Writer
In the Gardens of Carthage, a district of Tunis initiated by the former Regime where construction stopped at the beginning of the Revolution, two cops, Fatma and Batal, find a burnt body in one of the lots. As construction slowly resumes, they start looking into this mysterious case. When the event repeats itself, the investigation takes a puzzling turn.
Director
In the Gardens of Carthage, a district of Tunis initiated by the former Regime where construction stopped at the beginning of the Revolution, two cops, Fatma and Batal, find a burnt body in one of the lots. As construction slowly resumes, they start looking into this mysterious case. When the event repeats itself, the investigation takes a puzzling turn.
Writer
Nada is a young woman leading a double life. During the daytime she’s quiet and reserved, but after dark she dives into the nightlife of Tunis and picks up men. First, she lets them tell their stories – as she doesn’t speak, she acts as a kind of confidante – then beats the hell out of them. When a new colleague, Noura, arrives at her workplace and Nada finds a mythical knife at the home of one of her victims, events are unleashed over which Nada has less and less control.
Director
Nada is a young woman leading a double life. During the daytime she’s quiet and reserved, but after dark she dives into the nightlife of Tunis and picks up men. First, she lets them tell their stories – as she doesn’t speak, she acts as a kind of confidante – then beats the hell out of them. When a new colleague, Noura, arrives at her workplace and Nada finds a mythical knife at the home of one of her victims, events are unleashed over which Nada has less and less control.
Director
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
