técnicas não-convencionais de combate, baseadas na guerrilha e no terrorismo.