Kuni Kawachi

The Acorns and the Wildcat is a unique short film in picture-book format from the creator of Night on the Galactic Railroad and Gauche the Cellist. Unusually for an anime, a narrator reads Kenji's story aloud while the action is played out on the screen by a succession of warm and evocative illustrations brought to life by subtle touches of animation. If the film feels somehow familiar yet you can't put your finger on the reason why, it's probably the sumptuously minimalist animation by Yasuhiro Nagura, who was the animation director of Mamoru Oshii's artsy 1986 feature Angel's Egg. That, and Kenji's wildcat is said to have been the inspiration for Miyazaki's Panda/Totoro creature. The idea of reading Kenji's story aloud instead of playing it out as a drama is quite refreshing, and Kenji's magical language and narrative style are entirely sufficient to sustain interest. Combined with the spacey music and breathtaking art, the result is a pleasantly unassuming little gem of a film.

Uma história sobre um urso pardo albino e seus amigos da floresta quando eles encontram vários artefatos humanos na mata e interagem com eles.

Things couldn't have seemed better for Shiga Yuzuru, your average teenage high-schooler. The captain of the school archery team, he's going steady with teammate and classmate Satomi. He had almost forgotten that he had been betrothed to his cousin, Shiga Azusa, when he was only 6... but all this changes when his aunt dies a peculiar and unnatural death. Now arriving to claim what she feels is rightfully hers, only Satomi stands in Azusa's way... and with the mysterious and frightening powers that Azusa brings, Satomi won't stand in her way for long!

Uma maçã dourada é roubada do jardim do rei. O rei ordena que seus três filhos guardem as maçãs e descubram quem é o ladrão. Quando o filho mais novo, Hans, apresenta uma pluma que ele pegou do pássaro dourado que roubou a maçã, o rei manda seus três filhos trazerem este pássaro para ele e assim a jornada de Hans começa.

Up in Heaven, Yuki’s grandparents decide that, having turned thirteen years old, she must go down to Earth to a village that is torn by bandits and intervene to save its people. However if she does not succeed within one year she will become as insubstantial as the wind. Down in the village, Yuki is befriended by a group of orphans whose parents have all been killed by the bandits and who now subsist by begging. Yuki amazes them by taming the wild horse Blizzard. She is instrumental in getting the orphans and farmers to stand up to first the warring bandits and then Goemon, the greedy lord that owns the region. But Yuki must face her greatest challenge yet when the displeased Demon God that lives in the volcano emerges to destroy those who live beneath.

Alternando entre um estudo psicológico sobre a alienação e perda de direitos, e uma chamada urgente pela militância e atuação sociopolítica revolucionária da geração do final dos anos 60, a delirante montagem de Terayma de imagens fragmentadas, não sequenciais e desbalanceadas reflete a incerteza e o caos interior de um empobrecido - e apropriadamente anônimo - jovem, e de sua família igualmente disfuncional: o pai desempregado e voyeur, uma avó deliberadamente mentirosa, e uma irmã cuja ligação afetiva com seu coelho de pelúcia transformou-se numa obsessão bestial.