Toshiyuki Hosokawa

This film is about a train departing Osaka Station at midnight to an unknown destination. The people on this train all have some difficulties in their lives, and they end up on this train. Hanoko is suicidal, Yuka has caught her boyfriend with another woman, Michiru is aimless, Mr. Wakabayashi has just been fired, and one other man just lost his wife. They take the train to Kazumachi, a small village. They decide to stay and enter a small world of discovery about themselves, courtesy of the inhabitants of the village, all of whom are engaging.

A love story written by an ordinary housewife is going to be broadcast as a radio drama and almost everyone among the crew insists on changing various parts of the play to their liking.

At Fudo High, the principal receives threatening letters from someone called the "Afterschool Magician," who warns them to stop the plans to tear down the old school building. Scary rumours of students who died in the "Seven Mysteries of Fudo High" began to spread again, and it isn't long before Kindaichi and Miyuki gets involved when the Mystery Club asks them to help investigate. When the members of the Mystery Club turns up dead one by one and Miyuki also gets attacked, Kindaichi realizes that he must solve it before any more people are killed.

A man in hospital has a weird and sexy conversation with a woman in the next bed, whom he cannot see. He later discovers she is in her sixties. They meet several more times and, each time, she is younger.

A story of childhood life during wartime Japan. Takeshi, the intelligent son of a fisherman, is the schoolyard bully. When his cousin comes to stay with his family to avoid bombing raids, Takeshi at first treats him well, then begins bullying him too. Takeshi eventually loses his position of leadership.

All the protagonists move about in a Tokyo Bar that has an entire wall taken up with a black-and-white reproduction of a photo of Monument Valley. The action starts as Billy the Kid, in full living color, walks out of the photo and gets a job as a waiter. Along with him on the working staff are a samurai straight out of the history books, a G.I. from World War II, and several other anachronistic characters. The plot (as such) revolves around keeping away the brutal mobsters and thugs who dominate the city streets outside of the bar, making the tavern safe for its easily recognized facsimiles of well-known characters.

This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.

Passaram seis meses desde o trágico acidente na luta entre o Joe e Rikiishi. Joe acredita que superou a morte de Rikiishi e decide voltar. Joe faz um retorno bem-sucedido ao marcar 5 KO por golpes corporais. Joe então tem uma chance pelo título nacional como um meio pela comissão de boxe para derrubá-lo. O campeão, Tiger Ozaki, aproveita os hábitos de Joe e acaba fazendo o corner dele jogar a toalha. Joe tem medo de socar o rosto por causa do que aconteceu com Rikiishi. Youko, o interesse amoroso de Joe e dono da academia onde Rikiishi treinou, recruta um boxeador venezuelano classificado mundialmente, Carlos Rivera, para colocar Joe de pé e seguir sua carreira de boxe nas classificações regionais e mundiais.

Um remake resumido da primeira série de TV Ashita no Joe, lançado em 1980 para fornecer uma história de fundo para a segunda série de TV para novos fãs que não estavam familiarizados com a primeira série de TV ou o mangá.

Two Kyushu based yakuza groups are desperate for domaination of the area. When more powerful yakuza groups get involved in their power struggle, a group of childhood friends, belonging to different yakuza families, are caught in the middle. Lies, deceit, and backstabbing are in play resulting in a bloodbath and a quest for revenge...

Nami is once again on the run from the law but is saved by an old classmate who works at a strip club. Through a subsequent conversation they discover they both have a score to settle with a particular crooked cop. However, Nami has doubts about ever trusting a man.

In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.

A young woman undergoes psychiatric treatment after she no longer hears music and develops sexual hang-ups.

Young man and woman experience changes in their worldview and question the meaning of life after meeting a dying grandfather.

In this intricately layered Japanese film, the nature of actresses and what they gain from acting is explored. The lives of three actresses are laid bare, and scenes from their lives are woven in and out of interviews with each of them. Each of them has experienced a traumatic event which contributes to their particular enjoyment of becoming someone else in dramatic roles.

A dynamic woman who aspires to be a writer, living a wild life in constant search of freedom while indulging in lust with four men.

With a price on his head, Ichi seeks tranquillity in a favorite village. Since his last visit, it has fallen prey to Boss Masagoro, the son of a merchant rumored to have stolen gold from the shogunate. The boss has hired Yojimbo as his hard-drinking enforcer, but Yojimbo is both a spy for the shogunate, trying to find the gold, and in love with the merchant's unwilling mistress, Umeno. Ichi hires on as the merchant's masseur and buys Umeno's freedom with his employer's own money. This embarrasses Yojimbo who withdraws from a pact with Ichi to stir up trouble between father and son and their gangs. As the two sides fight, Ichi finds the gold and sets up a final set of confrontations.

Takeshi Nanjo, a junior lieutenant in the navy whose father, the head of the Nanjo-gumi yakuza family, was killed, is forced to leave the army and become the head of the Nanjo-gumi in the second generation. He brutally chivalrously avenges the death of his father by a vicious yakuza linked to extremists within the army through the courage and swordsmanship of naval training!

Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers on two 1960s students researching Osugi's theories.

The last film in the series brings the tale to the doorstep of Pacific War, with the planning of the bombing of Pearl Harbor dominant in Nakano Spy School.

Shingo and Ritsuko have a baby: Takashi. They happen to be a happy couple, but soon Ritsuko wants to know who is the true father of Takashi, born by artificial insemination.

In the 19th century Edo period, sisters Oshizu and Otaka have sacrificed their personal happiness to work and care for their ailing father. Otaka falls in love, but can’t accept a marriage proposal since her older sister needs to marry first. When Oshizu learns of this decision, she takes matters in her own hands.

When a local gambling house kidnaps some peasants because they failed to pay their debts, a rival gambling house pays their debts and sets them free.

The daughter of a Prime Minister turns down the proposal of a young teacher when she falls for the wrong man. Despite the continual degradation by the man she loves, she is unwilling to leave her awful relationship.

A young intellectual conscientious objector is forced to serve with the Japanese army in Manchuria. He joins with a dim-witted former gangster in an effort to desert by stealing a train.