Federico Esquerro

훌리오 스트라세라, 루이스 모레노 오캄포, 그리고 젊은 오합지졸 법률 팀의 실화를 바탕으로 한 영화다. 계속되는 위협 속에서 다비드 대 골리앗의 싸움을 벌이는 이들은 아르헨티나 역사상 최악의 군사 독재자를 기소하고 군사 지도자의 희생자들에게 정의를 찾아 주기 위한 시간과의 싸움을 이어간다.

In 1978, Jorge Cafrune, musician and Argentinian folklore icon, set out on horseback to cross the country to pay tribute to the liberator general, José de San Martín. On the first night on the road, he was hit by a van. Some believe that the crime was ordered by a [...]

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

지난 시절의 유명 앨범을 다시 녹음하기 위해 모인 세 명의 친구들. 여기엔 탱고음악의 숨겨진 영웅이자, 아르헨티나 최고의 가수 이그나시오 코르시니에 대한 추앙이 담길 것이라고 자연스레 추측된다. 그러나 마치 안개가 스며들듯 음악 속에 잠겨 있던 옛 부에노스아이레스의 핏빛 역사 또한 고집스레 모습을 드러낸다. 접근하기 어렵고, 기이한 이 안갯속에는 독재자 후안 마누엘 데 로사스(Juan Manuel de Rosas)가 있다.

This is a film with music. Or about the music and texts that accompany, in a poetic way, a decisive battle between Unitarian and Federalists. The vicissitudes of the birth of a nation based on the play written by Mariano Llinás and Gabriel Chwojnik, whose images achieve some hypnotic strength.

An intimate portrait of Marcos López, unique and unclassifiable figure, film director, visual artist and one of the most prominent contemporary photographers in Latin America.

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

가난하고 문맹이지만 아르헨티나 정부에 맞서 정당하다고 생각하는 것을 얻을 용기가 있는 여성의 이야기이다. 그녀는 딸의 임신을 법적으로 중단하려고 한다. (제22회 전주 영화제)

아빠의 뇌졸중으로 인해 에우헤니아는 부에노스아이레스 인근에 가족들이 머무는 곳으로 수년 만에 돌아가 엄마와 언니를 다시 만나게 된다. 이로써 세 여인은 이제는 한물가버린 군부독재를 배경으로 지난날에 남아있던 감정적인 트라우마와 어두운 비밀들을 직면해야 한다.

La Patagonia, southern Argentina. After his mother's death, Nahuel, a violent teenager, meets his biological father, Ernesto, a skillful hunting guide; but their reunion is harsh, since their souls are only ruled by pride and resentment.

부에노스아이레스의 한 묘지를 찾은 젊은 여인. 서로 너무나 달랐던 두 어머니의 무덤 앞에서 과거의 파편들이 고통스럽게 떠오르기 시작한다.

In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a lawyer who tours the A&E Departments of the public hospitals and the police stations in search of potential clients. Luján is a young doctor recently arrived from the provinces. Their love story kicks off one night when Luján and Sosa meet in the street. She's trying to save a man's life; he wants him on his client portfolio

남자 X가 살인 장면을 목격한다. 현장에 다가간 X는 예상 밖의 일을 저지른 후 황급히 자리를 떠난다. 남자 Z는 새 일자리를 구한다. 20년이나 일했다는 전 직원이 썼던 차를 정리하던 Z는 이해할 수 없는 암호로 가득한 공책을 발견한다. 수로 개발을 두고 의견이 분분하자 팍토로비치는 남자 H를 고용한다. 남자 H는 이유도 모른 채 강을 따라가며 교각이나 기둥의 사진을 찍어야만 한다. 정체불명의 세 인물을 중심으로 한 세 줄기의 이상야릇한 이야기가 펼쳐지며, 모든 이야기는 마치 책을 읽어 주는 듯한 내레이션을 통해 전해진다.

임신 중인 훌리아는 피투성이가 된 두 명의 남성에게 둘러싸여 깨어난다. 이들은 모두 훌리아의 옛 애인이다. 수감된 훌리아는 비슷한 처지의 동료를 만나 도움을 얻고, 연락이 끊겼던 친어머니와도 상봉한다. 이 두 사람은 열악한 환경에서 아이를 기르려는 훌리아의 협력자인 동시에 방해자가 된다.

In Patagonia, a successful interior designer's life falls apart after he suffers a horrific accident.

Sebastián Pagani, a young film director, returns to his hometown to film a story of Haroldo Conti. There he expected a ghost from the past: recently, a childhood friend just committed suicide in mysterious circumstances. Pagani gets to know details about his death only multiply the enigmas. Slowly, he begins to become disenchanted with their own project to become more involved in research on the last day of the suicide. But towards the end, both concerns come together in unexpected ways. The Turn is a sad irony about memory and identity

Zapa is a locksmith in a quiet and little town lost somewhere in the province of Buenos Aires. The work is quite slow, and hours seem to pass slowly. Polaco, the owner of the shop, sends him on a job that consists of opening a safe at an office. The next day, Zapa is imprisoned for being responsible of robbing the place. Ismael, his uncle, a retired policeman, bails him out and sends him to Buenos Aires. Zapa becomes an aspiring officer in the Buenos Aires Police. He gets to his new home city, takes the instructional course, works at a precinct, has a love affair with a teacher and starts to see his life turn into a strange fiction.

An album of odd and humorous stories on small places exclusively dedicated to idleness, which are empty in winter and crowded in summer: the spa towns. Cities under water, luxury hotels, mermaids, sea animals, sand castles, people who worship water, praying for health.

The film is about the stories of Ailí, Morón, Equis, Fer and Toro. They live together in Buenos Aires. It shows the intimacy of every day situations combining like a puzzle fragments of the five characters during five days of the week. Each one go through different situations that ends in an unique scene about the desires and limitations of our lives.

The supposed apparition of a virgin to a religious woman turns an Argentine city into a point of attraction for devout Catholics and a great economic resource for a town hit by lack of employment.

The portrait of a man and his attempts to make things up with life after losing his job.