In Shibamata, Tokyo, Tora-san's family prepares for a wedding. Meanwhile, the traveling Tora-san meets an old acqaintance in Iwate Province. Tora-san refuses to drink with him, afraid that the acquaintance, now settled and married, will again become attracted to Tora-san's wandering existence. Tora-san becomes attracted to a female barber, but must break off their relationship so that she too can live a secure life. She instead gets into an abusive relationship with a motorcyclist.
Lindamente construído, 1001 Nights permanece fiel ao cenário exuberante e misterioso da história bem conhecida e antiga. Tezuka remodela a história em uma fantasia escapista, onde um trabalhador dos anos 60 é transportado de volta a uma era de detalhes árabes inteiramente fictícios. Aparentemente em desacordo consigo mesmo, 1001 Nights se desdobra consistentemente de uma forma que combina gráficos da Playboy, design de tapete árabe e pinturas japonesas tradicionais em pergaminho. Parece uma mistura estranha? Pode apostar e ao longo do caminho experimentamos algumas das grandes justaposições culturais que tornam Tezuka o estilo imprevisível que é.
Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.
Three short tales from stories by Ichiyo Higuchi. In one, a young woman is degraded by her family after an arranged marriage. Another deals with the troubles heaped upon a young servant by her family and the wealthy people who employ her. The final story tells of a prostitute and her hopes of finding a new, respectable life.
Minowada, a young teacher at a National People's School, has his own theory of education and the daughter of his linguistics teacher becomes drawn to him. Kayo, a strong-willed doctor, is also attracted to him. A mediator tries to arrange a marriage but just at that point Minowada receives military call-up papers.
