Günter Eisinger

Filmes

Schulmeister Spitzbart
Director of Photography
Der Mann und sein Name
Cinematography
Based on a story by Anna Seghers.
Solo für Martina
Director of Photography
Rotfuchs
Cinematography
Der Streit um den Sergeanten Grischa
Director of Photography
Der Streit um den Sergeanten Grischa
Writer
Der Revolver des Corporals
Cinematography
Film by Rolf Losansky.
Carl von Ossietzky
Cinematography
The film chronicles the last ten years in the life of Nobel Peace Prize recipient Carl von Ossietzky (1889-1938).
Christine und die Störche
Cinematography
An old ruin serves as the favorite playground for Christine and her friends. It is also the home to a pair of storks that have built their nest there. When the ruin is meant to be demolished, Christine is eager on rescuing the helpless baby storks that are not yet fully fledged.
Ärzte
Cinematography
Der Arzt von Bothenow
Cinematography
Das hölzerne Kälbchen
Cinematography
On a pasture in a small village stand the cows and calves of the herder Bürle. Since many years, there is also a wooden calve standing among them. One day, all calves are stolen, even the wooden one. Although they are innocent, all poor villagers are brought to trial. Thereupon, the farmers join forces and discover who really is responsible for the theft.
Kein Ärger mit Cleopatra
Cinematography
Film by Helmut Schneider.
Simplon-Tunnel
Cinematography
A sociohistorical drama about the construction of the Simplon-tunnel: A conflict develops when German workers want to strike and fight for better working conditions while Italian workers simply want to earn money and provide for their families.
Emilia Galotti
Cinematography
Der Fackelträger
Cinematography
Wo Du hin gehst...
Cinematography
Berlin, 1936. Athletes and visitors from all over the world have come to the city to take part in the Olympic Games. Anti-Fascists use the opportunity to tell the foreign guests about the situation in Germany by distributing leaflets. Being cornered by the Gestapo, the wounded resistance fighter Jakob manages to go into hiding with the help of the Swiss doctor Thea. They fall in love with each other and when Jakob joins the International Brigades in Spain to fight against Franco, Thea follows him and becomes a dedicated fighter against Fascism. The enduring battle, however, keeps preventing them from becoming a real couple.
Drei Mädchen im Endspiel
Cinematography
Hotelboy Ed Martin
Director of Photography
Wer seine Frau lieb hat
Director of Photography
Hexen
Cinematography
Germany in 1949: The residents of the Thuringian village Hunsdorf are still heavily influenced by archaic superstition and explain unusual events with preternatural powers. The same happens when pigs again and again disappear from different farmyards. The village residents firmly believe that witches are the reason for this mystery. Not even police detective Kühlemann who is sent to Hunsdorf is able to dissuade them from their superstition. Thus, the farmers think his investigation is aimless and they do not support him at all. With a lot of patience and well-made arguments he finally convinces little Peter that there are no witches. Next, Peter’s grandfather and teacher Marianne take Kühlemann’s side. With their support, the police detective eventually finds out the truth and is able to put a stop to the gang of crooks that had been stealing the pigs.