After their father dies, his children try to get by on a house boat.
This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.
The young rambler, Shinji Taki, with his guitar arrives a hot spa town at the foot of Mount Aizu Bandai. Of course he solves the problems in the town while encountering the sinister rival, Masa "the pistol guy".
A jazz bandleader, falsely accused of murdering his girlfriend, tries to stay one step ahead of the police as he dives into Tokyo's sin-city in search of the real killer in this dark and beautiful noir from master Seijun Suzuki.
Shoichi Kokubun (Yujiro Ishihara) is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.
Policeman #1
Um casal de jovens desempregados, Yoshiji e Tsutae, acaba nos subúrbios da zona de prostituição Suzaki, em Tóquio. Tsutae consegue um trabalho servindo saquê para homens em um pequeno bar, enquanto Yoshiji é contratado como entregador em uma loja próxima de noodles.
