Yukiko Sode

Hanako Haibara nasceu e cresceu na cidade de Tóquio. Depois de ser abandonada pelo namorado, já com 20 e poucos anos, ela sai em encontros às cegas para encontrar um homem para se casar, estimulada pelos pais. Miki Tokioka nasceu no interior. Ela estudou muito e entrou em uma universidade de prestígio em Tóquio. Ela passou por momentos financeiros difíceis, e agora trabalha em uma empresa de TI, mas sente um vazio na vida sentimental. Hanako Haibara e Miki Tokioka acabam se cruzando por causa de um homem que ambas conhecem.

Hanako Haibara nasceu e cresceu na cidade de Tóquio. Depois de ser abandonada pelo namorado, já com 20 e poucos anos, ela sai em encontros às cegas para encontrar um homem para se casar, estimulada pelos pais. Miki Tokioka nasceu no interior. Ela estudou muito e entrou em uma universidade de prestígio em Tóquio. Ela passou por momentos financeiros difíceis, e agora trabalha em uma empresa de TI, mas sente um vazio na vida sentimental. Hanako Haibara e Miki Tokioka acabam se cruzando por causa de um homem que ambas conhecem.

A woman named Saki is discovered covered in blood and sat next to the body of an actor in the elevator hall of a condominium. She smokes a cigarette and seems stunned. The film takes audiences back two years in the past, a time when Saki, a staff member on a film, met the actor, Sho, on set and fell in love. He used her badly and had another woman on the side and so Saki reveals how strong her love is and the event occurs that night we first meet her. A short film directed by Shinzo Katayama, whose debut feature film Siblings of the Cape attracted and was screened in different countries. He also has a credit as an AD on Bong Joon-Ho’s mystery-thriller film Mother and Nobuhiro Yamatshita’s The Drudgery Train. The script is by Yukiko Sode who is responsible for Good Stripes and Aristocrats.

Midori Mantani and Masao Minamisawa are both 28-years-old. They have dated for 4 years, but their relationship seems to be just going through the motions. They think about breaking up. At that time, Midori becomes pregnant. Midori and Masao decide to marry. While preparing for their wedding, they become more familiar with each other's background. Midori Mantani grew up with parents who ran an iron factory in a provincial city that didn't offer much in terms of culture. Unlike Midori, Masao Minamisawa grew up in Tokyo and his family was wealthy. His father worked as a photographer and his mother was a doctor. He now works as a web designer. The couple begin to have a better understanding of each other.

Midori Mantani and Masao Minamisawa are both 28-years-old. They have dated for 4 years, but their relationship seems to be just going through the motions. They think about breaking up. At that time, Midori becomes pregnant. Midori and Masao decide to marry. While preparing for their wedding, they become more familiar with each other's background. Midori Mantani grew up with parents who ran an iron factory in a provincial city that didn't offer much in terms of culture. Unlike Midori, Masao Minamisawa grew up in Tokyo and his family was wealthy. His father worked as a photographer and his mother was a doctor. He now works as a web designer. The couple begin to have a better understanding of each other.

In a present, Asako, a housewife, lives with her 5-year-old son in a country side, separated from her husband who runs kindergarden. When she was young, she lives with her mother and young sister in a tiny and dirty apartment. A scar on her thigh, underwear, smell of those places... One day, those elements of her two different times comes cross strangely.

In a present, Asako, a housewife, lives with her 5-year-old son in a country side, separated from her husband who runs kindergarden. When she was young, she lives with her mother and young sister in a tiny and dirty apartment. A scar on her thigh, underwear, smell of those places... One day, those elements of her two different times comes cross strangely.

This spunky indie revolves around an independent young woman who faces an alienating world with her own set of values and relationships. Makoto does not lead a “good” life. She hates her family, dates a married man, and moonlights as a phone sex operator. Though she is busy everyday with work and rituals, she has no idea where her meaningless life is heading. Then one day, a good man, as kind and grounded as they come, enters her life and tries to straighten things out.

This spunky indie revolves around an independent young woman who faces an alienating world with her own set of values and relationships. Makoto does not lead a “good” life. She hates her family, dates a married man, and moonlights as a phone sex operator. Though she is busy everyday with work and rituals, she has no idea where her meaningless life is heading. Then one day, a good man, as kind and grounded as they come, enters her life and tries to straighten things out.

This spunky indie revolves around an independent young woman who faces an alienating world with her own set of values and relationships. Makoto does not lead a “good” life. She hates her family, dates a married man, and moonlights as a phone sex operator. Though she is busy everyday with work and rituals, she has no idea where her meaningless life is heading. Then one day, a good man, as kind and grounded as they come, enters her life and tries to straighten things out.

Yoshida is a young man who works part-time at a convenience store. When he finishes his part-time job and is about to go home, a girl who works with him, Taniguchi, stops him by saying, "I have a request for Yoshida-kun."

Yoshida is a young man who works part-time at a convenience store. When he finishes his part-time job and is about to go home, a girl who works with him, Taniguchi, stops him by saying, "I have a request for Yoshida-kun."