Christian Harting

Nerdy tax official Eva is fired for giving speeches about a fairer tax system in the park. An Internet video of this goes viral, jeopardizing a planned mega-merger. That's why the company bosses are determined to stop Eva's popularity.

A Father's Job tells the story of a Jewish woman's fate in the middle of the last century in Germany. Step by step connections become apparent and result in an overall view that doesn't just comes up with an unexpected counterpart but also turns temporal orientation upside down.

A naïve New Yorker retreats to his dead Grandfather's summer cottage, a datsche in Germany, but instead of peace he finds Adam, a refugee in hiding.

Sofia, a sweet, careless violinist, is new to Berlin. She performs music on the streets and sidewalks of the city. Her whole life is serene and based around her violin. One day she meets Karl, a mysteriously charming man who woos her. All is well until one day she wakes up only to find Karl and her violin missing.

Romantic Comedy about Alper, an unsuccessful Turkish actor from Berlin, Germany, who has to pretend to be an Italian to win his first role and the heart of a German girl who doesn't like Turkish guys.

Em 1913, durante o declínio do Império Austro-Húngaro, uma jovem mulher (Juli Jakab) retorna à Budapeste, cidade em que nasceu, depois de anos vivendo em um orfanato. Ela começa a trabalhar na loja de chapéus comandada por parentes distantes sem que eles saibam dos laços que compartilham com a jovem.

Tom is a lonely young man. During a burglary with his best friend he becomes obsessed with the victim, Lars, a young history lecturer who lives in the apartment. Tom starts to observe Lars secretly and pursue him without revealing his existence or feelings for him. At the same time, Tom is developing a second obsession to a motorcyclist that he occasionally sees. More and more Tom gets lost in a labyrinth of passions. As Lars discovers him, the persecutor becomes the persecuted leading to a shocking confrontation.

Adolf Hitler desperta no mesmo local em que ficava o seu bunker há 70 anos, mas vira um fenômeno da mídia ao ser confundido com um comediante.

1944, campo de concentração de Auschwitz, durante a Segunda Guerra Mundial. Saul (Géza Röhrig) é um judeu obrigado a trabalhar para os nazistas, sendo um dos responsáveis em limpar as câmaras de gás após dezenas de outros judeus serem mortos. Em meio à tensão do momento e às dificuldades inerentes desta tarefa, ele reconhece entre os mortos o corpo de seu próprio filho.

The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.

The exits of a Berlin courtyard are blocked by the police due to an ambiguous event outside and a state of emergency occurs. Among the residents of the building, insecurities start to pump fear. Suspicion takes over panic, prejudices bring polarization and another question appears: Is the real danger coming from inside or outside?