Federico Esquerro

“Argentina, 1985” é inspirado na história verídica de Julio Strassera, Luis Moreno Ocampo e sua equipe de jovens juristas, heróis improváveis que travam uma batalha de Davi e Golias na qual, sob ameaças constantes e contra toda as possibilidades, ousam processar a ditadura militar mais sangrenta da Argentina e embrenham-se numa corrida contra o tempo para fazer justiça às vítimas dos militares.

In 1978, Jorge Cafrune, musician and Argentinian folklore icon, set out on horseback to cross the country to pay tribute to the liberator general, José de San Martín. On the first night on the road, he was hit by a van. Some believe that the crime was ordered by a [...]

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

On 9 July – Argentina’s Independence Day – Llinás sets off in Buenos Aires with his regular cameraman Agustín Mendilaharzu to re-record ‘Corsini interpreta a Blomberg y Maciel’, an album made in 1929 by lyricist Hector Pedro Blomberg and composer Enrique Maciel, as an ode to Juan Manuel de Rosas, leader of the Argentine Confederation.

This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.

An intimate portrait of Marcos López, unique and unclassifiable figure, film director, visual artist and one of the most prominent contemporary photographers in Latin America.

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

A human tragedy on the backdrop of a legal and medical scandal which in 2007 lead to legal action against the Argentinean state before the UN Human Rights Commission and a verdict of guilty in 2011. The mentally and physically handicapped 16-year-old girl Laura had been raped by her uncle in 2006. But a legal abortion which had already been officially granted at the request of her mother, Vicenta, was opposed by lawyers and doctors.

Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.

La Patagonia, southern Argentina. After his mother's death, Nahuel, a violent teenager, meets his biological father, Ernesto, a skillful hunting guide; but their reunion is harsh, since their souls are only ruled by pride and resentment.

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

Na Argentina, mais de 8.000 pessoas morrem em acidentes de trânsito a cada ano. Atrás de cada uma dessas tragédias existe uma máfia por prêmios de seguros e suas brechas legais. Sosa é um advogado que vive em hospitais públicos e delegacias em busca de potenciais clientes. Luján é uma jovem médica recém chegada do interior. Uma história de amor começa quando Luján está tentando salvar a vida de um homem que Sosa considera ser um cliente em potencial.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

Julia é presa, acusada de ter matado o namorado, que estava envolvido com um homem. Mas ela está grávida e vai ter que criar o filho numa ala especial da prisão.

In Patagonia, a successful interior designer's life falls apart after he suffers a horrific accident.

Sebastián Pagani, a young film director, returns to his hometown to film a story of Haroldo Conti. There he expected a ghost from the past: recently, a childhood friend just committed suicide in mysterious circumstances. Pagani gets to know details about his death only multiply the enigmas. Slowly, he begins to become disenchanted with their own project to become more involved in research on the last day of the suicide. But towards the end, both concerns come together in unexpected ways. The Turn is a sad irony about memory and identity

Zapa (Jorge Román) é um trabalhador de 35 anos que vive em uma remota vila na Argentina rural. Quando seu chefe pede um trabalho especial para alguns clientes, ele concorda - na verdade, não tem outra escolha. Eles arrombam uma farmácia, os "clientes" estufam suas bolsas e Zapa escolta a fuga. Para evitar a prisão, Zapa é forçado a deixar sua família e sua cidade natal, fugindo para Buenos Aires, onde consegue uma vaga como cadete da polícia. Depois de meses de treinamento intenso, ele se forma. Agora é um bonaerense: membro da mais brutal e corrupta força policial da Argentina.

An album of odd and humorous stories on small places exclusively dedicated to idleness, which are empty in winter and crowded in summer: the spa towns. Cities under water, luxury hotels, mermaids, sea animals, sand castles, people who worship water, praying for health.

The film is about the stories of Ailí, Morón, Equis, Fer and Toro. They live together in Buenos Aires. It shows the intimacy of every day situations combining like a puzzle fragments of the five characters during five days of the week. Each one go through different situations that ends in an unique scene about the desires and limitations of our lives.

The supposed apparition of a virgin to a religious woman turns an Argentine city into a point of attraction for devout Catholics and a great economic resource for a town hit by lack of employment.

The portrait of a man and his attempts to make things up with life after losing his job.