Mai Meksawan

Jimmy, a 40-year-old former popstar turned engineer, is sent to the region of his childhood to supervise the renovation of an old hotel. Once settled, Jimmy finds out the once flamboyant hotel has become a ruin, a maze of narrow corridors and a relic of a bygone era, which still bears the scars of the American occupation. In the heart of this mysterious place, Jimmy will wander between dream and fantasy and retrace his family’s history.

In a corrupted southern Thai town struggling with its major environmental damage, a young Muslim woman is facing an inner struggle against the imposing wall of her cultural and religious background, as she develops a relationship with a female artist from out of town.

A spiritual time-shifting drama following a woman from her carefree 20s in 1960s rural Thailand to present-day Bangkok as an older army general's wife.

Worship is premised on a hard reality of the poor in Thailand: the only way for them to climb the economic ladder is not with hard work and financial prudence, but by winning the game of chance—lottery. Many of them thus stay devoted to their faith out of fervent hopes that the deities would reciprocate their devotion by endowing them with luck and prosperity.

Como você monta o quebra-cabeça se a imagem está faltando? Você começa com peças individuais e vê como elas se encaixam. São os quatro jovens atores em uma viagem a Kanchanaburi, "uma cidade tão significativa e eu prefiro morrer se não ficar com você," como diz a música. O quarteto veio a Kanchanaburi para ver o museu, mas está fechado para reforma.

Em uma vila à beira-mar, Nobi, um pescador local, encontra um homem ferido inconsciente na floresta.

Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.