Set Decoration
Harry is a married writer who has an affair with a woman whose husband knows that she is unfaithful. As a result of his work, Harry has trouble distinguishing between fantasy and reality leaving us to wonder whether the affair is real or just a figment of Harry's imagination.
Set Decoration
Gangsters from the United States try to kill a key government witness whose testimony could help land an influential mobster in jail. It's up to detective Maigret to deal with the FBI and a series of underworld figures to save the life of the witness...
Set Dresser
The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.
Set Decoration
An old count hides just before he dies to annoy his heirs. The heirs search a manor for the count's body and are killed off one by one. Jean-Marie, his fiancée Micheline, and Edwige investigate the deaths and search for the count's body.
Set Dresser
Uma garota sofreu um acidente que acabou a deixando sem face, sobrando apenas os olhos intactos. Seu pai, um renomado cirurgião especialista em transplantes, está determinado a fazer qualquer coisa para lhe dar um novo rosto.
Unit Manager
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
Art Direction
Esta adaptação de 1950 do mito órfico de Jean Cocteau retrata um poeta famoso (Jean Marais) desprezado pelos jovens da Margem Esquerda, bem como seu amor pela esposa Eurídice (Marie Déa) e por uma misteriosa princesa (Maria Casarès).
Set Decoration
Uma médica é acusada do assassinato de seu marido por eutanásia.
Set Designer
A beautiful young pianist falls for her mentor.
