Harish Khanna

In the wee morning hours at a remote railway station in rural India, a chance encounter changes the lives of a few young people forever.

Set in the meditative quietude of a Himalayan village, Tathagat is a poetically shot tale of guilt. Following the journey of a monk questioning his renunciation, this philosophical drama takes a thought-provoking look at the relationship between our childhood memories and adulthood perplexities.

The film is set in a remote village of Assam,India. It revolves around Khagen, a farmer, whose wife dies is an incident. He struggles to carry the dead body in his bicycle back home from the hospital due to the unavailability of an ambulance. As he walks through the pebbled roads with the body and his young daughter,he comes across two reporters and as a result, their journey turns to a different battle altogether.

A photographer who clicks the last photographs' of the dead at Varanasi's Manikarnika ghat goes on a journey through the periphery of the circle of life and death only to discover that his own death will be documented by his son through his old camera.

A transgender child from Lakshadweep sets off to Mumbai in pursuit of Akbar, an elder brother who left the island due to his sexual orientation.

In the more or less lawless Chambal Valley in 1975, a gang of bandits led by Maan Singh are up to mischief. The lawless men, who call themselves Bhaagis (rebels), live by robbery and attack the villages in the area. Since they have previously committed a more than shameful crime, they are hunted mercilessly by the police. When Maan Singh learns about a treasure of gold that is about to change hands at a wedding reception, the target of her next heist is clear. They have no idea that it is an ambush of the police. Some of the gang members barely manage to escape and flee into the inhospitably barren surrounding area. While a dispute arises about how to proceed, they meet a woman from the lowest caste who is being hunted by a family clan. In their care there is a girl who was raped and seriously injured by the leader of that clan. The bandits see the opportunity to atone for their shameful crime.

Jay é um misterioso jovem britânico e mulçumano que viaja para o Paquistão para comparecer a um casamento, armado com uma espingarda para sequestrar a futura noiva. Apesar de sua eficiência, circunstâncias o obrigam a fugir com sua refém para a fronteira e Jay tem que lidar com segredos e mudanças de lealdade que colocam seus planos em risco.

Para melhorar sua relação com o filho millennial, um viúvo sem experiência na internet recorre às redes sociais e finge ser uma mulher.

Índia, século IX. Vinayak vive em Tumbbad, uma pequena aldeia em ruínas controlada pelo seu pai, que não o reconhece como filho. Ele é obcecado por uma lenda local sobre um tesouro mítico, que foi enterrado ali pelos seus ancestrais. Muito teimoso, ele decide dar início a uma investigação para encontrar o artefato que o acompanhará por toda a sua vida, levando-o a um acerto de contas épico.

When a vulnerable new student finds comfort in her brash teacher, their academic relationship takes a manipulative and troubling turn.

Uma mulher desobedece a vontade dos anciãos do pequeno vilarejo onde vive e parte para a cidade grande em busca do marido desaparecido.

Em 15 de agosto de 1947, a Índia conquistou a sua independência. Neste exato momento, à meia-noite, nasceram duas crianças em uma maternidade. No entanto, uma enfermeira decidiu trocá-los: Saleem, filho indesejado de uma mãe pobre, foi criado no lugar de Shiva, o filho biológico de um casal rico. A história dos dois garotos será para sempre ligada ao destino político do país, principalmente quando a Índia entra em guerra, e eles se encontram em lados opostos na batalha.

Uma saga delirante que segue o destino de duas gangues por três gerações na sua luta ferrenha para dominar as negociatas das indústrias de carvão e de ferro velho na área de Wasseypur, tendo como pano de fundo as mudanças políticas e sociais da Índia, a sombra contínua da corrupção e a obsessão local pelo cinema do Bollywood. Na segunda parte da saga a guerra já envolve o internet, a manipulação das eleições e assaltos mas o motivo de vingança que move os personagens leva a um desfecho sangrento.

When her father is killed in a road accident, Trishna's family expect her to provide for them. The rich son of an entrepreneur starts to restlessly pursue her affections, but are his intentions as pure as they seem?

Susanna is hungry for love and will go to any extent to find it in its purest form. In her quest for the perfect man, she gets married a number of times as each of her husband's die mysteriously.

A film on feminine legacy of rebellion, language and transgressions. Using the composition of Mahadevi Akka, a 13th century saint-poet, the film explores the multiplicity of contemporary women and their own points of transgressions.

Dhananjay and Aaftab are half brothers who have never met. When they first do they instantly loathe each other, having nothing in common. One night, Aaftab blows up a loaded truck while trying to steal from it and attracts a mass of unwanted enforcers. Soon, Aaftab is forced to send Dhananjay into a trap but ends up with them both being handcuffed and escaping from the Border Security Force, the Central Bureau of Investigation, and the border mafia who are attempting to incriminate the brothers for anti-national activities and murder. Fate has it such that they are forced to escape on foot, on motorbikes, cars, stolen trucks, and even handcuffed to each other on a moving goods train.

The amendment in the law, making it compulsory for one-third of the Gram Panchayat representatives to be women, is not received favourably by the ruling Sarpanch of the village, Thakur Ratan Singh. Although he puts up a front of being in favour of the idea, along with his son Inder Singh, he conspires to field wives of friends, whom he hopes he can control through their husbands and through the caste network. Vidya, wife of Bhanwar Singh who is indebted to the Thakur, is one of the newly elected women Panchayat members. Vidya, who is educated, notices that the political empowerment of women is only on paper and in reality decision-making still continues to be with the manipulative old guard. Vidya decides it is time for a change.